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Footage in sentence

985 examples of Footage in a sentence

And nearly every ending has the same helicopter fighting crap with the obvious reuse of grainy low quality stock footage.
...and Ethel Merman buffs, too, will love her loud, bossy vocals as the wicked witch Mombi, but this cartoon sequel to "The Wizard Of Oz" is bereft of real imagination, substituting fantasy and excitement with noisy action (and cheaply repeating its footage like a bad music video).
I was so disturbed by the real footage at the beginning of the film that I felt sick to my stomach and ended up shutting the movie off.
I know that the intent of the movie is to shock, but showing actual footage of a dog that had been skinned alive (holding back vomit as I type) - PLEASE!
From the stupid "quaint African natives" travelogue footage with our badly-superimposed principals acting as narrators, to the horrible fake ears which transform docile Indian elephants into African elephants, to the utter lack of any logic at all, to Maureen O'Sullivan's incessant whining of "Tarzan!
Since most review's of this film are of screening's seen decade's ago I'd like to add a more recent one, the film open's with stock footage of B-17's bombing Germany, the film cut's to Oskar Werner's Hauptmann (captain) Wust character and his aide running for cover while making their way to Hitler's Fuehrer Bunker, once inside, they are debriefed by bunker staff personnel, the film then cut's to one of many conference scene's with Albin Skoda giving a decent impression of Adolf Hitler rallying his officer's to "Ultimate Victory" while Werner's character is shown as slowly coming to realize the bunker denizen's are caught up in a fantasy world-some non-bunker event's are depicted, most notable being the flooding of the subway system to prevent a Russian advance through them and a minor subplot involving a young member of the Flak unit's and his family's difficulty in surviving-this film suffer's from a number of detail inaccuracies that a German film made only 10 year's after WW2 should not have included; the actor portraying Goebbels (Willy Krause) wear's the same uniform as Hitler, including arm eagle- Goebbels wore a brown Nazi Party uniform with swastika armband-the "SS" soldier's wear German army camouflage, the well documented scene of Hitler awarding the iron cross to boy's of the Hitler Youth is shown as having taken place INSIDE the bunker (it was done outside in the courtyard) and lastly, Hitler's suicide weapon is clearly shown as a Belgian browning model 1922-most account's agree it was a Walther PPK-some bit's of acting also seem wholly inaccurate with the drunken dance scene near the end of the film being notable, this bit is shown as a cabaret skit, with a intoxicated wounded soldier (his arm in a splint) maniacally goose-stepping to music while a nurse does a combination striptease/belly dance, all by candlelight... this is actually embarrassing to watch-the most incredible bit is when Werner's Captain Wust gain's an audience alone with Skoda's Hitler, Hitler is shown as slumped on a wall bench, drugged and delirious, when Werner's character begin's to question him, Hitler start's screaming which bring's in a SS guard who mortally wound's Werner's character in the back with a gunshot-this fabricated scene is not based on any true historic account-Werner's character is then hauled off to die in a anteroom while Hitler prepare's his own ending, Hitler's farewell to his staff is shown but the suicide is off-screen, the final second's of the movie show Hitler's funeral pyre smoke slowly forming into a ghostly image of the face of the dead Oskar Werner/Hauptmann Wust-this film is more allegorical than historical and anyone interested in this period would do better to check out more recent film's such as the 1973 remake "Hitler: the last 10 day's" or the German film "Downfall" (Der Untergang) if they wish a more true accounting of this dramatic story, these last two film's are based on first person eyewitness account's, with "Hitler: the last 10 day's" being compiled from Gerhard Boldt's autobiography as a staff officer in the Fuehrer Bunker and "Downfall" being done from Hitler's secretary's recollection's, the screen play for "Der Letzte Akte" is taken from American Nuremberg war crime's trial judge Michael Musmanno's book "Ten day's to die", which is more a compilation of event's (many obviously fanciful) than eyewitness history-it is surprising that Hugh Trevor Roper's account,"The last day's of Hitler" was never made into a film.
I mean, most of it is stock footage!
