Focus
in sentence
4349 examples of Focus in a sentence
Instead, 90% of the movie's
focus
was on the music.
fact this has more of a dream feel to it,reinforced by the soft
focus
of the lense.im
Being a person who does not usually enjoy boxing movies, feeling they only
focus
on the boxing and not the characters themselves, this movie truly moved me.
There was relatively little political intrigue, and much more
focus
on the moral question: by reading his anti-Semitic radio commentaries with hidden secret messages to Americans, he in fact contributed to the general attitude of Germans (and, as it later turns out, Americans) towards Jews or Hitler.
The plot of this enjoyable MGM musical is contrived and only occasionally amusing, dealing with espionage and romance but the
focus
of the film is properly pointed upon the tuneful interludes showcasing the enormously talented and athletic tap dancing Eleanor Powell, abetted by Tommy Dorsey and his orchestra, featuring Ziggy Elman, Buddy Rich and Frank Sinatra.
Pitt "nails" his character which is the
focus
of this somewhat predictable thriller.
As she becomes more and more emotionally involved with the murderer her psyche begins to take a beating causing her to lose
focus
on the job of catching the criminal.
By keeping his
focus
and avoiding distractions, Wes Craven is able to take what is a very minimal plot and turning it into an exciting, fast-paced action thriller.
While most filmmakers
focus
solely on the scares, they often forget about story and character development, two things that help to deliver the scares more efficiently.
A highly atmospheric cheapie, showing great ingenuity in the use of props, sets and effects (fog, lighting, focus) to create an eerie and moody texture.
Though they encounter many people on the road: "There's the scary old woman they pick up in the Bosnian border on the way to Belgrade, and the talkative Mustafa(Jacky Nercessian), who helps them out at the border of Turkey,the reticent and shy women wearing burqas on the way to Damascus" the
focus
is always on the mismatched father and son.There is not much of a conversation in the movie which makes it enjoyable to your eyes.
It is an open one wherein she holds nothing back, feels no particular shame for how she has behaved and wants to share these facts with him because her primary
focus
always is on the fact of their marriage.
It didn't rely on outrageous special effects and it didn't
focus
so heavily on the time travel that the viewer gets lost and confused.
The catch to what's real and what's not in this movie is apparently the real stuff is in sharp
focus
and the dream stuff isn't.
This not only heightens his film's
focus
on the central character of Lincoln, but it also affords the audience a refreshing insight into Lincoln as a man of his place and time, a man embroiled, as each one of us inexorably is, in the issues and sentiments of his time and seeking his way to resolving them.
However, if any criticism is due, it should constructively
focus
on the fact that a number of basic elements of the original events were excluded.
They, of course, have their own ideological perspective (which they make evident) but they keep themselves in the background and instead try to
focus
attention on the events, the people, and the background and history leading up to the coup.
But the oral sex scene, I feel, derails the
focus
on the actual story.
And it is great because of its
focus
on values.
All but Tigerland
focus
on the actual war and the men in it.
Only occasionally is the music the sole
focus
of the film: the vast majority of the time the music is set to various dances, often flamenco, but not always.
The first eight episodes of this 27-part TV series
focus
on the fateful battle at Demon Dragon Mountain.
With the partition as a backdrop, the movie does not divert to political issues or
focus
on violence or what is right and wrong.
I would asset that this movie has something which should be interesting for all the modern film makers, specifically those who
focus
on the decaying horror genre.
Excellent A. Rosario Dawson portrays the role with
focus
and endurance.
I'm sure some of Pakistani POWs are in India as well, but let's
focus
on the movie.
The plot is actually quite similar to Blood Rites, as we
focus
on a dysfunctional family unit, and of course; there is an inheritance at stake.
There's barely any gore on display, and the director seems keener to
focus
on sex, with themes of incest and hatred seeping through.
Most of the comments have been positive but I would like to add that viewers should also
focus
on the sets.
When the end-credits start to roll, there are still many unanswered questions to ponder on but director/writer Christopher Smith (in his debut) seemly preferred to fully
focus
on tension and adrenalin-rushing action instead of long, soporific speeches and theories that could explain the existence of the "creep" in the London subway.
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