Example collocations logo

Homes in sentence

1139 examples of Homes in a sentence

The deal was that they would give me one hour of broadband time, sitting in their homes, one day in a week.
Today, we use a single feedstock, petroleum, to heat our homes, power our cars and make most of the materials you see around you.
They got electricity in their homes, they increased education and they got primary health care.
We are not all extremely dark, we do not all walk around carrying machetes whether for work OR PROTECTION, we do not walk around naked in our homes and we do not practice VOODOO!!
The homes are not heated, even there is electricity, but who and what produces it?
Well I would not recommend this film to anyone unless they were going to have it muted and they wanted to look at the fashion of the era, or the way homes were kept at the time.
The only way the characters could love this house is if their previous homes had been ghastly.
At one point the big vulture is responsible for a few deaths, so the military puts the entire world under martial law and no one is allowed to go out of their homes.
They were placed in foster homes.
It's a profile of one very cool couple, a social commentary on aging and nursing homes, a love story, a musical.
A couple of items from my family were used in the movie as props and a couple of my friend's homes were used in a couple of the scenes.
If you ever get a chance to visit New Orleans - you should watch movies that show the city during that time period - when you get to see some of the old homes in the French Quarter(not just Bourbon Street) or uptown, you can truly imagine life as it was 100 years ago.
The homes they return to, with grown children and independent, working women along with a depressed economy, only add to the strife.
For the era it was made in, it tells a story that is still being told today in homes all across the nation, and quite possibly the world.
Cobb then surprisingly informs Bill that he is a burglar, and even starts to take Bill with him into houses to steal things; although Cobb insists he doesn't go into other people's homes to just steal.
In the groovy mid 70's a scruffy bunch of brash young Venice, California adolescents from broken homes and the bad side of town known as the Z-Boys turned the previously staid world of professional skateboarding on its ear with their fierce punk attitude, radical unconventional riding style, and unbridled spirit of pure in-your-face aggression, revolutionizing the sport in the process and paving the way for the many extreme variations on sports that popped up in their influential wake.
Mother dying of cancer, must find homes for all her children before she dies, because her thoughts are that her husband and father of the kids is not capable of caring for them once she has died.
She manages to find homes for the children except one, a young boy whom is not wanted because he suffers from epilepsy.
Realizing that the state would take the children away from her ineffectual, alcoholic husband, she devoted the last year of her life traveling around the state to find new homes for each of the children.
In the opening scene, three obviously evil gunmen ride into a western town and, with menacing glares, they intimidate all the pathetic normal people hiding in their homes.
This movie is most for sure a must-have in all horror movie lovers' homes!
This escalates into a strange sequence of white and black neighbours vandalising their each other's homes.
Both of these kids have come from troubled & dysfunctional homes.
A treacherous Frenchman is the cause of all the trouble between the settlers and the red men while Boone tries to convince the Indians that the pioneers only want to build homes and live in peace.
The story of entertainer extraordinaire Uncle Frank, his devoted wife Aunt Tillie, and the zippy residents of the local area nursing homes inspires us to "live each day as if it's your last" and brings a glimmer of hope to those often-dreaded golden years.
Once through, it's like any-town-USA, nice homes, quiet streets, kids going to school, and a family TV on the blink.
Both characters come from extremely broken homes and therefore the audience has sympathy for them despite their imperfections.
Nixon's role possesses the best lines, but she often homes in on them too quickly, a timing flaw which must be saddled upon the director.
Al Hunter homes in on a well publicised theme of the late 80s- that hooligans were well organised and not really interested in the football itself- often with respectable jobs (estate agent???).
The tension is entirely psychological and the scenes of the killer entering the homes of his victims and talking to them lasts for quite a long time and it's creepy.
BackNext