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Score in sentence

1768 examples of Score in a sentence

The touching story, fine direction, good score and superb acting add up to a great experience.
hockeystudjx...please please, don't judge your life on whether or not you score a lot of woman.
Martin Freeman was solid as usual and Ray Winstone (though in little more than a cameo) was Ray Winstone!! Beautifully photographed with a wonderful score there is little I can fault about this movie.
The plot, very loosely based on both the fabled E.T.A. Hoffman story and, to a lesser extent, Tchaikovsky's now famous ballet (snippets of the composer's famous score can be heard on the soundtrack) goes something like this: Clara (voiced by Melissa Gilbert), a pretty doll face of a girl, receives a mysterious nutcracker from her eccentric Uncle Drosselmeyer (Christopher Lee).
The musical score is excellent and really accentuates the terror and emotional impact of the whole movie.
The music score and talent makes this film a classic.
But check it out and enjoy....... Goulet's and Howes' voices are certainly in their prime, and this particular number appears to be shot on location -- wonderful vistas combine with perhaps the most beautiful piece in the Brigadoon score.
Score rips-off "The Rock" except it lacks energy, just like this lame film.
There is no plot, aside from the lead character trying to score the hot girl, which I can safely say has been done before.
Capably directed by Edward L. Cahn, with a clever and compelling script by Curt Siodmak, a brisk pace, sharp, moody black and white cinematography by Fred Jackman, Jr., genuinely creepy zombies, a spooky, rousing score by Mischa Bakaleinikoff, a tight 69 minute running time, and a thrilling conclusion, this nifty little quickie provides an inspired and entertaining blend of snappy straightforward horror and gritty film noirish crime thriller.
With fine acting, score and cinematography, this screen classic translates well from its literary heritage.
The direction is tight and I lked the score also.
As funny to think about as to experience, it might have been the main inspiration for Monty Python or Fawlty Towers in its use of attitudes and punctilios to score comedic points; and as a headlong assault on the Protestant work ethic, it is, like the aforementioned, priceless.
Great performance from the lead roles, great story line and a great score.
It just doesn't have any depth, and boasts a seriously dodgy 'TV drama-style' score.
This even goes for Webster Lewis' generically telegraphed score.
The well-lit colour photography looks more natural than the jewel-like Gone with the wind colours of 1950s Jack Asher period, but it is still beautiful, and the Gothic sets and suitably melodramatic score are wonderful.
I rented the movie based on several recommendations that it was a superb (perhaps the best) heist movie, including Roger Ebert's remarks in his review of The Score.
While I was disappointed Lalo Schifrin did not conduct this film's score, Tyne Daly brought in a new dynamic which had not been seen in the other films.
It had a decent score by Mortimer Wilson that was mostly fitting.
In addition, George Duning's music score is beautiful and haunting.
I guess I expected more from this film, at least a great score, but it wasn't there.
The score my John Williams is nice.
They should have gone with a real score by someone who actually knows how to write music.
Lackluster film co-starring Teresa Wright and Dean Jagger just doesn't hold much interest, despite good cinematography by James Wong Howe and an atmospheric score by Max Steiner, top talents all around.
An OTT idea ('typical' American family take in a German refugee relative and find an unrepentant Nazi Youth!) is given an OTT treatment, right down to Louis Applebaum's balmy background score.
Dietrich is at her best as she charms her two beaus, the score is charming, and Rene Clair brings the same light touch he showed the next year in I Married a Witch.
In 1941 Richard Rogers and Lawrence (Larry) Hart did the score of a brilliant musical called PAL JOEY.
I was also impressed with the ultra-stylish musical score by Herbie Hancock, who lets the music express itself and it's fun to listen to.
The film gets off to a good start with a great score conducted by Ennio Morricone.
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