Forms
in sentence
1857 examples of Forms in a sentence
Thomas C. Ryan adapted the novel by Carson McCullers, and his passages with these two sensitive, interesting people
forms
the lovely centerpiece of the picture.
(Not to mention that its very incoherency makes this movie a more accurate picture of some
forms
of schizophrenia than many more "serious" films which address the same subject.)
Talking about homaging, ripping and other
forms
of cross-reference, i saw this movie as Master Samwise's dream he was having with the Ring on (something not shown in the LoTR).
An employee for Lucus Carlyle finds a glowing crystal with strange and dangerous power..it can send beams which explode buildings and turn animal life into mutated
forms
which implode after enlarging.
In this short we see his knack at mixing live-action and stop-motion as two gentlemen at a table have plates of food and eat them up... then they eat the forks, then the plates, then the table, then the chairs, not to mention their clothes, and we see how their mouths suddenly flip over to stop-motion for just that bit of mastication and then back to the real human
forms.
A college prank where one got caught and sent to prison and the other didn't
forms
the basis for Sneakers, a stylish, but ultimately unsatisfying thriller.
Stepmother
forms
a green hole which make's it look like aliens are coming.
All of the cast principles and minor players as well were at the top of their
forms
when they stood before the cameras.
Saawariya is not your typical dancing around trees romance but a mood piece exploring nostalgia, melodrama, loss, loneliness and love in various
forms
- first love, obsessive love, physical love, and heartbreak.
Modern Chinese History
forms
the backdrop for this sweeping portrait of the Soong Sisters, three siblings who married powerful men and used their positions to influence the politics of early 20th Century China.
The moment when he is confronted by a newcomer prisoner about to be guided to the gas chamber is the stuff of cinematic history in terms of acting: as Arquette tells his lies ("you'll be guided to the bath and soon will be reunited with your family", and so on), this scared newcomer, realizing his fate, confronts him and says "It's a lie, I can't believe it's Jews doing this job!I'm going to die, but I'm going to live longer than you ever will, you're dead already!!", the desperate prisoner shouts at Arquette, and then Arquette loses his head and attacks this man to death, breaking his skull with punches and kicks, not really moved by angriness, but by sorrow and pain to recognize the awfulness of the truth spit on his face - yes, even him, Arquette, can't believe he is doing this, and the outlet of such sorrow comes into the
forms
of him losing his head and degrading and smashing a fellow Jew's skull to the death.
He believes that Man was put here as the Master of the Earth and all life
forms
must bow before him.
and it sure was out of the "ordinary" as far as standards go for the privileged goes, who on the whole do not experience the "extraordinary " atrocities and all
forms
of denigration these people experience in their daily lives.
The opening is rather funny with Shaq and Dr. Phil doing a "Saw" recreation and there are other celebrities who make short visits as well however it is still the same group who
forms
the core of the cast.
Imagine the perfectionist
forms
Kurosawa had achieved with samurai epics, Ford and Lean with lyrical, volatile nature, Tarkosvky and Bresson with the spiritual-bound outer space or dinky office desks of priests and cops, then add a too-generous wallop of Clouzot's suffocating suspense flooding from the dark recess of human nature - and King Hu's universe of the Wuxia STILL has plenty of its own identity left!
Powerful and subtle, it create the
forms
of fear and hope, touch of reality and rebirth of events.
When it comes to biopics, there are usually two discernibly differentiated forms; the film, and the documentary.
He
forms
an alliance with the daughter of the firm's leader, played by Elizabeth Taylor, and their romance is light hearted and moderated with realism.
OK so the first bring it on movie was NOT the best movie ever made, but at least it was good and made sense....bring it on "again" was in my opinion a sequel from hell...i mean, it's OK if people like this movie, but compared to the first one, it had really no point to it other than that the new cheerleader gets in a cat fight with head cheerleader, new cheerleader
forms
a squad of people who didn't even seem to know wut cheerleading was, in like, 3 days she trains them from freaks to actual cheerleaders, they oddly "win"....blah blah blah..it's storyline is like, the exact same as the first one.
And, the exploration of all
forms
of desire among a group of "not so young" patrons.
The concept that even at this age, people can still maintain, grow and explore all
forms
of sensuality and sexuality is very appealing - kind of makes me feel that there is sex after 50! Clearly the actors were treated so well and with much love - it comes through in the film.
The cheap animation (boldly called in another comment "state-of-the-art"...) was on the roughest level, The movings, explosions and laser-shots was always the same animation-cels reused and reused, the depicting of the actors in his animated
forms
was ridiculous, the dialogue was extremely stupid... i can't help, i simply did not like this film!
She is framed for murder by Prem Chopra and Bindu and how Asha with Rajesh Khanna's help comes out of the frame up
forms
the climax of the story.
Once the
forms
are signed Dracula travels to London to take up residence in his new property which is situated next to a mental asylum run by Dr. Jack Seward (Harvey Korman) & as Dracula introduces himself he notices Lucy Westenra (Lysette Anthony) a friend of Seward's daughter Mina (Amy Yasbeck) & takes an unhealthy interest in her as he changes into a bat, flies into her room while she is asleep & drinks her blood.
How Andrew
forms
a very close bond to Little Miss and Sir is enchanting.
Austria is also constitutionally bound by the International Convention on the Elimination of All
Forms
of Racial Discrimination.
In fact, that the open society should take a variety of
forms
follows from the epistemological argument.
If their demands are not properly represented, they might turn away from voting in the future – and toward less constructive
forms
of protest.
But the information is taken from
forms
that the charities themselves complete and send to the tax authorities.
No one checks the forms, and the proportions allocated to administration and program expenses are easily massaged with a little creative accounting.
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