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Sequences in sentence

1020 examples of Sequences in a sentence

The climbing sequences however are very well done because instead of doing the whole film in a studio somewhere the locations they chose felt very real and the Ariel views of the mountain ranges are marvelous adding a touch of reality to the movie.
So the acting isn't award winning material and at times the action is slow-paced because the filmmakers are shooting longer sequences and not a million instants that then get edited into a movie.
I had remembered the musical sequences, the colour and the gorgeous fashion plate poses and clothes but the plot is weaker than the earlier Anna Neagle/Michael Wilding film Spring in Park Lane and Maytime doesn't stand up so well to the passage of the years.
The acting isn't always up to par and the characters aren't fully drawn out, but they are more than compensated for by down-to-earth dialogue, a plausible story, fantastic dancing sequences and a timeless hip-hop sound track.
The two main action sequences in this, I believe, are enough to satisfy me.
The long drawn out travel sequences actually allow the viewer the same frustration and 'wait- in-line' feeling the characters must endure.
The murders are pleasingly nasty and barbaric, which I was really hoping for since the awesome aforementioned opening sequences, and waste a whole lot of gratuitous blood.
I was entranced by this film, Crowe's performance (again), the subject matter (and yes, what a debt we owe), how various matters were addressed and dealt with, the flying sequences (my father flew Avro Ansons, too), the story - and, as another contributor pointed out, Crowe's recitation of High Flight.
The visual concepts of the flash back sequences are powerful and resonating.
I especially loved the dance sequences during his showbiz stint.
The film quickly develops into a chase sequence, during which the viewers learn about the three main characters through flashbacks and daydream sequences.
The hunting sequences were sometimes from stock footage, as it was easy to recognize some rear projection scenes of animals, but even these were fascinating.
The director was drunk, the bad stand in for the werewolf at points, the atrocious English dubbing, the inclusion of sequences from the first Waldemar film MARK OF THE WOLFMAN aka FRANKENSTEIN'S BLOODY TERROR and the grotesque overuse of that film's music score throughout etc, but seen in it's original widescreen format and uncut ( ie: WEREWOLF NEVER SLEEPS ) it is one of the wildest and most outrageous of the Daninsky werewolf series, with a plot line unmatched in it's everything but the kitchen sink approach.
It never failed to creep me out, and the stalk sequences are absolutely brilliant, plus Nancy Allen and Keith Gordon had fantastic chemistry together!.
However, it'll be hard even for them not to appreciate the several imaginative sequences this film contains, or to ignore Krabbe's first-rate performance.
I don't have this movie here on my list of all-time favorites, but I still thought it was funny, had some very enjoyable sequences and made a good story.
When the action sequences kick into gear, he kicks ass--and does so in a strong, silent, matter-of fact way.
There are some fine sequences, but it doesn't quite hang together.
It's still a shock to hear his gravelly voice in the talkie sequences - his voice is about the only thing I don't care for, as far as Buster is concerned - but his ability to take a pratfall is still unparalleled.
The theme is the worst of the bunch, the credits sequences the least creative.
I must admit a slight disappointment with this film; I had read a lot about how spectacular it was, yet the actual futuristic sequences, the Age of Science, take up a very small amount of the film.
The whole plot and sequences of season 2 were mysterious, creepy, and exciting.
The co-ordination of the action sequences are laughable and make the film have some funny slap stick moments.
Some of the characters and sequences are exquisite while others are somewhat juvenile and undistinguished.
The acting is typically trashy, but most of the women get to appear nude at some point and despite a poor reputation, director Andy Milligan actually seems to have an eye for this sort of thing, as many of the sequences in this film are actually quite beautiful.
Sure there were a few mistakes here and there (especially with the timeline--the movie only appeared to last a few months or perhaps a year--not over six years of actual fighting), but the overall spirit of the film and the battle sequences were excellent.
First, many of the action sequences really aren't that much fun.
The filmmaker creates a few surreal dream sequences that are borderline pretentious but it is fun to see how hard he tries to put this film above your average chicks-in-chains flick.
Now, that controversy out of the way, let's move on the actual movie...I thought the script was really well thought out and written tightly...The action sequences were simply great, although it is obviously a stuntman riding the rhino, Weissmuller actually wrestles the big male lion...The use of background shots that were second unit stuff from Africa is very well blended with the studio & US locations making it sometimes hard to tell which is which.
Her gradual transformation in character from an obedient if unwilling complicitor in social injustices of her day is adeptly evidenced by telling sequences: her witnessing of the hated local Duke's casual rapist activity, her forbidden love affair with a Jew, her criminal defection to the invading Moslem forces of the sensual Prince Ahmed (Anthony Corlan) There are some painfully realistic gory sequences (human flaying) in this film that are not for the squeamish, but viewers with strong stomachs and an interest in medieval history should find ample interest.
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