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Score in sentence

1768 examples of Score in a sentence

Another strong point is Prokofiev's beautiful, haunting soundtrack (using a composer to score a movie was completely unusual at the time).
There is no score or soundtrack, all the music and sounds are diagetic.
A very suspenseful giallo from the director of "L'Anticristo"(1974),this one begins with a brilliantly-handled sequence involving a priest,a little girl,and a broken doll.However the main story is about maniac(David Warbeck)marrying a traumatized cripple to kill her for her money.The plot,whilst not original,is really suspenseful,the acting is good and there are several skillful and gory murders.The score by Francesco de Massi is quite effective,some of which can also be heard in Lucio Fulci's "The New York Ripper"(1982).Highly recommended for fans of Italian cinema!
Come back to IMDb and score this movie into the top 250 of all time where it really belongs.
Credit must go to Jack Bear and Donald Brooks for their costume creations, Reg Allen and Jack Stevens for sets, Fernando Carrere for another beautiful production design, Henry Mancini for his sensitive and appropriate musical score, and to Russell Harlan for his shining cinematography.
This gets a higher score than maybe some people think it deserves, but I have to factor in the low budget and the good effort from the cast.
Sure the dinosaurs were guys in suits(A Triceratops with front knees!) but they were filmed in such a way, the music and score was so well done, and the cast did a fine job that this didn't matter much to many of us brought up on Godzilla.
The film has a lot of class to it, from the opening score by Nancy Wilson "The Last Dinosaur" to the overall "big" feeling of the film-the locations at hot springs in Northern Japan were excellent and lush- and the undeniable feeling of Kaiju Eiga to it.
A stringy, screechy score by Don Ellis sets the perfect mood.
The Bill Conti score has stuck in my head all these years later, which is a pretty good sign.
Others have commented on the operatic quality of the score.
I must I was a little skeptical when I entered the cinema to watch OSS117 : french comedies tend to be so self-satisfied nowadays that only the most stupid ones score high at the national box-office.
Nevertheless, despite its shortage of clever gadgets and the lack of a vibrant musical score, "Never Say Never Again" rates as an above-average, suspenseful doomsday thriller with top-flight performances by a seasoned cast including Sean Connery, Kim Basinger, Klaus Maria Brandauer, Max Von Sydow, Barbara Carrera, Edward Fox, Bernie Casey, Alec McCowen, and Rowan Atkinson.
Aside from the flavorful Lani Hall opening theme song, "Ice Station Zebra" composer Michel Legrand's orchestral music score leaves much to be desired.
The score and atmosphere are quite eerie, and the audience is kept in suspense throughout the mausoleum scenes.
This review cannot be complete without a mention of Philip Glass' striking musical score.
Not since 2001 has a film score been such a perfect compliment to it's visuals.
And as much as every critical bone in my body cries out to give this movie a failing score, gosh darn it, I'm going to give it a much better score.
It has a very authentic flavour, seasoned by an eerie music score (of tradition chinese instruments, I think), and some wonderfully over-acted melodramatic moments contrasted by heavily affected comedy.
A brutal but beautiful world that is explored through memories and edgy layers of sound and score.
Over the weekend i watched the movie Tipping the Velvet and if I was to have to score this movie out of 100 I would have to give it 100 no question asked.
Mesmorizing cinematography, accompanied with Philip Glass mystical musical score added a completely magical aura to the story of one of the Japan's greatest novelists, whose originality and picturesque narrative are beautifully portrayed in this picture.
The score is adequate, scarcely moving though very appropriate to the action.
The spare editing is accompanied by a beautiful, simple score.
The performances are astounding, the score entrancing, and the photography mesmerizing.
The point is that this film looks like it cost a couple of million quid and it clearly cost a tiny fraction of that Great special effects, terrific production design, effective props and costumes, excellent photography, good acting and direction, an impressive score and an absolutely stunning sound mix.
Overall it had two things going for it a great performance from Klaus Kinski and a great music score by Stelvio Cipriani.
Skillfully directed by Enzo G. Castellari, with a clever, complex and twist-laden script by Castellari, Tito Carpi, and Giovanni Simonelli, a playfully amoral and nihilistic tone (everyone keeps double and triple crossing each other with happily greedy abandon), a twangy, flavorsome, spirited score by Alessandro Alessandroni and Francesco De Masi, plenty of stirring shoot-outs and rousing rough'n'tumble fisticuffs, a wickedly sly sense of self-mocking humor, a steady pace, and a real doozy of a surprise ending, this giddy and often hilarious feature makes for an inspired send-up of Sergio Leone's "The Good, the Bad and the Ugly."
The action sequences are well done for the early 80's and the soundtrack / score are pretty good.
Released last summer in Japan, Ponyo won the Japanese Academy's award for Best Animation Film and Best Score (Jezebel.com).
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