Having low expectations going in, the opening new footage (clocked at over five minutes) of 'Husbands' came as a pleasant surprise.
This had all the makings of a very good film -- good actors (Robert Loggia, Ellen Parker), a good plot (mysterious missile from space threatens to burn up the planet) and lots of stock footage (if the Air Force had film of jets firing rockets, it was used).
The fact that the DVD contained deleted footage was a shock.
Throw in some old film footage of old stars, and the movie becomes even more disconnected.
The only redeeming aspects of this "The Untold Story of Freddy Mercury" -- or, uhm, was it "The Untold Story of Princess Diana" are the original concert, video and TV footage -- unabridged Freddy Mercury and Queen.
There wasn't any budget for bloody murder sequences but our multi-talented director (?) tries to compensate this with endless footage of disco dancing girls and an amateur rock band.
It's like the student's drawing that was torn up by one of the teachers, all the footage for this film was cut up in a freak accident involving a meat-grinder, and left half the stock destroyed, with the other half spliced into two-second bits.
This film is an abomination.It's nothing but footage from the first film.
Its 70-minute running time is very well padded with stock footage.
I guess that's the stock footage they had.
The saving graces of this oddity include a surprisingly apt social commentary on sixties values along with a number of relatively well known actors caught in early (and embarrassing) footage.
As the film begins by short comments of the man himself, you really rub your hands and stay tuned for more footage from Cohen's life.
There is not a single footage of Cohen's past.
Once upon a time some evil people made a movie about a guy that got shot into space, supposedly to go to Saturn, but really only to some stock footage of solar flares, and then he gets a nose bleed, and before you know it, he's laying in a hospital bandaged head to foot, and then an overweight nurse with an ill-fitting uniform comes in and gets eaten by the guy, whose supposed to be melting all over the place but never seems to lose any mass, and then NASA, or at least one guy at NASA, gets upset about it and calls one other guy in to hunt him down, but the guy they sent to hunt the melting guy has to go home and have soup first, and his oddly-shaped wife forgot the crackers, so he can't have crackers, and then he has to go out and look for the melting guy with a geiger counter, and that doesn't really work, so he really only follows the trail of half-eaten corpses, and then there's something about a sheriff, and two ugly old people in a lemon grove, and a women with a meat cleaver, and some kind of industrial plant with trigger-happy security guards, and since I can't tell you how the movies ends, all I can say is Jonathan Demme is in it somewhere with some guy with the stupid name of Burr DeBenning, and if there's any justice in the world everyone connected with this movie died a hideous, violent death and was unable to make more movies, and the world lived HAPPILY EVER AFTER - THE END!
As for this waste of film stock, Burt Reynolds sleepwalks his way through the entire movie, Jim Nabors is wasted, the other actors aren't given very much to do, the car races are obviously stock footage, the humor is uninspired, and many of the scenes are more dull and lifeless than staring at a wall for two hours.
It is with added US footage and the worst dubbing you've ever heard probably done by New York amateurs.
If you're hoping to see a lot of bigfoot footage - keep hoping.
The Eternal Jew (Der Ewige Jude) does not have what we today would call the markings of a scholarly document: rather than naming experts or sources to support what it says, it simply says, without opposition, what it wants us to believe (one will concede that American newsreels of that period were also much less regulated than would seem ethical to a modern audience, often inserting dramatized scenes and passing them off as actual news footage).
This apparent indecisiveness in whether the American footage is shown positively or negatively might become clearer with repeated viewings, but at first sight it makes for some murky moviewatching.
While looking around they find a camcorder videotape which they play only to discover footage of a scared woman saying all her friends have disappeared, the next morning & their car has disappeared as things take a very sinister turn.
Add in Harry Andrews (with a strange accent, no less) chasing an ostrich, tons of stock footage of wildlife, and poorly composed and dull photography by Raoul Coutard, and you end up with a thoroughly unexciting romp through the jungles of Senegal.
In case half of this film's footage looks strangely familiar, it means you watch way too much of this gory Italian cult-crap!
It kept dragging on and the true purpose seemed to be to use absolutely all the stock footage they had shot of Elaine driving the Newport convertible.
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