Protagonists
in sentence
238 examples of Protagonists in a sentence
I don't like to acknowledge a problem without also acknowledging those who work to fix it, so just wanted to acknowledge shows like "Mad Men," movies like "Bridesmaids," whose female characters or
protagonists
are complex, multifaceted.
It's politically risky for the
protagonists
and for the interlocutors.
2011, of the 100 most popular movies, how many of them do you think actually have female
protagonists?
But meanwhile, as you know, wonderful
protagonists
like Al Gore are noting the inexorable rise in temperature, set in the context of that, interestingly, those buildings which are celebratory and very, very relevant to this place.
And democracy was the political innovation which protected this freedom, because we were liberated from fear so that our minds in fact, whether they be despots or dogmas, could be the
protagonists.
The
protagonists
of this story are a young woman, Rose Mapendo, and her children.
The
protagonists
of my books are strong and passionate women like Rose Mapendo.
My dream was to put the audience in the shoes of the main protagonists, let them make their own decisions, and by doing so, let them tell their own stories.
The dynamic of the two
protagonists
has also sparked intense debate.
Of course, one thing was missing: I needed to find out what they wanted, the real
protagonists
of this story.
Secondly, I think often we are drawn towards characters and
protagonists
who are likable and human.
There are a million angry-boy-on-a-bike stories and we can't afford to ignore them simply because we don't like their
protagonists
or because that's not the kid that we would bring home with us from the orphanage.
And the tragedy of this is that in very few of these did either of the
protagonists
want a war; few of these wars were initiated by either the rising power or the ruling power.
Lovecraft’s protagonists– often researchers, anthropologists, or antiquarians– stumble onto hints of their existence.
And over many months, meeting with the band and their creative teams, this is the sketch that kept recurring, this line, this street, the street that connects the band's past with their present, the tightrope that they walk as activists and artists, a walk through cinema that allows the band to become
protagonists
in their own poetry.
Within a few split-seconds the ex-lover of one of the main
protagonists
moves from passionately seducing him to outright hatred to a melancholy confession of love without any trace of direction.
It is full of random and empty plot twists that add nothing but aimless action, such as a trip by the
protagonists
to a ghost town where the villains (unexplainedly) follow them.
The
protagonists
are not good at school, sports, or charitable but make wisecracks about those who are.
"Belle-Maman" leaves you with only a nauseated contempt for its morally bankrupt and clueless
protagonists.
The film has numerous bad guys, foreign agents and thugs, skulking about the pair of
protagonists
all coveting something Scott has which they want and are prepared to kill for.
I do not like anything where the
protagonists
are all bourgeoisie English.
When the
protagonists
start fighting, you can bet that everything in the room will be in it, too.
Right away, all I could do was make sardonic comments about the films protagonists, I was hoping that the "freaks" in this movie would execute them in gory fashion.
The way in which the
protagonists
fall in love, then rebel and the climax all same in both these films!
the portrayals lacked passion & direction, leaving the viewer debating whether they should bother to care about the demise of the
protagonists
at all.
I'm really happy though that "Pride and Prejudice" won't be re-made as part of this project and we will see the iconic and magnificent Colin Firth and Jennifer Elle as
protagonists.
The
protagonists
have several opportunities to escape or turn the tables but manage to screw it up every time.
At the heart of the film is a touching love story that goes beyond such limitations of the society which the two
protagonists
find themselves.
imagine "24" completely uncensored, given free license to explain the situation in any detail needed and showing how and why both
protagonists
do what they do to kill/prevent and you have an idea of how good this TV series is.
Just criticism points at its funereal pace, over-used snap zooms and persistent, lingering gazes between the
protagonists.
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