Exploitation
in sentence
641 examples of Exploitation in a sentence
She has a black associate who will finally drop out when the other trespasses beyond the narrow line between
exploitation
and slavery on one side and cattle- or even garbage-processing on the other.
The show dealt with serious issues like rape, corruption, driving under the influence, mental illness, wife beatings, gun violence, child pornography, indifference, coercion, drug usage, governmental bureaucracy, and child
exploitation.
As a true connoisseur of horror, exploitation, gore and such, I greatly looked forward to seeing "The Great American Snuff Film."
I've seen the best and worst of the
exploitation
and torture genres and this one falls not as the worst but as pretty darn bad, sitting close to the bottom for sure.
Low-budget film from I.T.C. doesn't have an
exploitation
gimmick (on the level of, say, "Death Wish") to lean on, therefore it didn't reach many audiences.
Nothing's sacred in the world of
exploitation
cinema, not even Mary Shelley's legendary novel or the classic Universal make-up effects on Boris Karloff.
That's quite difficult to believe but, as said, everything's possible in the 70's
exploitation
industry.
Although this movie is supposedly based on actual events, the production values of the film betray that it is yet another old
exploitation
film--the sort that were produced by fly-by-night production companies to prey upon the public's fear AND fascination with sex and drugs.
As outlandish as the whole thing was, Louis Malle really sucked me into that turn of the century red light district world, and thankfully did not bludgeon me over the head with
exploitation
or heavy handed tragedy.
Few films of this nature avoid the
exploitation
that might arise from documenting the troubled lives of those who get little support or recognition in society.
Antonio Margheriti passed away in the late 2002 but his works in the field of Italian horror and
exploitation
cinema will not die in the hearts of their admirers.
The original
exploitation
classic-though far from enjoyable on almost any level concerning some guys who turn cats into human flesh eating monsters because the cat food they make is made with people.
I understand that this was an exercise in
exploitation
but it just seemed to lack any real sense of cohesion whatsoever.
Some nicely gross make-up effects and gratuitous sleaze make this a worthwhile early 80's
exploitation
effort.
David Hess virtually replays his "Last House on the Left" role in this very bad Italian
exploitation
movie.
All the actors should be shamed for the
exploitation
that this movie got from them.
It can't be compared to Deodato's "Cannibal Holocaust", the title of the subject is just the
exploitation
of Deodato's movie success.
The combination of the basic plot and Di Leo at the helm, knowing that his films are rarely pretty, ensures that the film is a gritty, sometimes necessarily unpleasant, but ultimately very satisfying
exploitation
film viewing experience.
Jungle women exploitation, if you can call it that, with a sandy beach full of lovely girls in tailored animal skin dresses (over bikini bottoms, no less) struggling to avoid the dreadful fate of marrying the brutish men of their own tribe.
Un Posto Ideale Per Uccidere is an
exploitation
thriller which mixes the laid-back hippie attitudes of the 60s with the permissive approach to cinematic sex and violence of the 70s.
The story makes no sense and the movie doesn't work on any level, even as
exploitation.
I agree with the previous reviewers that "Mu Zan E" is the nastiest and most disturbing piece of filth made by Japanese
exploitation
master Daisuke Yamanouchi.
Ostensibly a thriller taking it's cue from Wes Craven's THE LAST HOUSE ON THE LEFT (which influenced many concurrent Italian/Euro
exploitation
films), all this really is is an excuse to have lead actress Lorraine De Selle parade around nude for about 85 minutes.
After seeing "Lady Snowblood", I now have endless respect for Toshiya Fujita's spectacular
exploitation
classic and actually a little less admiration for QT, since he blindly copied the entire concept of this film and even took over the ingenious narrative structure.
Italy has made a million
exploitation
films like this one, and that considerably lessens its impact as rather than showing the ills of the C.I.A. - it just shows that the Italians found a new way to film
exploitation.
This film delivers a series of good old fashioned
exploitation
shock effects as opposed to lengthy boring dialogue sequences followed by a mediocre "bang" for your four bucks.
This is just a freakin' low-budget movie with all the
exploitation
elements intact, and every dollar up on the screen.
Not very often do you find
exploitation
films that are actually scary, as they're usually just shocking and grotesque.
This isn't a horror or
exploitation
film; it's a serious and exemplary political thriller about a man being forced to come to terms with his cultural and religious heritage.
The DVD box describes this film as one of the most shameless, sordid and sleaziest
exploitation
movies of the sixties, and also one of the most inexplicably profitable ones.
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