Imagery
in sentence
356 examples of Imagery in a sentence
So you really see how this kind of crowd-sourced
imagery
is integrating, in a very deep way, into the map itself.
And I'm not going to show you some of the wonderful historic
imagery
in here, but there are some with horses and carriages and so on as well.
And I found that because there weren't video games and this saturation of CG movies and all of this
imagery
in the media landscape, I had to create these images in my head.
Fortunately, just after the earthquake, GeoEye, a commercial company, released satellite
imagery
with a license, which allowed the open-source community to use it.
After the earthquake, immediately, people all over the world, mappers who wanted to help, and could, looked at that imagery, built the map, quickly building it up.
So this way we can visually browse through categories of imagery, using photos as data.
That is what you can see when you go through the
imagery
in Dollar Street.
And finally, I'd like to leave you with a glimpse that takes us back to the world of
imagery.
I focused on my mudras, on the
imagery
of my dance, on the poetry and the metaphor and the philosophy of the dance itself.
You're going to see a lot of imagery, and it's not always connected to what I'm talking about, so I need you to kind of split your brains in half and let the images flow over one side and listen to me on the other.
This film probably would have been good,if they didn't use CGI (computer generated imagery)for the werewolf scenes.It made the creatures look fake and the werewolves looked cartoonish.CGI is great for certain effects like the dinasours in Jurassic Park or Twister.But when we see a film where the creature must look completely real,CGI is not the way to go.Look at An American Werewolf in London.No CGI.Just makeup and a mechanical creature and what you come up with was more realistic than what was shown in the sequel.This film did offer a few gags that was fun to watch and the humor in this movie seemed to have drawn me in but it's nothing more than a film that I thought was O.K.And that's not good enough.In my opinion,An American Werewolf in Paris doesn't hold up to the original.
This movie had it all in one scene after another of clichéd
imagery.
Coscarelli tries his best to implement as much horror
imagery
as possible; with things such as a rotted corpse of a dead baby - but because it's all so silly on the whole, it's difficult to take this piece seriously.
The movie starts off promisingly enough, the use of
imagery
and simple short clips convey the bigger story, which would normally need a considerably higher budget than the one here.
The film has some good
imagery
but its odd mix of whats real and whats not doesn't go anywhere.
I haven't seen any other films by Antonioni and the people that saw this one with me agreed that it shares themes and
imagery
with the rest of his works.
The parade of banal
imagery
is mostly generic stock from Getty Images et al, and the heavy-handed digital manipulations are amateurish in the worst way imaginable.
I really loved the story, and some of the
imagery
provided to back it up like the field of angels on spikes....awesome
imagery.
A couple of scenes are very memorable for their imagery, but in the end the film does not gel to make a really good movie.
The "paranormal
" imagery
associated with the villain, Donnie, is purely symbolic.
The direction also relies way too much on the conceits of a pointlessly whispered narration, and the
imagery
of an 18th century chess-playing machine that looks like one of those animatronic gypsy fortunetellers you see at the carnival.
Add to that the
imagery
on the back of the case as well as the description and you mislead people into thinking this is a movie that it is not.
What I hoped for (or even expected) was the well known "stop motion
" imagery
and extreme slow motions, extreme zooms and all embracing fish eye takes.
The director uses goofy
imagery
(offered up in the form of daydream sequences) in an apparent attempt to break up the glacial pacing, but instead, it clashes with the authentic look and feel of the movie.
Disjointed for no reason, self indulgent and full of
imagery
that oscillates from the crass and obvious to the obscure and unintelligible, not particularly beautifully or grimily shot, I really don't understand why this is considered classic, gay or otherwise.
Another B-movie for teenagers, based mainly on CGI-effects, industrial soundtrack and some medieval
imagery.
The movie is a bad excuse to cram as many musicians and "dark
" imagery
as possible into one movie, hoping the teeny Goths of America would lap it up.
Aside from a few clever techniques employed, the movie rarely connects the dizzying thematics with the dull script, ultimately coming across as a cheap exploitation into the cult genre, substituting hollow
imagery
for genuine substance.
Strong
imagery
and a compelling premise is soon overwhelmed by incoherent plotting, hackneyed dialogue, amateurish acting, and the most outlandish and over-the-top phallic
imagery
in recent memory (here, a fish is most definitely not just a fish!).
The reviewer below is entirely correct that the stunning
imagery
of the Detroit station is the first and last memorable scene in the film.
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