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Fashion in sentence

1417 examples of Fashion in a sentence

In typical teen fashion they make some really bad decisions and wind up unknowingly invading the home of the Mayhew's where they run from the clan and try and find a way back to reality.
I loved the bit, for example, when a villain explains to a radical left-wing writer his business of the last few years, exactly in the exaggerated fashion that a radical left-wing reporter would be inclined to write about a tyrannical bureaucrat.
After you recover and return to work, you might tell this story to your co-workers and, given the sheer inanity of the situation, you might relate the story in a humorous fashion.
John Boorman's semi-adaptation of La Morte D'Arthur may come as something of a surprise, albeit a pleasant one, as the usually glamorised and fanciful tale is furnished in grimly realistic fashion.
However, I really think that this film would have been a lot better off if they made it in documentary fashion rather than making as a children's film.
The most familiar and loved actors of Sweden have been brought together in this modern classic, in a Ocean Eleven fashion.
Repeated flashbacks can be acceptable in telling a story but only when the question is answered, "Would the story work better being told in a more linear fashion"?
Academy Award winning actress Louise Fletcher plays Mama Dracula with subtle humour, grace, and charm and looks quite stunning in much of the fashion, but she has virtually nothing to work with in this Belgian horror comedy that relies more on two vampire son boobs for much of the film's motivation.
His relationship with this lower class girll who is also an upcoming fashion designer creates a scandal and you can figure out the rest.
Also, two beautiful songs are just jammed into each other in an ear-screeching fashion.
It is about a maniac who butchers a fashion model on a Caribbean island and leaves the body to be eaten by rats.
In that scene, Wallace tells Ness that one of the city's most notorious mobsters, Al Capone (played by Robert De Niro in an amusing yet in wicked fashion) has committed tax evasion.
Pam Grier as a fashion photographer getting mixed up in romance and intrigue sounds like a great idea but this movie never pulls it off.
The sadness was normally due to the innocent victim (who was usually a beautiful woman) being murdered in an unjustified fashion, such as Desdemona in 'Othello'; the anger would have been directed towards the villain in the play whose dastardly deeds had resulted in the deaths of heroes and heroines - here we have Iago, arguably the most evil character in the history of literature ('Othello' again); sympathy was not for the devil, but for the poor people who had overcome the denouement but had to deal with its consequences (Horatio perhaps in 'Hamlet', or maybe Father Laurence in 'Romeo and Juliet'); and lastly relief was felt because the audience had survived the play's violence and could thank their lucky stars that they did not have to live in a world so cruel.
So you still have basically the same things going on with the girls (Galleria gets big headed and then humbled, Chanel struggles with parental problems, Dorinda enjoys dancing) with the addition of Aqua and her fashion thing.
Demme uses these materials to fashion a parable about the American dream and human aspiration.It is funny, superbly acted ( Robards probably deserved a third Oscar, and Mary Steenburgen fully deserved hers), well written, and profoundly human.
I see this collection of footage as counter-productive to itself due to the idealistic idiocy demonstrated by the editors who have most probably either been in shock by the footage or have assembled the film in such a fashion as to deconstruct the viewers mind in such a way that they may question their own countries values and ethics to the level of becoming isolated in ones own beliefs.
For example, a death during the film comes about in mundane fashion; i.e., entirely without tragedy, violence or emotion.
I went to this picture with the hope that -- if nothing else -- watching John Malkovich play a highly troubled delusional queen with a genius for manipulation and an obscene fashion sense would be enough to keep me entertained for an hour and change.
Sort of, in that there are guys getting shot in a cartoon fashion.
It can petrify victims to stone in Medusan fashion, and it can swat you like a fly too.
I'm talking mainly here about the scene where a professor friend of Virgina Madsen's character's husband regaled back to her in a smug, arrogant, know-it-all fashion over a big dinner at a fancy restaurant the origins of the Candyman character/myth that claimed he had sired a half-white child with the daughter of a man who commissioned him to paint his daughter's portrait as he was quite the artist, and as a result of this he was hunted down and basically butchered shortly thereafter by an angry racist mob led by the woman's enraged father.
I gave this movie a 9, but I don't rate movies in the usual fashion.
Joel Edgerton, who resembles Conan O'Brien, is serviceable as the new businessman until it's discovered that he too has issues with cross-dressers; putting an entire fashion show in Milan on the line, he turns on his friend and designer (Chiwetel Ejiofor) out of embarrassment.
The men run the show, make all decisions, while the women in true 1950's fashion, support their men- regardless of how many bad, ignorant decisions they keep making.
Raimi, has put all the aspects of the film together in masterful fashion.
It seems fake, and the lawyers and defendants don't present evidence in an at all believable fashion.
Not quite in the Plan 9 fashion, where you're left laughing all the time, because the production values here aren't all that bad for the time.
It seems we have a new cinematic fad coming into fashion... the genre of mythological action.
Discontinuity was a good tool used in an expert fashion in both those films.
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