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Score in sentence

1768 examples of Score in a sentence

By the standards of films made just a few years later, this film might receive a score of only 6 or 7--mostly because the sound quality was so poor.
The overpowering Pinza dominates his scenes with Turner, but both performers score with good work, while Marjorie Main is impressive with her patter effects as written, with Debbie Reynolds placed on track by Louis B. Mayer for SINGIN' IN THE RAIN as a result of her sprightly performance here; only Barry Sullivan is heavily victimized by the flagrant cutting.
Quite possibly the best I've ever seen, the Direction, the Production,the score and the cinematography,absoloutley wonderful.
I finally got hold of Lifeforce on DVD with the widescreen format intact and rousing Henry Mancini score to the max.
In other words, it's one of the most realistic looks at the beat generation, jazzed sweetly in it's score and telling a tale of racial tensions.
The dialogue is spot on for a group of men trying to keep it together under duress, and Carpenter's score is a wonderful eerie pulse beat that further racks up the sense of doom and paranoia seaming thru the film.
If anything the film should be well-remembered for the gorgeous colour cinematography and the unforgettable musical score.
musical score does enhance the viewing pleasure.. Rahman a find of Rathnam has given some great tunes the lyrics r apt 4 the movie the locations used for the movie are very good and makes viewing pleasant the movie starts of in a light manner moves over to capture the feelings of the girl finally goes on o shed light into the life of people in war torn places across the world this is yet another classic from ManiRathnam
This production was top notch with the original music score, and the actors put their hearts into it(you can tell).
The score is just amazing-- by far Sondheim's best, and probably one of the best scores written for a musical ever.
The ultra-brooding musical score and Gothic/claustrophobic atmosphere adds greatly to this small film that delivers.
The sound score is outstanding.
Everything from the Score - to when the final credits role.
I guess the trick with reviewing is to take an approach of "Hey, if i liked types of movies like these- would i give it a higher score than i am about to give it now since I don't like these types of movies" Then again people judge differently , basing more value on acting, or perhaps story or directing.
The stage musical isn't really much more than a group of skits strung together with some amusing musical numbers; however for the film director Milos Foreman (who won an Oscar for directing ONE FLEW OVER THE CUCKOO'S NEST) and the writers have taken the basic premise of the play and the score and constructed a real story to make the show more "user friendly" for the big screen.
The music score is good but the familiar William Tell Overture theme is nudged aside by vocals that are interesting but lack the flourish and beauty of the Ranger's traditional theme.
Great pacing and a nuanced score round out a twisty tale filled with sex, betrayal and sure-fire one liners.
This sense of manifest destiny is greatly enhanced by a first-rate musical score and vibrant color photography.
Franz Waxman score is shear brilliant and truly gives the picture a heroic feel.
The Philip Glass score is mesmerizing.
The score and music selections fit perfectly, and there is plenty of action to prevent the movie becoming just a character study.
Robert Farrar's spooky score, the grimy set design, a few wild grisly murders, Bruce B. Alcott's grungy no-frills cinematography, plenty of deliciously robust, scenery-scarfing histrionics from a game no-name cast (Ross in particular is a total eye-rolling hoot), and the genuinely shocking surprise bloodbath conclusion further add to the overall infectiously seedy fun of this choice trashy chunk of 70's low-budget regional horror exploitation cinema.
Great score, good acting,and great effects makes this a film to add to your collection, if you get the chance see the widescreen version on DVD, highly recommended to any one who is a fan of sci-fi.
The score, sound effects, photography and editing are almost 'Memento' prototypes, and the story shows that Christopher Nolan is best when Writing and Directing.
The groovy animated opening credits sequence, Charles F. Wheeler's glossy cinematography, and Hoyt Curtin's funky, pulsating disco score are all solid as well.
Mark Stevi's puerile cookie cutter script, an amusingly lowbrow sense of no-brainer humor, Chuck Cirino's bouncy cornball score, the two dwarf guys sporting obvious cheap rubber Halloween masks, J.E. Bash's plain cinematography, no tension or gratuitous female nudity to speak of, and the tacky (less than) special effects all further enhance the overall delicious cheesiness of this prime slice of celluloid Velveeta.
My score: 7/10.
It's beautifully photographed, with solid acting, great miniatures, and a wonderful score by the great Akira Ifukube.
Special credit must be give to composer Pino Donaggio, whose score for this film really is what sets it apart from others and gives it its creepiness.
He has done exceptionally good work in film and continues to score films to this day.
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