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Sequences in sentence

1020 examples of Sequences in a sentence

The fight sequences are top-notch, Bruce Lee quality, which is the only redeeming factor in this entire pathetic excuse for a motion picture.
This movie is really nothing besides an admittedly well-crafted series of tense sequences punctuated with an inevitable "gotcha!" at the end of each.
The dream sequences only lack the hazy transitions.
As I look back, not even the action sequences were all that exciting and therefore this movie is a worthless dud.
And boy, do they milk those clips from the earlier films; sometimes reusing sequences over and over again.
Seeing this cash cow just sitting there, and wanting to explore other aspects of society, the writers and directors then lead you through what has to be some of the most painful monologues and non-action sequences in SciFi.
The only highlight of this film, and only reason I gave it 2 stars instead of 1, is that A. it is Seagal, and B. Seagal does have some sweet action sequences, specifically in the store, and also when ever else he takes out an entire army with a knife.
And not just from another serials (apparently all the flying sequences come from King of the Rocket Men, and the cool "molten rocks" scenes of episode 2 to 3 is from Adventures of Captain Marvel), but from itself!
Alive, like all of his films has an interesting plot, some nifty sequences and a fair amount of creativity.
Very little gets explained as the movie progresses, with as a result lots of weird sequences that seem to have a deeper meaning but because of the way of storytelling they become only just weird and not understandable to watch.
The opening sequences are atmospheric, there immediately are some scary moments to enjoy and our director even refers to his own notorious stinker "The Giant Spider Invasion" in a playful way.
There wasn't any budget for bloody murder sequences but our multi-talented director (?) tries to compensate this with endless footage of disco dancing girls and an amateur rock band.
Someone like Andy McNabb - who made that brilliant action sequence in Heat as they move up the street from the robbery - would have turned the dull action sequences into something special.
Very much a film from the times -- extremely long sequences with no dialogue, bad flashbacks, and an almost entirely male cast.
If we consider the action portions, well there are unbelievable action sequences in some films that make you giddy and there are some that make you groan.
The chase sequences are brilliantly directed, and shots and camera angles are impressive and bring a bit of class to an otherwise, rush-felt film.
The film opens with its absolute greatest and most hauntingly memorable sequences, though sadly enough they're the only ones that qualify as such.
Ever since the cinema-loving universe made acquaintance with a guy named George A. Romero, the word "zombie" automatically gets associated with blood-soaked horror images and non-stop acting sequences.
However, this movie falls short of conveying the overall intentions of the play with the ridiculous musical sequences.
"The Order" was clearly edited to such an unconscionable degree that the scenes, rather than forming a cohesive and provoking film, appeared to be a collection of disconnected sequences that did little to forward any semblance of a unified plot.
Another telling sign is that this was directed by Richard Pepin who has none of the flair Joseph Merhi seems to have in crafting action sequences that feel much more expensive than their budgets.
In one of those hideous "villain explains the whole movie" sequences we are told that our villain has done something which quite simply can't be done and which makes absolutely no sense whatsoever.
In the opening sequences of this film, you are given the explanation.
In spite of having some exciting (and daring) sequences, NBTN just never gets going.
It does feature some surprisingly effective jump scares and nasty graphic murder sequences that should please any horror fan, as long as they can get past the silly story line, that must have been dated even in 1980.
on a directorial level making a noir film does not involve lots of raining sequences and pointless closeups on the main character.
There are some sequences that are touching, but they're all played for laughs.
There are some things to admire in it; for one thing it deserves credit for being a science fiction(ish) film which relies on its story instead of special effects and action sequences to carry the day.
The are sequences involving a little bit of animation, repeating lines twice in different perspectives, and changing speeds for moments, and all of these are irritating to the point of confusion and boredom, making it a silly crime drama.
They cannot be fooled by flashy computer graphics, and non stop action sequences.
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