Examples
in sentence
1564 examples of Examples in a sentence
Great jokes from the whole cast Examples: "Well he seemed a lot more ferocious when he was alive."
Rusty always hits a man with a desk lamp when he is scared, Aunt Mable, Grover the mortician, "A pair of cracker jack cuff links and one crappy pie!", etc.
Examples
over.
This is one of the prime
examples
of what happens when screenwriters take a great book and for some unknown reasons change a great deal of the plot.
Season 1 provided us with lavish and menacing stories, often with hidden morales and
examples
of the failings of human nature and it's fight to survive in a frequently hostile environment.
These three classical works are not
examples
of formalismo.
Rather, they are prime
examples
of both the realistic and impressionistic schools of literature which under the creative mastery of Saura become sensual re-creations of love, passion, betrayal, and death.
It's NOT a love story like the previously mentioned, great
examples
of this sorta-kinda movie.
Those are just a few
examples
why I disliked this movie.
One of the most classic
examples
of the wit and genius performed in this film was when Diane Wiest looks at Gene Hackman when he's saying what a fine "lady" Nathan Lane is, and he's playing a Republican Senator!
There are too many
examples
to list them all, but high on my personal list of offenders in this regard must be "The Sweetest Thing", "Beautiful Creatures" and "Drop Dead Gorgeous".
We invented and developed this genre of art and this film must stand as one of its finest
examples.
Do not make the mistake of renting this movie; there's a small chance it may scare you, but the odds of that happening are not worth sitting through 90 minutes of some of the worst
examples
of film-making.
There are many
examples
of this seamy genre, particularly prevalent since the late 1980s, the film under discussion here being perhaps the most financially rewarding, earning more than 30 million dollars above its production cost of $750,000, but only a rabid fan of this cinematic category may consider it to be an artistic success, as well.
Returning to the car chase, Bullitt's car chase might be in some people's the best car chases list, but if you ask me, we have seen much better car chases and I want to give a few examples, also I am sure that there are more car chases that I can't remember or haven't seen yet.
Films are made for a variety of different reasons but the best that cinema has to offer will invariably provoke an emotional response; and Gregory Wilson's film version of Jack Ketchum's The Girl Next Door is one of the best
examples
of a film to do that; and the emotional response that the film provoked in me was anger.
One of the best examples, at least in my opinion, is what happened to Chevy Chase.
A number of the horror flicks that I've seen on FearNet - even if they lack a masterful plot - have some great music ("Down", "Blood Diner" and "Waxwork" are the prime examples).
I could easily mope around and lament about how upset it makes me that the white actor was always portrayed as a wealthy landowner or action hero, and cite just as many
examples
as he does.
The best
examples
of the earlier films (1930's era) featured the gang doing their thing without any adult presence in evidence.
Here are but a few examples: there are no colonels in the US Navy; men on the disabled sub were having difficulty breathing, but they were not breathing "carbon monoxide" as the med staff suggested unless their exhaust was leaking into the compartment; lifting off from an arms seller's supposedly isolated base of operations, the Nighthawk rolls along a clearly marked runway, then passes a VOR station, a type of navaid that would assist in identifying the location of this base.
Hitchhikers guide the idea of a small group of people stealing a giant ship from a universal government and goofing around with it) I couldn't find previous
examples
of every idea but none felt original.
3) The ones who are saved by the hero: an outcast group of annoyingly stereotypical minority examples, such as hispanic, obese and black people who have to deal with all sorts of dramatic issues: there's the drug related murder, the alcoholic father, the mother who has to prostitute herself to feed her children and the abandon father.
If you want
examples
I will be happy to give them, but not now because I really don't feel like it, there are too many to mention without being asked for it.
And while that is probably no surprise, what got me was the constant
examples
of how we were portrayed.
From there we are given
examples
of pimps who seem to rely on foul language (however Americans do have some extremely colorful metaphors), prostitutes, crooked cops and truckers who are more goofy than anything.
Examples
of the latter: our hero deciphers an impossible dead language during an airplane flight, and from then on can fluently interpret the book containing clues to the mysteries to come.
I can site two examples: 1) In DAWN PATROL he starts cracking up under the stress and strain of his command position; 2) In THEY DIED WITH THEIR BOOTS ON, Flynn senses that he is going to probably die on his last military mission (as does his wife Olivia de Havilland).
Indeed those three movies I often sited as the worst
examples
of said genre where "Guy ends up playing video game in real life when game comes alive."
Muccino's "L'ultimo bacio" (to be avoided like the plague!) and his latest, "Ricordati di me", are prime
examples
of Berlusconi-era cinema: pretty-to-look-at but pointless, riddled with stoopid cliches, pre-packed, pre-digested conclusions, conservative, moralistic and misogynistic undertones that pass for brave portrayals of modern Italy (yeah right), hollow cynicism and shallow "portraits" of middle-class malaise that are merely a smug, self-referential celebration of this milieu (Muccino's own).
From the very beginning, we are given numerous
examples
of how absent minded and silly Elsie Maury (Kay Francis) is.
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