Filmmaker
in sentence
538 examples of Filmmaker in a sentence
It look like the work(?) of a young
filmmaker
trying to be shocking (but not too much) to be noticed, but it isn't a film from the heart for sure.
In Buddhism it is taught that lust for sexual relationships is a very bad sin but in Travellers and Magicians there are steamy scenes of lust.So the
filmmaker
is not practicing what he has been preaching to his followers.Khyntse Norbu worked with Bertolucci on his film "The Last Emperorer".It is only on that basis and nothing else that he is seeking fame.What a selfish act of pretentiousness.The worst thing about this film is that it is unable to stand on its own save for the crutches of exoticism.If we remove these scenes from this film than it would be nothing more than a visual story book.This film can only be liked by people who are fed up of their own lives, own circumstances and own religion.
Made by most gifted
filmmaker
of the last decade.
In a way, the film is a blueprint of how to become a rock star; make music with your friends, film every show, make loud experimental music, use smoke and fire when you lack talent, find a
filmmaker
to follow you around, crank call record companies, tour , tour , tour and you'll finally make it big.
And there are plenty of Thoroughbreds in Virginia, so why did the
filmmaker
try to pass off big, fat show horses as racehorses?
In the hands of experimental Japanese
filmmaker
Nobuhiko Obayashi, the tale of seven "unmarried" young high-school girls who, during a school break, travel to a spooky, remote hilltop house to visit the reclusive, mysterious Aunt of one of their fold only to be consumed one at a time by the Ghost-House/Aunt in increasingly novel ways, is escalated into a spastic, phantasmagorical confetti burst of avant-garde techniques and tonalities.
The Black Balloon opens with an awkward dance between
filmmaker
and audience, the latter trying to suss whether the able-bodied actor is playing an autistic character or is lazily impersonating the illness, all obvious ticks and embarrassingly broad gestures.
Granted it is "atypical Hitchcock" given its light touch and lack of threatening violence (save for three gunshots heard at the beginning), but master
filmmaker
Alfred Hitchcock has made other movies far more out of his oeuvre like the sparkling 1941 Carole Lombard-Robert Montgomery romantic comedy, "Mr.
The
filmmaker
waited 16 years before he got permission to shoot in the monastery and it was well worth waiting.
The overall structure of the film is a clever look at the unpredictability of an artist's focus, in that
filmmaker
Ross McElwee set out to make a documentary about the Savannah Campaign and ended up making a film about his failed relationships.
However, much like the filmmaker, you may need to distract yourself periodically to make it to the end of this exhausting reflexive journey.
The story was very clever and I could not believe that this was made on a shoestring budget by an independent
filmmaker.
From James L. Brooks, the man who made "Terms of Endearment", "Broadcast News", "As Good As It Gets" and of course, "The Mary Tyler Moore Show", comes a dramedy that has two separate agendas that the
filmmaker
seems intent on integrating regardless of the resulting contrivances.
Blake Edwards, the man who was certainly the most visually inventive and provocative comedic
filmmaker
of his time, naturally has a hard time being understood by the historically myopic.
From the depressed would-be
filmmaker
to the talentless, but ever hopeful, aspiring actress the movie finds a way to take you deep inside the characters without really letting you know much about their lives beyond this single day.
(Might want to check out her mini-bio on IMDb - quite interesting to learn about a
filmmaker'
s background.)
He's a sort of campy, joyful and irreverent
filmmaker.
Other
filmmaker
in the world is trying to get funding, then people get money to make sh... like this? the people giving this film funding must really be angry and feeling misled.
This "Interview" dates from the year before the controversial
filmmaker'
s death.
So, to my pleasant surprise, I can across an independent film by a
filmmaker
in my own hometown.
This adult classic is late
filmmaker
Alex De Renzy's own personal favorite among a body of work that includes the likes of BABYFACE, FEMMES DE SADE and WILD THINGS.
As self-assured a film as any I've ever seen, Vince Rocca's Kisses and Caroms gives me just the boost I need to start my own career as a independent
filmmaker.
The assured hand of master
filmmaker
George Stevens makes the third and final pairing of Cary Grant and Irene Dunne more than an emotionally satisfying experience.
This has to be intentional on the part of the
filmmaker.
I think the
filmmaker
is stuck with footage that cannot be redone and somehow threw it all together.
This young
filmmaker
accomplished far more with fewer resources than most seasoned pro's accomplish with far more.
As a no-/low-budget filmmaker, I generally sympathize with others in this end of the field.
The incredibly gifted Greek poet of a
filmmaker
mirrored the life and death of his own mother whose time on earth spanned a century and elected to capture the 100 years of sadness in a trilogy of films: The Weeping Meadow is Part I and details the years 1919 through 1949.
The deliberate slowness of the camera as it moves throughout scenes; the way characters react to one another with little more than glances and smiles and polite gestures who imply much more than what they say; the theme of a rigid society and the woman who unknowingly disrupts it with her "scandalous" conduct; the story of a repressed love affair: this is not the stuff that makes Martin Scorcese films as he's more known as a
filmmaker
of aggressive, extremely violent films depicting mainly Italian-Americans in a gritty New York City.
Simple remedial amateur
filmmaker
mistakes, such as breaking the "180 degree rule" and lack of "continuity of motion" and much much more.
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