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Recording in sentence

353 examples of Recording in a sentence

That being said, I think the audio recording was botched at the mixing console and/or through the miking process.
I first viewed this movie when it first came out and also bought an LP recording of the soundtrack.
Prettily filmed largely in Pebble Beach, California, and other Monterey County environs, the film is endowed with Pinza's iron strong operatic basso in Solamente Una Vez, as well as with original songs by Harold Arlen and Dorothy Fields, with Douglas Shearer splendidly handling the sound recording, and notice must be made of the fine set decorations by Edwin Willis, and the effective costume designs by Walter Plunkett.
I would give my all to hear a CD recording of this haunting, gorgeous song.
One of the myths of the early sound era is that they couldn't make Westerns because they had trouble recording sound on location.
We are introduced to Romany instrumentals, to Orhan Gencebay, who has been called the Elvis of Arabesque music - sounds of music are heard everywhere in the city as Faith Akin takes us into underground clubs, to the street performers, and to recording sessions.
There are two separate soundtracks, an original recording and a completely redone new performance version.
A live recording was made of these performances and are included on the Grapevine Video DVD along with the novel and notes about the two versions.
David Seville is the Chipmunks' father and recording manager.
In his grief, Batman moves to a new apartment and takes up a hobby: recording nothing and then watching it.
Cox's apparent preference for single takes, jump cuts, and ambient sound recording all work against the film's effectiveness.
All that is desirable in this movie is the opera, and one can best find a recording of Pavarotti doing what he does best.
You hear the dialogue on set and you hear the voices being recorded on a recording booth at the same time!
Either they were not careful in the recording, or the sound mixing could have been better.
It was very creepy for these first few minutes, but after a time the film just became entertaining on the level of gore, which was hard to make out at some points due to poor lighting and horrible recording quality anyway.
Before I saw this, i had listened to the original Broadway recording of it, and I really loved it!
Turns out he's "just a guy" who walked in the side door of the recording studio and pretended to be a producer.
Your impulse is to rush home and play a recording again to confirm that Wagner got it right, Syberberg got it wrong.
Honestly, how can anyone take a show seriously when they're using a poor applause recording?
Towards the end of the movie I was begging my girlfriend to turn it off, and being a band member, the 'recording' parts weren't very interesting either, though what happened would truly happen when going about recording.
While the guy behind is keener on zeroing in on a few chicks in the stalls than actually documenting the incredible guitar work thats bleeding out the amps (the sound recording is good thanks to Wally Heider) Interspersed on the tracks are clips of student losers protesting against Vietnam etc on tracks like Machine Gun, complete waste of film!
Drake plays a tape recording of they're late Father's wishes after his death, the estate worth 136 million dollars is to be split equally between his four children, if any should die then the money would be split equally between the rest & if all were to die the freaky servants Elga (Ivy Bethune), Igor (Buck Kartalian) & the more mundanely named Frank (John Russell) would pocket the lot.
By the last few years of the Thirties, swing-style big bands were recording the year's biggest popular hits.
Yes I know "talkies" had just been invented for the cinema 2 years earlier when this was produced in 1929 but this film showed that much had to learnt about the art of producing films.It comes over as a filmed "hammy" stage play with the actors melodramatically enunciating their lines,rolling their eyes, using too many pregnant pauses and using gestures more appropriate to silent cinema, which I suppose was normal during the process of educating them to appear more naturalistic on screen.The gaps between lines spoken should have been tightened up during editing as it considerably slows the film.It is now only of interest for Titanic buffs who want to see an early example of this marine accident on film.In next chronological order they could see "Titanic" (1953) A Night to Remember (1958)"Titanic (1997), to see how the cinema's depiction of this tragedy as evolved over the years.There have been many documentaries and TV films made including the atrocious "SOS Titanic" (1979) On my version which is a DVD, David McCallum gives the introduction.It was he who played Harold Bride Marconi's junior wireless operator in "A Night to Remember"(still the best feature film - please read my "Tribute to Walter" comments on IMDb under Howard Morley.demon.co.uk)and gave the commentary on the series of 4 videos entitled "End of a Dream" so he was well qualified to give the narration.Of more interest I found was a recording accompanied by actual photos of the 1912 US Senate hearing which is also on the DVD.Actors speak the actual words spoken by Lightoller 2nd officer, J Bruce Ismay,Managing director of White Star, Harold Bride and others including Gloria Stewart (The "old Rose" in Titanic 1997) whose voice is used for one of the first class women survivors.
The film turned out be a dull, amateurish and ugly-looking ride; the sound recording is so poor that dialogue is unintelligible half of the time, whereas the acting gives new meaning to the word inept!
The photography and lighting are first class and the sound recording admirably matches the overall high level of technical skills employed.
In 1989, I snatched up the 2 CDs I found of the soundtrack recording, giving one to my sister and keeping the other for myself.
I have them both on VHS from home recording, as shown on TCM in recent years.
At four o'clock in the morning, I stumbled out of bed to begin recording 'The Informer (1935),' my fourth film from prolific American director John Ford, and an excellent one at that.
The first hour plods along, and the dialogue feels very edited and a bit stagey - people wait for each other to finish and don't always react in a natural cadence, which would be a problem of recording each individual's dialogue separately.
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