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Persona in sentence

205 examples of Persona in a sentence

His persona is similar in a way to Yossarian in Catch-22, Joseph Heller's classic novel about men and war.
I was also quite surprised with the Akshaye's 3 girls because there roles don't require much talent but mostly moaning about Akshaye's dissapearence(to the other girls) i was surprised as they managed to establish and actual persona and you could differentiate between them which is a good thing ,also majority of songs are good,it is colourful and fun so on a boring Sunday evening this will sure lighten your mood.
Jan-Michael shows real movie star persona in this film.
I liked Long in the underrated "Irreconcilable Differences", where she really had a chance to carve out a character beyond her snippy "Cheers" persona.
Dennis Hopper is his usual bad guy persona as the short-tempered crime boss.
I find it difficult to relate Chaykin's acting and persona to the fictional character.
Russel Johnson departs from his lovable Professor persona and plays a drunk who is struck down by the blob.
I'm drawn to any Duvall movie simply because of his past movies and his compelling screen persona.
In fact, often her larger-than-life persona was too big for the limitations of the movie theatre.
In closing, I think he should go back to the style that he became famous for and not try too hard to get lost in his own myth and persona.
Day's bright, cheerful, optimistic, happy persona gradually gives way to depression and alcoholism brought on by the demands of a small-time hood who gains control of the singer's professional and personal life.
And Renee Zellweger is fine, even though her cinematic persona has by now overstayed its welcome.
The best thing about any of these films is Misty, as she is able to carry off this witty, charming on-screen persona that just blows you away, time after time.
He has been type cast for so many years that of course he became that persona portrayed on film.
There's a fine balance struck between what one would see in countless other Allen films involving the neurotics in relationships, the mockery placed on the 'normal' people who just cannot connect with the Allen persona, and also with a side of the wacky comedy bits that one sees in Allen's writings at the time (lots of homage, parody, self-referential dialog, etc).
Such a sad , unfortunate result to such a high-flying persona.... :(
His opening scene giving a speech to his underlings is oh-so-badly written; Cassidy obviously was by this time becoming a caricturature of his off-screen persona, much like John Barrymore many years before.
The yokel- among-the-sophisticates plot is timeless, ranging from Buster Keaton's "Elmer" character through the Bowery Boys, Ma and Pa Kettle, Jerry Lewis, Jim Varney, etc. Hogan is working in that classic tradition, and his skills as a physical comedian, his superb comic timing, and his loveable persona will make this film a favorite on cable TV and as a video rental for decades to come.
The bottom line is that in the 1930s, no woman in Hollywood was more fun to watch in colorful supporting roles than Miss Oliver, so it was a real treat to see her in a starring role--and one that allowed her cool screen persona to shine!
Jack Lemmon's tension and neurotic persona are brilliantly played out.
As she sets out to solve the crime, the relationship between her and Thal's persona Ariel seems as out of place as the police women herself.
They did not even get the hair right, the acting', & don't forget the misinterpretation of his persona, just like with Meat Loaf.
This turns dark and perhaps the darkness is implicit in the persona of the tramp and the venue of the circus, but it also has some breathtaking and very funny sequences before that final third.
Everyone is charming; Marge and Gower Champion are at their peak, Bob Fosse is just hitting his stride (amusing that his screen persona was so charmingly little-boyish, in contrast to the dark angular sexiness of his later stage choreographies), and Debbie Reynolds is pixie-ish as ever.
The quasi-documentary style is effective most of the time, but we do get way too much Stanley Tucci, although his role plays right into his difficult to like persona.
Once again this film is about limits and the madness of the human mind, the character Chez (Chris Penn), it an ambiguous, and unbalanced persona, that it explode in fury and anger, crying all the time, in total despair.
Sure, as a kid I knew him only from The Match Game, but when I saw "Life of Reilly (Save It for the Stage)" last fall I understood at last what a fascinating person and enormous heart lay behind the outrageous public persona.
And, finally, it seems that even the game-show Charles Nelson Reilly was not really ever a mere persona, that he was never anyone but who he was, histrionic and unapologetic and, if you took the trouble to look, enormously dignified.
Perhaps Woody's best effort in his 'neurotic schlep' persona.
These performances are masterful, Penn really departs from his trouble maker persona in so many of his earlier movies and shows depth that I really didn't expect from him.
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