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Sequences in sentence

1020 examples of Sequences in a sentence

Incredibly dull scenes were broken up too sparsely by good wholesome cheap porn and entertaining dream horror sequences.
Sure, the action sequences were amusing, but that was pretty much it.
Some of the intertitles are overly explanatory (e.g., "why, you're not a child anymore!"--cut back to picture for a long, slow beat--"you're a woman!" yes, we got it the first time) but there are a few talking sequences that beg for explanations that never appear.
I did enjoy the clown sequences, and was very impressed at the stunts.
For you see, the notorious demigod Lucio Fulci did not only produce this movie, he also took the liberty of re-using the most sadistic killing sequences in his own (and more easily traceable) "Cat in the Brain".
Too many endless and repetitive sequences (how many times do we see Robertson walking down the stairs slowly because he can hear someone playing the piano?).
The usual map room sequences tattoo the movie to make us supposedly drawn into the whole Malta event.
Poor screenplay(almost non existent) and song sequences with bad songs every minute and at the most odd times killed whatever humor the movie could offer.
His interactions with the rebellious Izzy and particularly his ignorance regarding modern earthly technologies often result in worthwhile and memorable sequences.
Even by 1950's standards, the special effects are atrocious, except for a couple of underwater submarine sequences.
The action sequences seem more like a series of haphazard Akshay Kumar Thumbs-Up advertisements stitched together.
There's plenty to appreciate here: spectacular locations and flying sequences; period costumes, props and sets; and competent writing and acting.
Not only that but the central rock club and cannabis sequences are very forced and just look stilted.
No good thrill, realistic sequences.
Otherwise, the most interesting musical sequences are the opening "Hooray for Hollywood" parade and "Let That Be a Lesson to You" production number at the drive-in restaurant.
If all you want is a video game, complete with what look like straight-from-the-computer cutaway sequences for action the film was too cheap to actually make special effects for, this is it.
I was interested to see the move thinking that it might be a diamond in the rough, but the only thing I found was bad writing, horrible directing (the shot sequences do not flow) even though the director might say that that is what he is going for, it looks very uninspired and immature) the editing could have been done by anyone with 2 VCRs and the stock was low budget video.
No chases, no cliffhanging sequences, and no suspense.
There are some "weird' and "surreal" sequences in the movie.
The character development sequences (the soilders' flashbacks, looking back to their last moments, before being deployed) should have been throughout the movie and not just clumped into one long memory.
There's a few spooky moments (in the Village of Crazies, mostly), and some mildly impressive martial arts sequences.
It started with the oddly upbeat quality of the opening score (what - no brooding music?) and then the rather slow moving opening sequences.
It was because the movie was badly written, acting lacked emotion and I did not understand the several dream sequences with the wolves and buffaloes.
High points - Molly Shannon (although I do agree with the reviewer who found her annoying on occasion), the cabbie in drag, and the dance sequences (if Sam & Gray were such great dancers, I wish we'd seen more of that, as the bits we were shown were indeed better than most of the rest of the movie).
This is the kind of humor with certain sequences that make you wonder if they're supposed to be funny or not.
The picture is balky with turgid sequences, a wobbly narrative and confusing editing (always slanted to point up the artistic excesses).
kaufman's movie plods along with gratuitous sex scenes interspersed with often painful dialog sequences (in one scene i counted three different 'generic European' accents affected by the actors) and displays of state might run amok, yet fails to tie them together into the coherent meditation kundera offered.
Nemesis 2 doesn't even have that ambition, it's a cheap rip off of The Terminator with a muscled female who is so low on acting ability she makes Olivier Gruner seem like a master thespian and the action sequences lack the explosive scope that was the main selling point of the original.
Instead we get risibly bad song and dance sequences featuring picturesque beggars and whores, and the final alienation is accomplished by pulling back to reveal the action has taken place on a music-hall stage, appropriately enough for a production that's more Lionel 'Oliver' Blair than Brecht.
With action sequences so poorly staged and badly edited you can barely make coherent sense in the fight arena.
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