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Fashion in sentence

1417 examples of Fashion in a sentence

Think about it this way--if in your job you had an idea for something this bad and went on to execute it in as terrible a fashion as this, how long exactly would you last?
For some strange reason the film world is driven by fashion .
If the point of the story was an extraterrestrial "cleaning" of the planet of it's human infestation, why did they go about it in such a gratuitously sadistic and misogynistic fashion?
Carradine manages to restore his faithful dog to life after it's dead, and the mutt gains an unusual ability to walk through walls in a ghostlike fashion (wooooooooohhhh).
Mann photographs the Alberta Rocky Mountains in a superb fashion, and Jimmy Stewart and Walter Brennan give enjoyable performances as they always seem to do.
Also, the action scenes were done in a strangely mechanical and uninspired fashion, with no sense of drama at all.
Really the only highlights of this film were the outrageous 1940's fashion.
Bad acting, pathetic script, cheezy dialog and hip hop music & fashion...what the hell was up with that?
No respectable young woman would have acted in such an atrocious fashion.
But the man who owns the company they are working in, Derek Hammond (Julian Stone), gives them their jobs back, and they they do slowly prove themselves useful assets, and talented (fashion) artists, and help stop a mean man taking over the company.
Images of a bunch of photographers and their fashion models are inexplicably intercut with scenes of a filthy pervert having crude sex with a seemly under-aged girl.
A fashion designer trips over a cat and falls into a pool, hitting her head on something floating on the surface.
This film should serve as a lesson to all past, present and future film makers...when you have a film as successful as the original "Corpse Grinders" was you should probably leave sleeping dogs lie and you should definitely not try to revitalize it over twenty years later (unless you have the financial backing to pull of a superior sequel such as Herschel Gordon Lewis did with "Blood Feast 2: All U can Eat") Even if you do decide to do this you should probably spend a little bit more money than you did on the original and for god's sake...NEVER film a movie onto video...why do film makers even attempt to do this when everyone knows the quality is going to turn out hideous...I personally have yet to see one film made in this fashion that's even worth the powder to blow it to hell...if you can't afford to make a sequel that is better than your original film then sell the rights of the film to someone who can...and what was Ted V Mikels thinking about (or smoking) when he wrote this god-awful script?
The main plot of the film involves this kid, played in that all-too-typical and annoying-kid fashion by the great-grandson of Frank Capra (where in which the kid is yelling out his dialog angrily), who comes upon a genie who's been trapped in a boom-box.
Poor Aunt Agatha(she looks like she might even be younger than De Teffe and they have her in a wheelchair and trying to look old) meets her fate in a foxy fashion.
So maybe it is a question of fashion.
I loved how all the pieces fell together in the end in typical Hollywood fashion.
I actually own the one where he plays a fashion designer and has a fight in a truck full of durians.
'Mojo' uses a technique for shooting the 1950s often seen in films that stresses the physical differences to our own time but also represents dialogue in a highly exaggerated fashion (owing much to the way that speech was represented in films made in that period); I have no idea if people actually spoke like this outside of the movies, but no films made today and set in contemporary times use such stylised language.
The main characters settle on playing dry, emotionless types in a fashion that inspires no empathy whatsoever.
My advice-- skip it, unless you're into ridiculous bar-girls who do nothing else but knock back whiskeys in typical strait-jacketed 50's fashion.
Instead, he simply acts in a bizarre fashion and pokes fun at his embarrassingly gargantuan girth.
Director Vincente Minnelli oversees it in straight-forward fashion, but he's in surprisingly glum spirits and most of the big scenes are flat or dense.
And he dealt with it in a very mature fashion, just picking up and leaving to clear his head.
Instead of quirky, noir-esquire characters acting in hard-boiled fashion, you simply recognize it immediately for what it is: a bunch of talented but miscast actors, brooding and raising their eyebrows while reading bizarre dialogue without a hint of relevant context.
This film is so bad and gets worse in every imaginable fashion.
O'Brien seems natural in the role, and plays it in fine fashion.
Big Sam steps on the scene in the usual fashion, saving good guy in the usual inane way that only poor action films can accomplish, i.e.
Whereas Baraka told a great story, juxtaposing nature, man-made environments, spirituality, and horrors of the world in an engrossing fashion and great music, this movie just jumped from shot to shot with no encompassing story, mediocre musical score, and then.... POOF, it's finished!
It really helped too that the music composer chose the crappy fashion show music for when the zombies walked up to their killer, especially the part where they go into the warehouse posing as the furniture shop/police station/apartment/flat/whatever room it was with the gong in the background, and the live woman was arguing about the closed furniture shop.
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