Fashion
in sentence
1417 examples of Fashion in a sentence
We learn nothing else, other than he sets off,alone, in Fugtive-like
fashion
to find other normal passengers from the list-who were apparently checked off for termination-before the robots do.
She's Emanuelle, a successful
fashion
model with one problem...she has just been raped by a vile behemoth (big guy George Eastman).
However, he runs into even more pressure when he gets on the trail of a serial murderer who slays in exactly the same
fashion
as the notorious 19th century London killer.
Not to mention the bad effects, acting,
fashion
and hair dos.
I always find it funny in these 80's post apocalyptic films that people can create makeshift bombs, build shelters, but can't
fashion
a spoon with which to eat!
Mr. Rossi, one of the central characters, opens his role in the movie in a completely different
fashion
than the book depicts.
Watching it in 2005, it has dated well at all and is way too shrouded in the '70's a decade that any sane person wish didn't exist due to the crappy music, fashion, presidents, and narcissistic attitude.
As this detachment first enters the town marching in order down its main thoroughfare, a beautiful woman (Michele Morgan) appears on the balcony of her
fashion
shop and catches the eye of the regiment's dashing and handsome Lothario who has already compiled a notorious string of conquests (Gerard Philipe).
Cannibal Apocalypse features a lot of gore and violence in the
fashion
of Margheriti's older horror films FLESH FOR FRANKENSTEIN and BLOOD FOR DRACULA.
But the maturity of the young man, the son who has just seen his parents break up in a rather nasty
fashion
-- that's what's so outstanding.
Morgan Freeman's son is hilarious in that he mimics his dad in any uncanny fashion, yet brings his own style to the role.
The most Woodian character is a police detective who says (in true Wood fashion): "Give---me---a description and I'll send out an A (pause) P (pause) B. You just have to hear it!
I must say that it enhanced my appreciation of the movie to discover that Julie Delpy's parents played themselves (and, if I understand correctly, the apartment was genuine as well) and Julie Delpy and Adam Goldberg were also involved at one time, and per one interview with Julie Delpy- monogamy was not exactly her strong suit) Julie Delpy has a deft touch with all this and with numerous details (including the rabbit dish episode which I experienced in almost an identical
fashion
in Italy once, the tourists seeking to travel the path of the Da Vinci code) I love the ambiguous celebratory ending and I love the way the Da Vinci tourists reappear at the end.
Connor Mead (Matthew McConaughey) is a
fashion
photographer known for his revealing photos AND his love-em-and-leave-em practices.
No, wait, it's about a cop working undercover as a men's
fashion
model (uh-huh) and his relationship with his brother (a "playboy and troublemaker") and his girlfriend and the price he pays to perform his assigned duty (which seems to involve a lot of soft core porn and soap opera dialog).Wait, it's both those things...and a lot less!
It is a sad attempt to remake the whole "cool and tough criminals kill bad guys in a really cool and tough
fashion
while saying cool and tough one-liners" genre.
Even the NY Times had an article stating that no one in the real
fashion
world would dress like these people.
No plot, no character development and no real
fashion.
To become a master ninja he must conquer his self doubt, and in fitting
fashion
there is a showdown in which he proves himself, and wins back the woman.
Thirst starts with a strong minded career woman named Kate Davis (Chantal Contouri) rising from a coffin in a crypt of some sort in typical Gothic horror
fashion.
It amazes me, that Valentino-as-the-sheik was able to start such a
fashion
in the 1920s.
Firstly, the fact that every character speaks in some distinctive, but unrealistic,
fashion.
What's not to like - Astaire-Rogers dancing to "I Don't Dance, Don't Ask Me", ocean liners crossing the Atlantic, trains racing across northern France, jazz bands rehearsing in Paris clubs, stupendous art deco sets, a couturier's elegant salon, serenading to balalaikas, stunning models privately displaying satin gowns, Russian princes, "Smoke Gets in Your Eyes" sung by the beautiful Irene Dunne, an elegant Old Russian restaurant with its frescoes,
fashion
show that incorporates Astaire and Rogers dancing, Irene Dunne's warmth, a witty script, a Broadway smash hit brought to the screen - geez, what a movie!
In this autobiographical war film, the viewer is shown in a marvelously thought-provoking
fashion
the true meaning of heroism.
STRAY DOG stands as the legendary Akira Kurosawa's first real masterpiece, noteworthy for at least two big reasons: the style - classic American film noir (rich, velvety b&w atmospheres), enhanced with a touch of Italian neo-realism (great use of diverse locations, which provide a great view of day-to-day postwar Japan), and the star, a young Toshiro Mifune, whose truly collaborative association with Kurosawa was cemented here, and would grow in spectacular
fashion
during the subsequent 16 years.
Wait until it appears on DVD then at least you can edit it down to a three minute Natalie Portman
fashion
shoot and fifty seconds of yoda break-dancing.
Or tells it to me in a
fashion
that shows an interesting twist or point of view about the subject; be it love or illness or death or friendship or what have you that moves humans.
If the writers could exploit any ethnic stereotype in shameless fashion, they did.
A warrior travels through time and space and thoroughly butchers, in spectacular grand guignol fashion, almost everybody he runs into.
The plot is fairly improbable: A scholar switches places with her
fashion
model twin and heads to Paris, then gets involved in mystery/romance/blackmail. I've never read a Harlequin novel, but am assuming that this is pretty much the standard formula.
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