Examples
in sentence
1564 examples of Examples in a sentence
Lots of good
examples
in this one, scenes where a whited out face is scene staring behind a young actress, photographs on a wall are suddenly glimpsed smiling, just for a second, and more.
Some
examples
of this period would be "Transformers", "Garfield and Friends", "Captain Power", and "C.O.P.S." (a cartoon NOT to be confused with the live action show on Fox).
Besides these prime examples, Disney also returned to syndicated programs for kids, coming up with a lineup called "The Disney Afternoon".
There are other
examples
of how a clever director can elevate his film to the level of a very enjoyable thriller.
To this day, it stands as one of the finest
examples
of British comedy and, more particularly, about how television sitcoms become so popular.
While it doesn't cover the expansive territory Scorsese's movie documentaries cover, the same attachments are there, and Zizek has a definite love for all of these "perverse
" examples
and films, primarily the work of Hitchcock, Lynch, Chaplin and Tarkovsky.
There are some good
examples
of this in 'Ice Age', such as when we see a motley herd of now-extinct mammals migrating across countryside, chatting like old friends.
This point is made in the film many times over, and one of the
examples
given to make this point is that scholarship to England, which Gandhi twice denies his son.
I could give numerous examples, but why should I? Just watch the film.
This becomes a running theme in his novels: Captain Nemo in TWENTY THOUSAND LEAGUES UNDER THE SEA, or Robur (from ROBUR THE CONQUEROR and it's sequel, THE MASTER OF THE WORLD) are two of his best
examples
of this them.
Denise Richards looks incredible as always but, her poor acting here and in the box office and critical disaster 'Drop Dead Gorgeous' are
examples
of why she has quickly fallen off the radar.
In the 70s there was a horror cycle of pix in Australia and two well made
examples
LOST THINGS subconsciously owes a lot of imagery and style to are THE LONG WEEKEND with John Hargreaves, also set on a scary beach, and SUMMERFIELD which was a sunny setting for deadly menace.
Malcolm in the Middle is important for a very strange reason: much less the Drew Carey Show, it's one of those
examples
where the show lasted three seasons longer than it had to, and becomes one of those strange 'abondoncoms' in which anybody who works on the show is recognized for being on the show, but has to remind everybody that it wasn't cancelled three years ago.
As the lurid title suggests, Strip Nude for Your Killer is one of the more trashy
examples
of the Giallo tradition, and that has lead many to lambaste it as a sub-par effort; I, however, could not disagree more!
Murders are fairly few in this one and not gory, the film does however include an absolute rip-snorter of a strangulation sequence, one of the best
examples
of such slaying I've ever seen in fact.
Actually, this is one of the more obscure
examples
of a comedy subgenre that was popular in the 1930s: a 'wacky' family with several different eccentric personalities all living under the same roof.
Well-known
examples
of this subgroup are 'You Can't Take It with You' and 'Three-Cornered Moon'.
There are many
examples
of how poor people were treated differently then the more wealthy people.
This obscure little satire makes the point that there is "a sucker born every minute" and shows numerous
examples
to prove it.
Examples
which may be disconcertingly accurate.
When I looked up the film in Halliwell's Film Guide it came highly recommended as one of the finest
examples
of its genre.
Somebody did it, a good job indeed, with very plain
examples.
Clearly this is one of the classic
examples
of a 60's and 70's Movie adaptation of a book that is an unsung masterpiece of how you can as a producer, Director of Photography, Set Designer or Special Effects coordinator relay the textual concept, intention and feel of the original author in to a visual and intellectual Science Fiction thriller.
Examples
of the film's shortcomings: all of the characters are extremely stereotypical (the hard-working, proud, honorable, heroic mother; her foiling party-loving, less intelligent friend; her gallant but shy suitor; her determined, precocious son; his tender-hearted rogue guardian; the ball-busting smuggler matriarchal with a heart of gold; the patronizing, unfeeling Caucasian socialite whom they un-creatively nicknamed Cruella Deville; the happy-go-lucky mariachi musicians), many of the scenes were equally stereotypical (the boy and his guardian's airing of grievances through an impromptu karaoke scene in the back of the Native-American run diner; the cathartic sacrifice of the once-gruff guardian at the end, complete with face-in-grass-knee-on-back cuff shot with the cops; the cornering of the boy at his own birthday party by his money-hungry,aggressive relatives; the bated breath scene of anticipation at the border patrol station), and finally, the amateur, over-the-top performances given by nearly all of the actors in the film.
Toy Story (1&2) and Monster&Co were good
examples
of how to use modern techniques in the context of a good starting idea although I can't help thinking that art of animation the way I knew (and loved) has been certified dead by monstrous photo-realistic productions.
But MGM had a hard time with actresses as they aged and the old formulas weren't working anymore - Shearer, Garbo, and Crawford being three such
examples.
Famous
examples
of the genre include After Hours (1985), Very Bad Things (1998), and My Boss' Daughter (2003).
This movie should be watched by anyone who wishes to learn from bad
examples.
Some of the better
examples
might be movies like THE FIGHTING FISTS OF SHANGHAI JOE, an Italian western with a Chinese star (Chen Lee) that may or may not have been inspired by the then-current American teleseries, KUNG FU.
Examples: A guy dies from a gunshot wound to the shoulder; people jump off walls and fly 20 feet in the air; Every time somebody turns quickly or reaches for something, you get the ever popular "whoosh" sound effect.
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