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Racist in sentence

505 examples of Racist in a sentence

let me must say that Mark Furhman is a racist pig that is just looking for another way to get himself into the spotlight - and others that right this type of trash belong in jail.
The story is actually not bad however the whole idea of removing the racism out of a racist genre by casting an all afro-American cast is racist in itself.
How can it be racist?
The film isn't racist, it's just pointless, stupid and very very boring.
In the movie, besides a few racist remarks, he's shown to be just another hard-nosed, cantakerous old coot (he's so full of life!) with a heart of gold(more or less).
There are some cartoons that are racist but they are classics, being a mixed woman I have the right to say this, but if you are into the historical aspect of these cartoons try Merrie Melodies "Coal Black and de Sebben Dwarfs" or "Angel Puss" you won't find them on DVD because the distributors promised not to put them in the mainstream, but you can find them on a site as YouTube.
The selection of the bloated, boring, and racist "Cimarron" ranks as the worst choice for Best Picture in Oscar history.
The jokes are racist.
The reason, why Im pretty sure, that this racist piece of work is not worth a look, is that it doesn't make fun of minorities to demonstrate their condition of living, their social circumstances or the way they are treated by society.
The problem is he and his friends have had a racist streak.
It has some absolutely stupid ideas and it is racist with both black and white people insulting each others races.
Many other shots have him at the center of attention, when in reality, I am sure the only thing people were thinking at the time was "hey, isn't that the racist that caused OJ to get off?"
McClure is just too Cheezy to be believed, but who can blame him in the wasteland of this movie whose plot about ancient dinosaur birds ruling humans has 19th Century throwback "period charm," but not enough and unfortunately the script carries the racist connotations of the literary genre into films.
Whats worse, its very racist.
It is basically a highly racist sequence of smoking dope, toilet humor, styling of each and every segment of the aircraft to reflect African American pop culture and pretty much nothing else.
This is a racist, homophobic piece of garbage that plods along for a good 1hr and 22mins with absolutely no direction.
The writer/director has portrayed Southerners, especially Southern law enforcement as ignorant, backwoods, homophobic and racist (a very popular, yet ignorant, stereotype, that the film industry loves to perpetuate).
Joe is a funny film that on the surface at least, is anti violence and anti racist.
The severity of the racist streak in the bad guys is pretty tough even by todays standards which creates an emotional depth to Gemmas character in some of the situations that take place.
There is only one racist joke in this Daffy Duck short, which is basically, when Daffy rides Black Beauty, it is a black woman.
Joe is a working class guy who is a racist and a bigot, and has a big mouth, especially when he's drunk.
The movie is filled with colourful people, all of them stereotypes (the British twat and her racist brother, the sexually liberated Dane, the ultra-organised German,...).
This is a great comedy, highlighting what it was like to live next door to racist bigot.
When It Comes to ANY Movie that was made in or about the South,The Characters are Labeled Racist or Hillbillies or Even Worse That Awful RACIST TERM "Rednecks".
I've read reviews calling this film racist, which couldn't be farther from the truth.
It is a racist play about racism - and that still sticks.
Confusing mixture of racist comedy and racist violence (at times reaching a disturbing pitch, even for a fan of the genre) this movie isn't your Shaft in the park.
Although Robert Young (playing an easy-going, methodical and very likable cop) and Robert Mitchum (who actually does have the occasional throwaway witty remark) are the nominal stars of the film, it's Oscar nominees Robert Ryan and Gloria Grahame - as well as Paul Kelly, in the small but pivotal role of Grahame's pathetic husband - who give the film's most memorable characterizations; Ryan proved so convincing as a homicidal racist that he was eventually typecast for a while, excelling in equally villainous roles in such films as ACT OF VIOLENCE (1948), CAUGHT (1948), THE RACKET (1951), CLASH BY NIGHT (1952), THE NAKED SPUR (1953) and BAD DAY AT BLACK ROCK (1955).
In between, I watched it on the occasions it was on and took careful notes at 1) the pie fight itself and 2) how racist some of these parts were: Farina as a Nubian slave, doing voodoo, for example.
In the immediate aftermath, Bill gets acquainted with Joe Curran (Peter Boyle), an ultra-right-wing, rabidly racist working stiff.
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