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Screen in sentence

3833 examples of Screen in a sentence

This brilliant film ignites the screen with rich colors, fine music, brilliant editing, superb direction by George C. Wolfe, and a cast so stunning that they make an encore viewing compulsory!
Through many sudden changes it takes the spectator to the end without any unnecessary complications and without letting the spectator taking the eyes of the screen.
Too often screen adaptations of musicals compromise, but this is one of those rare occasions when every ingredient, perfect in itself, comes together and harmonizes perfectly.
but suffers from a poorly chosen lead (whether he's delivering patriotic speeches, romancing Priscilla Lane, making jokes or trying to look worried, Robert Cummings is wooden), and from a lack of really distinct villains (oh, there are villains, many of them, but hardly anyone has enough screen time).
As both formats usually leaves some issues undiscussed due to 'complexities of subplots' and screen time, it denies viewers the opportunity to open up debates and to further investigate and construct the real truth.
The movie at times, sets you back slightly, because about half of the scenes have West Germany on the right side of the screen, and other times on the left side.
Often when TV series are transferred to the big screen, they lose their appeal.
It feels like you are consumed by the screen and sucked into this surreal world (especially in the round control room or whatever you call it).
it takes off slow but by the time she's on screen the thrills have started.
A LOT of what happens on screen is incredibly difficult to make out.
Pretty much the first thing we ever saw on that grainy and flickering old 12-inch screen was THIS film.
It was a great experience which shows up on the screen.
And once again critics dismissed the film as slight and pushed the film aside, at most praising Heather Graham's screen presence, but rarely her acting ability.
After a few minutes I looked behind me and everyone in the theater was staring at the screen, lost in thought.
It was John Huston's last film and did not reach the screen until after he had died, and it is easy to see his touch of greatness.
The Dead is poetical in its approach on the screen, telling us more about Ireland than any modern movie on the IRA and "the troubles" could ever hope to tell us.
The first OSS 117 film based on the novel by Jean Bruce was brought to the screen in 1956, long before the first James Bond film, staring Ivan Desny as Hubert Bonisseur De La Bath and six subsequent action adventure spy films were made up to 1970 with Luc Merenda, Frederick Stafford, Kerwin Matthews and John Gaven all taking turns as Oss 117.
Louis de Berniere's bestselling novel is one of my favourites and anyone who has read it will realise that there is no way in hell that any screen adaptation can be 100% faithful.
Throughout the entire film we are reminded of the industrialized state of Russia because of the repeated shots of a train passing by the screen.
Bates commands the screen in one of her best, if not so well-known performances as the venomous Hollywood agent who eats television studio executives for breakfast.
The tiny tube couldn't really damage it and there's almost not a dull moment in this 4-hour film, so I hope to see it once again on the big screen.
I was also much surprised to find that Terence Stamp (who had become a celebrity, thanks to "Billy Budd", "The Collector" and "Modesty Blaise") had so little screen time.
His seemingly effortless attempt on the screen impacted me in deep visceral ways.
In Over 21 - as in all her films - she lights up the screen with a natural, yet glamorous presence.
I have never seen such a real-life portrayal of a cancer victim on screen like Meryl delivered.
Meg Ryan is great, it is nice to see her in on the screen again, after a series of flops.
I saw the original rough screen showing 4 times at Gencon a couple years ago.
You were probably expected to split those few minutes between the screen and your girlfriend and it does of course herald a twist in the proceedings.
Fortunately "distant" doesn't have that much to spare the audiences and what we see on the screen is a bare portrait of human beings.
Arthur Miller, in not a screen play but a NOVEL for a change, was 30 when he wrote this in 1945.
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