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Moral in sentence

2544 examples of Moral in a sentence

Yet this same moral reasoning does not apply when attempting to reanimate his murdered wife like 2 days later???
The moral of this tale is not that men are evil bastards and women cruelly treated but that we all have those dominant and submissive elements within us that we can use for fun or for real.
There is a lone hero who answers to his own moral code defined by his environment(the frontier).
Freakshow stays near to the originals plot but as a story it loses its moral,in the original you care for the unfortunates of the title and they are the heroes of the film.In Freakshow there is very little character development and you really couldn't care less about them,as they are neither likable or admirable and towards the last 10 minutes of the film they turn out to be bigger sadists than those who portrayed the villains,so i really couldn't see the moral of the story,it all seemed more like a film of revenge and sadism.
It all has a certain well-measured charm, even if the whimsical wordplay gets overbearing quite often, and ultimately it loses this charm when it is decided that the character Marie is maintaining her dignity when refusing to read aloud pornographic material by de Sade for a geriatric judge and his friends, while finding no moral objection in allowing herself to be seduced by another client.
Probably religious in some way, because this is so typical with these people trying to impose there moral standards and be morally upset as they've done in Africa and elsewhere.
Ernie Reyes Jr. and Sr. made a film with no moral integrity.
Apart from the moral issues I have with this situation, it seems detrimental to nearly everyone involved.
There is a courtroom scene at the end in which a character, in this case a common sense doctor played by Lloyd Noland, is able to give a speech within the context of his testimony that sets the town in the proper moral direction.
This film is full of surprises and never sells out to the moral crusaders of the time.
I am struck and saddened by how judgmental many of the other commenters are--I'm not saying that one should simply turn off one's moral radar when watching a film.
A terribly unbelievable storyline (albeit with a good moral base)does the whole concept no good at all.
The early 1980s saw Britain gripped by a wave of moral panic similar to the hysteria that shook 1950s America concerning the content of EC's horror comics.
Michael Kitchen absolutely shines in this fine series; it is about moral dilemmas rather than crime.
Kitchen's characterisation of a fearless good man in hard times is magnificent; we know we can trust exactly what he says and even if some of his solutions are a bit deus ex machina we cannot resent it because his moral force absolutely justifies the end.
This was the first in a series of erotic films which were made possible by the increasingly liberal moral climate of the seventies and eighties and which enjoyed a success de scandale.
Like most gangster films of the time, The Public Enemy tries to wrap itself in the mantle of a moral tract.
Also along the way you see can see the building blocks for basically every subsequent gangster film: the misogyny (most famously illustrated when Cagney, sitting at the breakfast table with his moll, suddenly reaches over and smacks her in the face with a grapefruit; the disapproving family members; the protagonist's more moral sidekick ( a type seen as recently as in the Brazilian crime epic City of God).
In conclusion, the constant moral reminders of the film killed many of the laughs because we are reminded that we really shouldn't be laughing at that.
So see it for yourself, examine the current legal system and find your voice at the end of this moral journey.
Wilbert Awdry's stories had a whimsical charm and a warm, moral heart to them, and evoked all the very best of an England which almost existed once.
it had all the ingredients, but is ultimately ruined by two thousand times overused clichés which seem to have become fashionable again nowadays (see, for instance 'Brokeback Mountain' or the French 'Le clan'):the first one: the old homosexual teacher, OF COURSE, had to die at the end (the fact that is is a motorcycle accident and not a bashing doesn't matter, finally...); the fact that everyone mourns him at the end does not matter, the moral is safe, he finally 'paid for his sins'.
I am really extremely disappointed that the British too seem to have succumbed to that crappy Hollywood-type moral and ending.
If the makers of this movie wanted to express some dark side of men, or moral aspects, they failed, and remaining time was wasted on long camera pans and emo music.
We are caught up in his moral dilemma, of not wanting to lose the wonderful gift he has found and yet not wanting to be untrue to himself.
Worst of all, the movie ends with a finger-wagging moral: a denouement that assaults what little intelligence you'll have retained after a single viewing.
I really doubt people who rent horror movies secretly want to see real life murder; or that if they were to happen upon a film like this they would share any moral culpability for watching what was playing right in front of their noses.
OK, lets face it, if you're not a humble, faithful (and probably voting republican) American, craving to be choked on continuous moral lessons so obvious and predictable, I strongly advice you to skip this crappy non-original TV-show.
Not ONE intelligent, moral or otherwise responsible character in the entire film.
We got to thinking about this when we realized that the mutants in the sci-fi thriller X-Men are of two types: the generous, moral, and intelligent ones, and the animal-like ones acting out of revenge and anger.
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