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Moving in sentence

3612 examples of Moving in a sentence

The drama is, of course, is that 200 countries on this planet have to simultaneously start moving in the same direction.
We have to invest in transformations capability, moving from crisis into innovation and the ability to rise after a crisis, and of course to adapt to unavoidable change.
The key though in all of these, the red thread, is the shift in mindset, moving away from a situation where we simply are pushing ourselves into a dark future, where we instead backcast our future, and we say, "What is the playing field on the planet?
So this is what I was talking about, while molding, it's such a great experience, because we have freedom of like walking, or moving my hand or, moving around in the space, but the moment this becomes solid, when you cannot move even an inch, because this is plaster of Paris, so the moment you pour it it's like liquid; but after 20 minutes, it's almost like a hard stone.
Or we can monitor the velocity with which people are moving with their phones on a highway, and the phone company can see, as the velocity is slowing down, that there's a traffic jam.
This tuna is actually moving on a numerical ocean.
So what we can see on this moving ocean is we can finally see where the predators are.
Look at this young bean that is moving to catch the light every time.
So you can recognize this kind of movement, the same movement that worms, snakes and every animal that are moving on the ground without legs is able to display.
Moving to the other end of the scale, our ancestors never had to navigate through the cosmos at speeds close to the speed of light.
We are not alone; the animals are moving in.
Time taken for moving a molecule to marketplace, after all the human and animal testing, was 10 years, now it is 15 years.
And there the simple version of the message is it's moving from West to East.
The other is power diffusion, the way power is moving from all states West or East to non-state actors.
Of course, any ecosystem is extremely complex, and trying to describe all the moving parts is not only very difficult, but also not very informative.
It was a non-moving story that definitely does not get you thinking anything other then where is all the strong moving material the other critics say about the film The 3 main actors are good, and there is a few laughs but once again it becomes another movie that you keep watching in hopes of it getting better and it just doesn't.
Our hero escapes several times before ending up gazing at the alien world's three moons and wondering aloud if he will ever get home - thus setting up one of those Man Alone in a Hostile World Making a new Friend Each Week but Moving on at the End of Every Episode shows so beloved of the industry in the 70s and 80s ('The Fugitive', 'The Incredible Hulk', 'The Littlest Hobo' etc.) The curiously weirdest bit though was the title sequence.
Wise is a fine director and he keeps things moving at a pretty brisk clip.
The brother was still alive and moving when his hands were bare bones.
The brother should have bled to death even before he was moving his hands.
Plankton, or Creatures from the Abyss as I'm positive it's more commonly known as & filmed under as the title Creatures from the Abyss appears over a moving image & in the same font type as the rest of the credits, starts with five 20 something kids, Mike (Clay Rogers) his girlfriend Margaret (Sharon Twomey), sisters Julie (Ann Wolf) & Dorothy (Loren DePalm) & an annoying idiot named Bobby (Michael Bon) whom decide to all fit into a small rubber boat & head out to sea, don't ask why as I don't know.
The ending has been seen by most viewers as one of the greatest unintentionally funny climaxes to a movie in film history, and yet oddly moving, in a way.
One comical dentistry scene; a surfeit of uppity Hollywood peasants who address the camera as though it were a moving train; and, just for kicks, a passel of homoeroticism that is not limited to Castro's manic and unremitting cigar-fellatio.
By the time the film unearths the oldest joke in the book - the horrible dragon of a mother-in-law turns up unexpectedly to stay - is followed by the crashingly obvious revelation that she's developing a soft spot for the black neighbour's father, moving her bigoted son to ever greater depths of self-righteous, ignorant rage, most discerning viewers will have switched off.
A bit too slow moving for my tastes, but there's an effective use, I felt, of Basham's eyes before he takes care of business, waiting patiently as he prepares to strike.
Dietrich plays the part of a Spanish woman by moving constantly, twisting at the waist and posturing and then twisting back, flouncing, tossing her head, and so forth.
The photography is strangely crowded: no outdoor scene can be shot except through a tangle of bare trees, no interior scene can be shot without so much busy detail that it's almost impossible to follow people moving across a room, no consecutive scene of Dietrich can be shot without a major wardrobe change.
You keep waiting for something to get story moving, but it never comes.
Considering the only actor of any note is Bullock (although Michael Pitt seems to be moving onto bigger and better things), it isn't a great surprise that this movie quickly fades away from memory to be replaced by more important things.
Seeing how it all began is very satisfying, and viewed in mind of the rest of the series, rather moving actually.
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