Really in sentence

32169 examples of Really in a sentence

FG: I don't really know.

Luckily, today most of the people I'm working with are people I really like.

There aren't many people around that are really involved with architecture as clients.

Because in a way, if a TEDster relates to all the interconnectedness of all the computers and everything, it's the forging of a mass awareness, of where everybody can really know everything that's going on everywhere in the planet.

You know, we really learned everything in the '60s.

It's really lovely.

That problem is that there is really no way.

Not always known as the most innovative or creative of industries, but it turns out, they're really, really good at recycling their products.

So wouldn't it be better if we could really tell, if the surgeon could really tell, whether or not there's still cancer on the surgical field?

Sentinel lymph node dissection has really changed the way that we manage breast cancer, melanoma.

Women used to get really debilitating surgeries to excise all of the axillary lymph nodes.

But in fact, at the tip of that where I'm dissecting now, there's actually very fine arborizations that can't really be seen.

There was no thinking she wasn't serious when she peered at the audience, and I thought, "Surely she's looking at me." "You know, I'm really tired of this thing being called New Jersey.

It's a massive store of carbon, it's an amazing store of biodiversity, but what people don't really know is this also is a rain factory.

And you can't really have a proper model for development if at the same time you're destroying or allowing the degradation of the very asset, the most important asset, which is your development asset, that is ecological infrastructure.

In fact, this was what really inspired my interest in this phase.

With mobile, Africans are discovering more and more of these films, and what that means is that it really matters less in Kinshasa or Cotonou what Cannes thinks of African film, or if those opinions are informed or fair.

Who really cares what the "New York Times" thinks?

So when Moto opened in 2004, people didn't really know what to expect.

A lot of people thought that it was a Japanese restaurant, and maybe it was the name, maybe it was the logo, which was like a Japanese character, but anyway, we had all these requests for Japanese food, which is really not what we did.

So when you're looking at this thing in the dining room, you have this sensation that this is actually a plate of nachos, and it's not really until you begin tasting it that you realize this is a dessert, and it's just kind of like a mind-ripper.

So we put this in the basement, and we got really serious about food, like serious experimentation.

BR: One of the really cool things about the lab, besides that we have a new science lab in the kitchen, is that, you know, with this new equipment, and this new approach, all these different doors to creativity that we never knew were there began to open, and so the experiments and the food and the dishes that we created, they just kept going further and further out there.

BR: And then after a quick dip into some liquid nitrogen to get that perfect sear, we really have something that looks, tastes and behaves like the real thing.

HC: So the key thing to remember here is, we don't really care what this tuna really is.

But we really had to almost relearn how to cook in general, because these are ingredients, you know, plant life that we're, one, unfamiliar with, and two, we have no reference for how to cook these things because people don't eat them.

The hospital really has no idea what to do with people like that.

And it really wasn't until pretty recently, maybe the last decade or so, that comics have seen more widespread acceptance among American educators.

Now, Ms. Counts and all of her librarian colleagues have really been at the forefront of comics advocacy, really since the early '80s, when a school library journal article stated that the mere presence of graphic novels in the library increased usage by about 80 percent and increased the circulation of noncomics material by about 30 percent.

STEM comics graphics novels really are like this uncharted territory, ready to be explored.

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