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Protagonists in sentence

238 examples of Protagonists in a sentence

In fact Figgis seems to have made a pig's ear of the whole thing by casting Saffron Burrows and Peter Mullan as the two protagonists of the story .
That the film provides no easy resolutions yet plenty of optimism for these truly modern Korean women is the year's most pleasant K-cinema surprise: it allows the protagonists an honesty and resolve in deciding their own fates that many recent K- comedies seem hell-bent on denying similar characters.
Doris Dorrie has got the uncanny knack of rendering us speechless with her serious comic sagas which depict mundane human foibles.Erleuchtung Garantiert recounts a few mirthful episodes in the lives of its "crazy about spirituality" protagonists Uwe and Gustav.Uwe has never meditated in his life but still believes that it would help him in lessening his conjugal distress.The problems arise for them as they foolishly spend all their money in Tokyo.Things come to such a pass that they are forced to spend a few restless nights on the streets.Uwe and Gustav seem to have lost themselves completely in a metropolis like Tokyo where everyone is busy chatting on their mobile phones.The path to enlightenment is tricky for them but they happily tolerate all inconveniences in order to find spiritual bliss.They finally reach the Monzen monastery where they comprehend their innate strengths and weaknesses.Uwe overcomes the agony arising out of his failed marriage.Gustav realizes that he was never happy leading the life as a heterosexual male.He grasps that he has always been a homosexual person.Even though Erleuchtung Garantiert has been shot on Digital Video,it still manages to retain its ineffable charm.
These two current movies both have boy protagonists (Joshua is eleven and a half and Vitus is ultimately twelve) who happen to be both intellectually brilliant and piano prodigies.
When the audience can issue warnings a mile away for the protagonists NOT to put themselves in dangerous situations foolishly, and the plot repeatedly puts the characters in harm's way, impatience with the film direction and pace only increases.
To sum up some of the things that went wrong with this flick: 1) the director uses all kinds of advanced techniques, mostly derived from The Matrix, for no purpose at all (a little like Swordfish but a thousand times worse), 2) the acting is totally unconvincing, people dying everywhere and the protagonists behaving like nothing is the matter, 3) huge plot holes everywhere, 4) an incredible load of editing errors, 5) everything is ripped from other movies, 6) this is the worst thing I've ever seen, 7) you shouldn't watch it, 8) forget all the positive comments around here.
It has like a thousand protagonists, and a thousand story-lines and uses a thousand of cinematographic tools... and in the end, there is not a protagonist nor a storyline nor a visual language.
The 3 protagonists are married to 3 sisters in the movie, so that has made these guys relatives.
Everyone of the 3 protagonists is unique and different from the others, while the same time they are identical.
By the time the series drew to a close I personally was quite attached to the protagonists and admittedly cried during the final episode.
In this one the villains comes from a fantasy book into the real world to face the protagonists, and not the other way around.
Behaviour of protagonists is far from being natural, and everything rings hollow.
I also love the way the three protagonists beat the stupid morals that almost broke them apart, and the open ending makes up for the slight unrealistic aspects that are also present at the finale.
Worse yet, the main protagonists are so uniformly cardboard, irritating, and underdeveloped that one simply doesn't care whether they live or die.
I didn't not know how to feel about characters such as Dakota (just came off as bitchy and annoying, but was supposed to be a hero...wtf?!!!) and characters such as Jackal were underused and ruined by the bad script (WHY ARE YOU WHISTLING "I'VE BEEN WORKIN ON THE RAILROAD"?!!! THAT MAKES NO SENSE!!!) Third, there was nothing intriguing about this film, the gore was kind of cool, but neither the cannibals nor the protagonists interested me in any sense, nor showed any depth; locations were boring and rarely changed; and just not a whole hell of a lot happened.
Mike Figgis' 'Miss Julie', an adaptation of a Strindberg play, tells the story of a relationship struggling in the face of class divisions, and protagonists torn between their obsessions and ambitions.
The first two episodes are hurt by a weak narrative (the protagonists appear to recall information they should not be privy to), while the last chapter is hurt by miscasting (neither Douglas nor Angeli looks quite comfortable doing these gymnastic moves).
Stillman strikes just the right note in a story that touches on pains and fears that are genuinely daunting (divorce of parents, love unrequited, etc) as well as the comic value of his characters' earnestness and foibles, keeping just the right distance so that comedy keeps just ahead; all leading to the modest but charming triumph of the shy and virtuous protagonists.
The plot line was watcheable but there were several plot holes and one gets the impression that the protagonists were more intent on staying on the island than actually trying to get away from it.
The first half hour establishes the protagonists, which are all a nice mix of "real" New Yorkers who are under threat of eviction.
What is and never should be is great insight into the character development of the two main protagonists.
Though set in the sparse, almost barren confines of Black Mesa, Arizona, the film comes to life with sparkling and intelligent dialog that underscores it's mission to give meaning to the lives of it's two protagonists - Allan Squier (Leslie Howard) and Gabrielle "Gabby" Maple (Bette Davis).
If you like movies with no discernible plot, with protagonists you don't care about, that leave you wanting to slit your wrists, by all means watch this!
Sometimes I'm a sucker for a romantic movie, more rarely, when the black mood takes me, I want to rip out the protagonists innards and dance on them.
That yes, saving the beautiful physicist of those three splendids feminines protagonists.
If aging population and decline in birth rate are any indication of a troublesome European identity which will continue to haunt all Europe by year 2020,European subcontinent is in desperate need of a poetic film which talks about issues related to population.It is really a wonder that "Flores De Otro Mundo" has not been criticized by feminists.This is primarily because Spanish actress turned director Iciar Bollain has ensured that the female protagonists of her film "Flowers from another world" are not treated as mere objects as the title of her film makes allusion to the word "flowers"."Flores
In the former category are the protagonists: Eddie, just notified of his exoneration from bogus murder charges, kills the kindly priest in a moment of disbelieving panic; Jo leaves her baby behind to prolong the adventure of a fugitive romance.
It's meant to be about man's primal instincts, which surface under extreme circumstances, but it's so unconvincingly done that the four protagonists never seem to be more than an hour's walk away from civilization.
Much of this I'm told is to do with a large number of subplots being jettisoned in the adaptation , leaving only the main plot of a man eating shark and of the protagonists mission to kill it .
First a women tribe is chaotic, there is no matriarch in the village, and two female protagonists are quite independent for Serbian women from that ages.
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