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Score in sentence

1768 examples of Score in a sentence

That wonderful score!
Almost perfect: It has space ships, laser battles, a cool drooling grinning skulled alien, abundant gratuitous female nudity, an excellent early electronica musical score, buckets of gore, slimy alien killings, voyeurism, stuff exploding, girls sunbathing naked in space, is over quickly (77 minutes: perfect for limited attention spans) and the hero is actually the movie's brilliant dork character, whom the surviving female hottie (Dawn Dunlap, who gets naked a lot in her movies) was secretly really in love with all the time.
A beautifully filmed and well acted romantic film with wonderful music score and songs from Tom Waits, who was then nominated for Oscars in the Best Song category for this picture.
Ennio Morricone's score is incredible...
Mimi Rogers is brilliant as the mysterious grieving widow and the film is extremely well made with a catchy Jazz music score and beautiful photography.
Brando playing the aging corporate bad guy who knows the score, and Scott an over the hill cop who gets his teeth into something he just can't seem to let go of.
My main problem with "Manhattan Midnight" is that it tries too much (especially with that overbearing music score) to play like some sort of poetic tragedy, when its main character is a smug, unredeemable professional killer who doesn't mind killing innocent people (the "second" Maggie twin being an exception), and whom by the end you'll probably want to see dead as well.
What should have been a small, character-driven musical gets swallowed up in elaborate sets and costumes, and sadly much of Stephen Sondheim's score was cut.
I'm not sure why this film has so many good reviews and an overall above average score, but if you thought it was terrible, your not alone.
They go all over town trying to score.
His buddies spend the rest of the movies going to various characters and go through various obstacles until they finally score.
Assisted immeasurably by John William's devastating, baroque score, Brian De Palma's film of Farris's screenplay is another example of stunning visual storytelling.
A bad script, with some good actors, some poor direction, and a terrible score.
Roy Budd's splendidly stirring'n'sweeping majestic orchestral score and Ted Moore's exquisitely rich, vivid and vibrant saturated color cinematography further add to the overall enjoyment of this engaging and satisfying fantasy adventure treat.
There's a nice original score too, in classical style by John Gray.
The score was actually OK though (just not the boom boom stuff), and the acting was all fine, sometimes quite impressive.
The musical score is moving, with classical pieces and more.
Massacre" is an abysmal slasher flick directed by porn director Stu Segall.There are some bloody killings,but the gore effects are crude and amateurish.The pace is slow,the acting is painfully bad and the synthesizer score is beyond awful.Easily the best thing about this insanely rotten piece of festering cow-dung is its short running time.The only way to enjoy "Drive-In Massacre" is to drink lots of alcohol.3 out of 10 for providing me a few laughs.
With an average score of 6.4 I went to see the movie with relatively low expectations although I got the feeling that those who did not like the movie were mostly upset about the movie not being "true" to the original TV series and were having some issues with certain characters reminding them of other characters such as Pinocchio.
Anyway, this spoof of "Basic Instinct" (with such side targets as "Indecent Proposal", "Body Of Evidence" and "9 & 1/2 Weeks") is certainly not lazy - there's a visual or verbal gag every 10 seconds or so - but, unfortunately, only a small portion of these gags score; the first 10 minutes are the best, the last 10 minutes, in particular, degenerate into sloppy idiocy.
While the original had a haunting soundtrack and some fantastic grainy camera-work, this has a generic score and a very flat TV-movie look.
The lack of a music track in 1935 is not uncommon, but some sort of musical score was really needed in a suspense movie of this type.
The score for the film gave me goosebumps even as a small child.
Two things which really hold this movie together are Irving Pichel's excellent tight directing and Max Steiner's musical score.
Max Steiner always comes up with the right style for his movies, and this movie is definitely a showcase for his sensitive score.
The music score in the hotel scenes totally detracted from what might have been a great movie.
Prepared to give it a mediocre score, partially to just be nice since it contained work from big names like Robert Redford and Ben Kingsley (who's names didn't appear on the credits on the outside of the package) and more.
I challenge anyone who dares say that this film doesn't contain everything a musical needs: a touching romance, an evil villain prepared to ruin her romance, fantastic songs and an award winning score (very deservedly), believable characters with no wooden voicing (Angela Lansbury singing absolutely beautifully) and how many decent films have been made into a successful Broadway musical?
From the almost poetic opening sequence, accompanied by a great, great score till the very ending this movie will not disappoint.
Both Midler and Caan are expert performers, but they have remarkably little on-screen chemistry, and although they score points individually they never quite seem to be working in tandem.
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