Often in sentence

12358 examples of Often in a sentence

Aristophanes also became the master of the parabasis, a comic technique where actors address the audience directly, often praising the playwright or making topical comments and jokes.

We sustain psychological injuries even more often than we do physical ones, injuries like failure or rejection or loneliness.

Many characters have similar names and features to their forebears, whose mistakes they often repeat.

And as Angelou and Einstein experienced, there’s often no threshold of accomplishment that puts these feelings to rest.

And even when they receive positive feedback, it often fails to ease feelings of fraudulence.

So for example, have you ever noticed how some people get bitten by mosquitos way more often than others?

And the reason why we don't see them as often, it's because we don't place ourselves in a position to search for those amazing things.

Pilots are often about being right.

Humanitarian principles are tested, questioned, and often ignored, but perhaps more importantly, we have abandoned the search for justice.

And very often, as you know, new ideas are often simple connections between people with different experiences in different communities, and that's our story.

Often, the digital thread is broken right at prototype, because you can't go all the way to manufacturing because most parts don't have the properties to be a final part.

Millions of people, often anonymously, can stab you with their words, and that's a lot of pain.

So people started asking us, "Well, Theaster, how are you going to go to scale?" and, "What's your sustainability plan?" (Laughter) (Applause) And what I found was that I couldn't export myself, that what seems necessary in cities like Akron, Ohio, and Detroit, Michigan, and Gary, Indiana, is that there are people in those places who already believe in those places, that are already dying to make those places beautiful, and that often, those people who are passionate about a place are disconnected from the resources necessary to make cool things happen, or disconnected from a contingency of people that could help make things happen.

I've found that in cases where neighborhoods have failed, they still often have a pulse.

But are there ways to think about housing trusts or land trusts or a mission-based development that starts to protect some of the space that happens, because when you have 7,500 empty lots in a city, you want something to happen there, but you need entities that are not just interested in the development piece, but entities that are interested in the stabilization piece, and I feel like often the developer piece is really motivated, but the other work of a kind of neighborhood consciousness, that part doesn't live anymore.

Often what I have found is that when there are resources that have not been made available to certain under-resourced cities or neighborhoods or communities, that sometimes culture is the thing that helps to ignite, and that I can't do everything, but I think that there's a way in which if you can start with culture and get people kind of reinvested in their place, other kinds of adjacent amenities start to grow, and then people can make a demand that's a poetic demand, and the political demands that are necessary to wake up our cities, they also become very poetic.

And I say it so often.

They're just about the most powerful words we can say to one another, and often that's what happens in a StoryCorps booth.

And I'd hit that glass ceiling too often, and I wanted opportunities for women.

These boys are often abducted or bought from their poor parents, and they are put to work as sex slaves.

You do it so often, you don't even notice it.

Everybody underestimates how often they laugh, and you're doing something, when you laugh with people, that's actually letting you access a really ancient evolutionary system that mammals have evolved to make and maintain social bonds, and clearly to regulate emotions, to make ourselves feel better.

Before I introduce the person responsible for the WorldWide Telescope, I just want to leave you with this brief thought: when I ask people, "How does the night sky make you feel?" they often say, "Oh, tiny.

Often our tinkerings with nature do lead to big, unintended consequences and chain reactions.

So rather than handcrafting knowledge representations and features, we create algorithms that learn, often from raw perceptual data.

But there's a world of important motion that's too subtle for the human eye, and over the past few years, we've started to find that cameras can often see this motion even when humans can't.

Rockets often spiral out of control if you put too much propellant in them.

To take this shot, I did what I often do, which is go way beyond the pads, where none of the spectators are.

Things often go wrong.

Why are doors so often rectangular?

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