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Focus in sentence

4349 examples of Focus in a sentence

Their focus on homosexuality, depression, war, and acceptance of different races is on par or exceeds those of the other Trek series and movies.
At first you see Edward fighting the spoons, but then the focus changes to earlier in his life.
The focus is on the characters and their relation to each other!
I attended a focus screening of the film with other parents and siblings of special needs children before the film was edited.
Extraordinary focus is given to Che meeting the volunteers who accompany his guerrilla factions.
Even if the film focus on the obstacles the relationship between Noam and Ashraf meets with, it doesn't the overlook the other characters, which turn out well written (for example Golan, the boyfriend of Yelli, Noam's fellow tenant, introduced as a lively boor, and then disclosed as a sweeter and more open minded person) and aptly performed (besides the two leads, we mustn't disregard the funny Zohar Liba and the lovely Daniela Virtzer, the girl of the gang; moreover LATE MARRIAGE's star Lior Ashkenazi appears as himself in a cameo).
But the focus of the film is on the two fellows, a new "Odd Couple", and that's the part that works very well.
I do notice that in the third season the focus is more on character development than the mystery aspects of the show!
The back projection effect he uses during the film arouses and enhances the characters, and the focus of the conversation they are having.
The Camera managed to get shots through the smoke and focus on the actors, the bull, the bar, the women, the dancing, the low-level of light that actually was in the bar!
Personally,I didn't see a single boom shot in the whole extravaganza.There were some shots that were incredibly out of focus,but it turned out they were deliberate choices by the filmmakers.Parts of this film are actually wickedly funny,as all horror films should be.I couldn't help thinking though while watching this film that it might have actually been quite terrifying if the babies just looked like real babies!
But I am puzzled why so many US films focus on the toilet bowl of their society, burned out ghettos and amoral, worthless, usually unshaven characters.
The movie lacks definite focus to a point where you wonder if the film ever had a script, the ending is by far the most idiotic resolution I have ever seen.
But the focus is always Jeff Bridges who carries Tucker's manic, obsessive, genius with amazing ease.
SL&V has marketing written all over it, from the title to the stars (admittedly not as famous during the time of the shoot as now), and in its focus on sex and masturbation, particularly.
His women friends are the focus here, however, and he wisely gets out of the way most of the time.
One of the main reasons why Fortress works so well is because it puts its focus in one place and every imaginative element of the film goes towards furthering the central plot.
The plot makes it sound like the film is going to be interesting too, and we focus on a young girl who has a recurring nightmare of a man on horseback raping her.
We focus on a small airplane carrying coffee beans that have spent a lot of time in storage.
This movie easily could have devolved into some pseudo-Scorsese gang movie but instead chose to focus on family drama, which is portrayed rather compellingly.
John Cassavetes had one of the harshest styles of any independent director in film history; his close-ups can be out of focus, wavering, mostly hand-held, and his DP probably had only enough lights depending on when Cassavetes could get the dough for them.
This used to be a great TV series, until the 'reformers' got their PC focus group mits on it.
A few films might focus on the dreaded Kapos in the camps -- or on the elitist Jewish Council members who helped organize the transport groups -- or on the musicians/performers who entertained the Nazis -- all of whom hoped that they would be allowed to survived.
However much special pleading may be made for this as an act of deconstructing the documentary process, the fact remains that this is a very badly made film--poorly paced, out of focus, the foreground blitzed by backlight, the comments of Derrida himself reduced to utter vapidity.
Dealing with an autistic child, his demand for the family's attention, and their inability to focus their lives on anything other than this child.
The first movies in this series all had a focus in Sweden, and in Swedish culture.
This last instalment leaves the Swedish focus, and makes it in to a European thriller instead.
Rather than focus on what this film is not I will focus on what it is.
The actors turn in performances that they were asked to do - you can't really fault them here - but the director's pointlessly obsessive playing around with the focus is at best irritating, but mostly just tiresome.
Secondo is having problems committing to Phyllis and while its an important part of the film, its not the main focus.
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