Sculpture in sentence

137 examples of Sculpture in a sentence

And as we're moving up the stairs, getting closer to the sculpture, my oldest son, who's nine, says, "Dad, how come he gets to ride, and they have to walk?"

This is a balloon that we also refer to as a sculpture.

But film and video does flatten sculpture, so I tried to imagine a way that animated sculpture could be experienced as such, and also a completely immersive kind of animated sculpture.

With a handheld strobe, they can explore the sculpture, and discover thousands of cell-sized robots hard at work, leaping in and out of the optic nerve, being deployed to the retina to repair it.

So, we're a mess of anxiety, anticipation, exhilaration and sleep deprivation, when we arrive at the Alchemist, a sculpture in which we find ... this coin.

But I was still working with sculpture, and I was really trying to go flatter and flatter.

It's become an art form, a form of sculpture.

This sculpture is by an artist named Sophia Wallace as part of her "Cliteracy" project.

Now you start doing the sculpture for this.

In less than a decade, Basquiat made thousands of paintings and drawings- along with sculpture, fragments of poetry and music.

When winter temperatures dip, this water freezes as it arcs out of the pipe, ultimately forming a 50 meter ice sculpture called a stupa, shaped like an upside-down ice cream cone.

You held this organic sculpture up to your heart, and you poured the energy of your whole body into this little piece of wood, and heard it translated into music.

And whether we are creating these revolving giant chess piece time tunnels for an opera by Richard Wagner or shark tanks and mountains for Kanye West, we're always seeking to create the most articulate sculpture, the most poetic instrument of communication to an audience.

And this TV that transmitted prayer to Beyoncé as a child became this monolithic revolving sculpture that broadcast Beyoncé to the back of the stadium.

(Cheers, applause) I call my work stage sculpture, but of course what's really being sculpted is the experience of the audience, and as directors and designers, we have to take responsibility for every minute that the audience spend with us.

And it's my hope that this wooden sculpture, this wooden instrument, a bit like that violin I used to play, might be a place where people can play and enter their word at one end of the cone, emerge at the other end of the building, and find that their word has joined a collective poem, a collective voice.

In Norway, we are building a museum that spans across a river and allows people to sort of journey through the exhibitions as they cross from one side of a sculpture park to the other.

What's happening is, an art form is colliding with a given technology, whether it's paint on stone, like the Tomb of Menna the Scribe in ancient Egypt, or a bas-relief sculpture rising up a stone column, or a 200-foot-long embroidery, or painted deerskin and tree bark running across 88 accordion-folded pages.

He saw nests in the canopy at one of our Canopy Confluences in the Pacific Northwest, and created this beautiful sculpture.

So this is like a very, very old idea in sculpture, which is: How do we breathe life into inanimate materials?

And so, I would go to a space like this, where there was a wall, and use the paint itself, pull the paint out off the wall, the wall paint into space to create a sculpture.

And so this is what she looked like in the sculpture as she moved through space.

But even that sketch actually has a different origin, it has an origin in a sculpture that climbs a six-story building, and is scaled to a cat from the year 2002.

Or how a sculpture that I did at SFMOMA in 2001, and created this kind of dynamic line, how I stole that to create a dynamic line as you descend down into the subway itself.

So how can you take a line that pulls tension like a sculpture and put it into a print?

Or then use line like a drawing in a sculpture to create a dramatic perspective?

And it's a piece that the tool itself is the sculpture.

And they put that same kind of tension into the sculpting of a car that you do in a great sculpture that you would go and look at in a museum.

That's the sculpture that goes into it.

This sculpture is, of course, at the heart of all of it, and it's really what puts the craftsmanship into our cars.

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