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Seems in sentence

11179 examples of Seems in a sentence

"Bar Hopping" seems to be trying to be about the stereotypical bar tender and lay "shrink" serving up pearls of wisdom followed by example vignettes played out by the cast.
Perhaps it was the large-print blurb from Ain't It Cool News on the ads that caused me to approach the film with some trepidation (it seems that Harry Knowles and his minions will approve of any film for VIP passes and free food), but "Hatchet" makes me question what writer-director Adam Green's idea of "old school American horror" really is: based on the evidence here, it means the insipid, late-'80s rip-offs of "Friday the 13th" and "Deliverance."
It seems to herald a more serious, more meaningful film, but I don't think they even got into the serious or meaningful territory to begin with so trying to over sell the meaning comes off silly.
His acting is so horrible in this game that it seems like he's imitating someone who happens to be impersonating him.
As for John's acting, he doesn't look particularly comfortable, despite apparent efforts to make him look at home; he seems to be ducking the camera most of the time, and he never connects with the audience in an immediate way.
Huevos de oro seems to aim at the well educated Spanish middle class.
Sad to say, this movie, much like the title of the post, is stranded at third by a movie that seems to be running on autopilot.
The film is completely disjointed, each scene seems to confuse the story further rather than carry it forward.
Everything that made the original so much fun seems to absent here.
Whenever they do anything there seems to be this circus-like music and overused BONK and BOING noises when they hit people.
Or so it seems.
It's hard to know if this movie is trying to be a comedy or just is so bad/weird that it sometimes seems like it.
Replacing the knocks in the door with doorbells and horses with cars seems funny.
This Macbeth seems to be a looser with a brain injury not a valiant warrior, brave and ambitious that wants power so much he is prepared to to kill and who gets caught up in a net of fears and despair.
He seems to "specialize" in wide-eyed, wide-mouthed reaction shots; not a lot of personality here.
While Lopez de Ayala tries hard to portray Juana as a romantic and passionate young woman, completely obsessed by love to her handsome husband, it seems as if she weren't able to develop her character over this one-dimensional feature; Juana was an important figure in Spanish history, and politics of that time were essential in her storyline... but here she's introduced as a romantic leading lady out of a soap opera; this is a real pity, and the film a missing opportunity to show the way personal lives can influence History and vice versa.
It seems a clear choice to attract young audiences, as both of them look like top-models of this era.
The almost pornographic style of the film seems to be a failed attempt to recover from a lack of cohesive or effective story.
The biggest problem seems to be the director's inability to make up his mind as to whether it's black comedy, farce or a combination of both.
Secondly, Middletown (which isn't actually a town, but a tiny village) seems to lack some essential services, such as police and fire service: murder can only be dealt with by a family member with a crowbar; residents watch an inferno that threatens to engulf the whole town as though they were at the cinema.
One of the main points of the film seems to be that ending the life of a terminally braindead child and ending the life of a murderer are somehow analagous.
I've read all the complimentary posts on this muddled semi-noir and am puzzled at the high regard for what seems, in the cruel light of 2007, a very sloppy late-RKO assembly-line product.
The plot is something out of an episode of "Highway to Heaven" and Bronson seems like a fish out of water with the majority senior citizen cast and the gun play is so out of control you don't even get any satisfaction from Bronson's revenge against the bad guys.
It has some wicked transvestite humor and a fairly game cast, but a script that seems to have been watered down along the way.
Nearly everything that Stephen King has ever written seems to have been turned into a film or TV series; in fact, I'm surprised that no one has tried to make a mini-series from the guy's grocery list.
The plot moves so slowly that the 90 minutes seems endless as characters do nothing but mope and emote.
The directing seems to be nonexistent.
Further, the story is illogical, and seems that Chicago is the only city in the world.
The story on this seems rather interesting, with speculative hints.
If you still think the plot seems intriguing, reflect on this: telephones can move, run and kill people as can also any other electric appliance.
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