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Pulls in sentence

387 examples of Pulls in a sentence

In a hand-held frame that certainly predates the modern Steadicam, the shot then pulls back up and cranes (pun unintended) over the street as she exits the bus, and darts among the tanks to cross the road.
Michael Leydon Campbell pulls off a fantastic performance that makes you want to help him find Grace.
Will Smith does well in this - even though in is light acting - he pulls trough it all well.
On the contrary, the director pulls amazing performances out of truly gifted actors and does so in extremely confining circumstances.
This film is very funny, and Kevin Spacey pulls of well placed one liners as if it was his second nature.
And for those who think Drew can't be geeky - she pulls it off just great.
But questionable storytelling aside, this packs a punch; no question you have to be interested in political film-making to really get involved, but the film really isn't like anything else of its era: it pulls no punches, offers no simple solutions.
Here director John Madden (Shakespeare in Love) takes on an extremely ambitious project and almost pulls it off.
It's actually a standard fare, but entertaining, especially when Tweety pulls the emergency stop cord.
The characters and the viewer go through periods of fluctuation in regards to closeness--the camera pulls out and away, sound disappears, words are lost, only for the camera to return to painterly closeups of its facially expressive stars.
Another is dressed like Colonel Mortimer from "For A Few Dollars More," and the third is garbed like Django, except he rides a horse instead of pulls a coffin behind him with a machine gun in it.
I loved it the minute the Elvis Pompadoured hero pulls out a samurai sword during a shoot-out.
This was my 1st time seeing him as a straight leading man and he pulls it off.
Which is a good thing, because seeing this story unfold without knowing how it will play out allowed me to appreciate once more the sheer GENIUS of Agatha Christie: the way she misleads you and then pulls the rug out from under your feet is the main reason for her success and timelessness.
It simply sees a naked woman laid out on a table, while another woman cuts into her abdomen and pulls out a human eyeball!
The powerhouse cast pulls the crowd in the theatre, despite the ominous title.
Portraying a love triangle between pretty boy air-head reporter Tom Grunick (William Hurt), intelligent but nervous reporter Aaron Altman (Albert Brooks) and producer Jane Craig (Holly Hunter), the movie pulls no punches.
Even when things get dark in some of the stories, there's something fresh or crazy or random that Leguizamo pulls out to get a laugh, and it works more often than not.
The acting is great (especially Keith as T. Roosevelt), the cinematography spectacular, the script is full of gems, and the directing pulls it all together wonderfully.
Sean Astin pulls off another amazing performance in "Toy Soldiers".
When she pulls in some kind of box like object the military nonchalantly throws it into the open back of a truck with one soldier to guard it, and gee, what do you know?
It pulls you into unknown sensual and emotional territory.
This is almost the worst film you will ever see! 2012 Doomsday currently pulls the rug from under this one, for me.
I first learned of the Wendigo many years ago in one of Alvin Schwartz's "Scary Stories" books: according to that story, the Wendigo - after calling your name in the wind - drags you along, and then pulls you up into the sky and pulverizes you.
Here's a horror version of PRISCILLA: QUEEN OF THE DESERT (they wish!) starring Melinda/Mindy (RETURN OF THE LIVING DEAD 3) Clarke as Candy, a desert dweller who pulls off a bank heist with boyfriend Johnny (Jason Durr).
I remember her desperate face as she pulls money out of her clothes to try to have her child healed.
Enter the weird feeding guy who says, Nah, we made three, the third being a monster who pulls itself around with its front feet.
Irving Rapper, one of Bette's best directors from her peak years, is sadly unable to elevate this ridiculous material, in which Davis is curiously aloof and restrained until the outrageous finale (where she thankfully pulls out all the stops).
The plot construction is awkward to say the least - the modern day programmer is a dull one-note character, but half the movie is spent setting up her character, and then when Ada finally appears, it is to narrate the events of her life, not to present an engaging story (Swinton almost pulls this off, though).
The lines alone are enough to have you in fits and everything else pulls together to create a fabulous B-movie that, if you are a connoisseur of corny flicks, I would suggest you see.
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