Exploitation
in sentence
641 examples of Exploitation in a sentence
If you're a fan of Italian
Exploitation
this will do well for you pretty much from frame one.
Silly
exploitation
movie.
I didn't understand he plethora of
exploitation
genre it, well, exploited (biker movies, kung fu movies, hippie movies, etc.) I was - thankfully - unaware of the Tate-LaBianca murders.
Rene Cradona Jr - the man whose dad brought us the
exploitation
movie Survive! - turns his attention to the '70s craze for shark movies with Tintorera.
The film is
exploitation
in the tradition of Wes Craven's infamous shocker, only instead of being fun and memorable, it's just dull.
Winner of the award for Best Screenplay at the Venice Film Festival, It's a Free World, the seventh collaboration between director Ken Loach and writer Paul Laverty, is a compelling look at the recruitment and
exploitation
of European undocumented workers, a subject touched upon recently in Stephen Frears' Dirty Pretty Things.
The characters were flat and the sexual
exploitation
of the beautiful actresses was very visible.
Probably just by stating that you should track it down yourself and be as amazed as the rest of us were! "Singapore Sling" is indeed one of the craziest Euro-cult movies ever released; a totally 100% original hybrid between 1940's film-noir and relentless 1970's drive-in exploitation, shot in elegant black and white and introducing some of the most eccentric characters movie-goers have ever beheld.
There's all the stapled of great
exploitation
here, but it's just not fun.
This is a very, very, very low-budget
exploitation
film made by a "poverty row" studio in the 1930s.
It truly was awful and unfortunately--and not even interesting as a sleazy or
exploitation
film!
I hate to admit I actually fell asleep during this one (I can't imagine that happening during the best horror
exploitation
pics of Fulci, Deodata and the like.)
However, while "Driller Killer" has its share of frantic low-budget energy (the murders are photographed in a genuinely unsettling way), the script is simplistic and repetitive--seldom does it veer away from its
exploitation
surface sheen.
This is one of those "B
" exploitation
movies that doesn't pack much of a punch and the viewer is left waiting for the whole thing to just be over.
Tirelessly prolific veteran Italian
exploitation
picture director Antonio Margheriti's cinematic oeuvre is a very mixed bag, running the gamut from delightfully sleazy ("Cannibal Apocalypse") to nice, spooky, dripping with sepulchral atmosphere fright film fun ("The Virgin of Nuremburg," "The Long Hair of Death") to entertainingly goofy sci-fi ("The Wild, Wild Planet," "War Between the Planets") to pleasingly tacky spaghetti Westerns ("The Stranger and the Gunfighter," "Take A Hard Ride") to the unavoidable occasional dud.
It's informative, all right, but after a very short while you realize that all you're watching is a bunch of clips of junk
exploitation
pix & mostly fatuous comments on them.
I saw his film 1990: Bronx Warriors and it was a lot of fun, but in that way that comes with knowing a man made a no-holds-barred
exploitation
rip-off on the Warriors that, truth be told, was barely even shot in the Bronx.
They all wanted to make a movie, none of them had any talent or even any clue how to begin filming and since they couldn't decide what to focus on, they simply processed every imaginable
exploitation
theme into the film.
Now here's an
exploitation
film that knows what a solid B-movie is supposed to be: an action-dense, amped-up, gore-soaked killfest.
Directed with tremendous rip-roaring flair by Mark Lester, with a compact, colorful script by "Unholy Rollers" director Vernon Zimmerman, a constant fast pace, bright, sunny cinematography by Stanley Wright, occasional outbursts of bloody violence, plenty of rousing action (the car chases and shoot-outs are staged with considerable exciting aplomb), Carter's legendary eye-popping topless scenes, the catchy, reflective theme song "City Lights" sung by Bobby Bare, and an uncompromisingly downbeat ending, this sturdy little item really delivers the satisfying lowdown trashy
exploitation
picture goods.
One gets the feeling that the actor/writer/director (and review writer) thinks she's making a populist
exploitation
film, however, even most
exploitation
films had an actual story.
It turned out to be a cheap trick that in the end made the movie a cheap
exploitation
rather than the gruesome thriller it could have been.
"Shivers" of 1975 is a nasty and highly entertaining
exploitation
flick and furthermore the first feature film directed by cult filmmaker David Cronenberg.
Released at the height of the seventies
exploitation
boom, Virgin Witch sadly falls by the wayside of many other similar films.
Well, the other reviewer was right when yelling out that "Slashed Dreams" is NOT A HORROR MOVIE, but it does feature some typical
exploitation
trademarks.
I'm not saying we all need to start marching and fighting, but it wouldn't hurt us to think a little more about the
exploitation
of millions/billions, and the rewards for the few elite.
Maybe it's because director Tulio Demicheli never truly belonged to the prominent circle of Italian
exploitation
filmmakers?
Then there is the
exploitation
of minors film struggling to get out, with the clever subplot of the child's OTHER pastime, the community play - but this is hardly ever touched upon; it should be the main focus of the film, really.
There is also the very topical issue of the
exploitation
of the Amazon environment and the relationship between the boy and river.
It's not as sleazy as other
exploitation
films, nor is it weird like a Dwain Esper film--it's VERY competently made.
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