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Sequences in sentence

1020 examples of Sequences in a sentence

I blame others for the over emphasis on the student revolt sequences at the start but have to say that from there on in this is one of the directors most beautiful looking pictures and he certainly got the very best out of the man made and natural landscapes.
The highlights, though, like Mary Poppins, were the animated sequences.
One of the first of the best musicals, Anchors Aweigh features several memorable musical sequences, such as Kelly dancing with Jerry the mouse, Kelly dancing with 7-year-old Sharon McManus, Sinatra singing with Jose Iturbi playing piano, Kathryn Grayson singing with Iturbi conducting, and much more.
The special effects are top notch (a quality always prevalent in ALL of Paul Verhoeven's films)as we get to see some "body reconstitution" sequences never seen on a movie before.
The story develops directly and consistently, the action sequences are creative and not too dominant, all the set-ups payoff by the end.
I was shocked by the fight sequences they were great.
There are some visually stunning montage sequences bridging the leaps of time between the movie's different episodes.
This movie set out to be better than the average action movie and in that regard they succeeded.This movie had spectacular cinematography featuring spectacular mountain snow and heights,a very fit Stallone putting in a good performance as well,an exciting plot,and a great performance from it's main villain becouse he will really shock you with his evil ways.The movie does not rank an all time great becouse of the weak screen play.The plot and story cries for this movie to make Stallone an extra special human,much like the Rambo or Rocky or Bond movie characters.They chose to humanise Stallone's character in this one which is ok but considering the plot's style,weakens the excitement factor.Also,the dialogue was cheesy and carelessly condescending at times.The script should have been more realistic and less "talky".Another weak point was the unrealistic shooting scenes.The movie makers should have been more carefull how they hadled the shooting hits and misses.They should have continued the quality of the scenes of the shooting sequences during the plane hijacking early in the movie.Instead,they decided to water down a lot of the shooting sequences (ala "A-Team" TV series) as soon as the villains set foot on the mountain tops.This movie had a lot of all time great potential.Crisper action sequences,better dialogue and more Rambo/Rocky style emotion/determination from Stallone would have taken this movie to a higher level.I know this was not Stallone's fault.I sense the movie's director wanted to tone down Stallone's character and try to steal the movie by taking credit for his direction which was not all that great if not for his cinematographer.Sill a good movie though........
To break up the detached plot and jokes they gave us some silly musical sequences, which much like the jokes, range from entertaining to a quick trip to the fridge.
The dream sequences and flashback-sequence-ending were fresh.
I had to switch the channel on some of the gritty sequences, but all-in-all, a great film!
Verhoeven thinks he can make it better by adding in a series of dream sequences, which instead of defining our main character and his situation, are just used as a way to drive forward the predictable plot.
O'Toole takes a character that potentially could have been a buffoon and creates a hilarious yet touching portrayal of an aging action film star who has to do American TV for his "new business associate- the IRS"...assigned to watch over our British invader is Mark Lynn-Baker, who is lucky to still have hair by the end of the show...which by the way is one of the cooler endings ever...and ya gotta get the movie to see it for yourself...I could say something wonderful about each member of the cast...and you'll want to pay particular attention to Joseph Bologna as "King Kaiser"...in fact, rent this movie, enjoy it, then buy it...you can watch it over and over again and love it each time...one note...the scene with the firehose on the roof is one of the funniest movie sequences ever...but it is all good...and I loved it!
I see horror films from all over the world so I am pretty jaded when it comes to something "scaring" me but this film has many sequences that truly are frightening and disturbing.
The duel between a man and a woman in love is seen by me as the most exciting genre on Earth however what this movie offered was, with exception for some sequences, awfully boring and senseless.
The title sequences were so similar it was uncanny as the camera travels along a rail track to a hypnotic beat .
There are two sequences in Paganini Horror (one at the beginning, the other close to the ending) so silly and dumb that you can't do nothing but laugh.. unfortunately the rest of the movie can be quietly trashed away, its boringness is something unbelievable (especially during the music scenes).
Great use of silent sequences, close ups, slow motion, black humor, and mood lighting, Hitch's most underrated talkie (Easy Virtue is is most underrated silent film), this murder mystery offers all kinds of plot twists and sly humor even though you know the outcome long before it unspools.
And - worst of all - even the fight sequences are much less than standard.
Not enough dragon sequences.
Fans of the Thomas series will want to fast-forward through the live action sequences (which truly never match the Sodor world) to get to the train sequences.
The 126 minutes' length hints of a genre-piece that can't stop itself: the director wrote twice as many fainting scenes, dream sequences, and face-offs between heroine-villain as any film could sustain, and then left in every damned one of them.
I have seen a lot of action films, and this one has the best direction for action sequences.
He is also an incredibly talented cinematographer, as you can tell with many clever, artistic touches and how his camera looms for some time over the tranquil lake-front setting in between the very graphic murder sequences.
Even though it's been cut and banned many times, the gore isn't all that nasty, or frequent; with only a few sequences really hitting the 'disgusting' mark.
Certainly a decent cop - thriller; it's quite entertaining despite some actions sequences that are really unlikely (they could also be called brainless).
With the exception of a few well done action sequences this one had no hope of being good at all.
There was a lot of interesting props used in the fighting sequences which made it interesting to watch at times with a few bloody surprises thrown in for free.
The game also has a magnificent story(and well-told(partially through rather marvelous voice-acting, and some through beautifully animated video sequences), complete with three perspectives, and well-written characters).
The lost potential in this film is monumental - between gathering the hardware which provides an authentic backdrop (aircraft, uniforms & flight gear, restoring a former WWII base for filming, etc.) and selecting a capable cast, the entire effort was shot in the head when it came time for the script - not to mention some model sequences which, in spite of emerging technology, still just flat don't 'work.'
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