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Imagine the perfectionist forms Kurosawa had achieved with samurai epics, Ford and Lean with lyrical, volatile nature, Tarkosvky and Bresson with the spiritual-bound outer space or dinky office desks of priests and cops, then add a too-generous wallop of Clouzot's suffocating suspense flooding from the dark recess of human nature - and King Hu's universe of the Wuxia STILL has plenty of its own identity left!
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