Dramatic
in sentence
1829 examples of Dramatic in a sentence
Someone should ask the producers and the director whether they added Merriman's character for
dramatic
effect or to deliver an anti-nuclear message.
The plot is skeletal and must be padded out with lots of meaningless dramatic, screaming roller coaster rides, as if Disney or Spielberg were planning an amusement park ride based on the movie.
As previous users have said, there was little
dramatic
scenes, nothing to make the story interesting.
A sprawling, overambitious, plotless comedy that has no
dramatic
center.
But what REALLY makes "Wild Rebels" an awful movie is the direction by William Grefé (note the accent over the final "e," present in his on-screen credit), which has absolutely no sense of pace whatsoever and seems to let every shot run at least half again as long as it needs to to make its
dramatic
point.
Too bad Mike Meyers picked this for his
dramatic
debut.
I've seen this plot-device a million times (or if it's not a car, then it's a fall from a horse); the writer doesn't know how to end the story but he knows that he wants it to be dramatic, so he adds in a car-accident.
Apparently this sad excuse for a
dramatic
urban look at what 20 year olds do whilst crawling through the gutter of Sydney nightlife is supposed to be somehow connecting with its target market.
This COULD be due to the fact that the pacing of the project is way too rushed(as noted in previous postings)- this film clocks in 45 minutes shorter than the film version- the difference owing to the pauses for
dramatic
effect, which apparently is necessary to propagate the appropriate MOOD for the story.
The direction seems very basic, with obvious
dramatic
irony and a classic case of the lost loser versus the clueless committed.
Why is it that virtual "x-rated video game" women can speak through their mouths but virtual fighting game champion Dante has to use a combination of telepathy and over
dramatic
facial expressions?
Unfortunately the fairly capable actors I have mentioned are resigned to relatively small roles in comparison to the
dramatic
driftwood that is Kerrigan and Saira Todd, both of whom seem to have been in Casualty for too long, and haven't yet learned to act.
The only attempts at
dramatic
effect were at the very end of each piece when the movie would cut to trees waving in the wind or little wavelets lapping at a beach.
Sissi did not go to Mayerling to see her dead son, she also did not die in the street; they carried her on to the boat and then back to the hotel, which was much more
dramatic.
After an hour of hearing long-winded speeches and
dramatic
posturing, we simply want to tell the guy to shut up! mildly entertaining in spots, especially in the first segment, this mess begins to look and feel like a cheap, ugly made for TV splatter flick after a while, and ends in the most ridiculous way imaginable: Pinhead, along with his pet Cenobite dog, killing a bunch of idiots... in outer space!
However, even giving benefits of the doubt, Cimarron is a badly shaped piece of drama -- a bloated film that moves from unrelated sequence to unrelated sequence with little
dramatic
impact.
And then to create some action they decide to drop a rock on somebody's shoulder and for the rest of the movie he's coughing as if he was dying of a pneumonia or something...and then plays hero (cheesiest scene of all!!) to help the plan which is to do who knows what... its never a good sign when you find yourself laughing out loud in the middle of THE
dramatic
scene...in a nutshell; don't waste your time!
It's nice to see Julie Andrews trying a straight
dramatic
role here--something she hadn't done in awhile--but her character of Judith(wise they didn't try to pass her off as a 'Judy')has the old refined manners and tomboyish hairstyle of yore, and Andrews enacts 'grown-up' as any other actress would interpret frigid.
A mediocre film at best, "EG in B" features some members of the band Chicago, a whiff of action, some philosophizing, and lots and lots of boring
dramatic
filler.
The sci-fi part of the film was very interesting and fantastic for its time, but i'm not sure if it was due to the fact it was shown directly after the Brilliant 1928 "The Wind" or if it seemed that Russian filmmakers take after what Russian novels are famous for (hundreds of characters, tangled plots) but I know for certain that the
dramatic
parts, as in the parts on Earth, made absolutely no sense, were boring and I became lost within about twenty minutes.
When suddenly, without reason, you are forced to watch close ups of "charismatic" looking hungarian country people in their boats, while the soundtrack is trying to persuade you that this is supposed to be a
dramatic
moment, although they are only on the way to the funeral of the local alcoholic, thats one thing.
But in his powerful
dramatic
performance in The Wrestler (2008), we see a full blown presentation of the character only hinted at in Get Carter.
Furthermore, the ending is so
dramatic
and key to Pepe's character that you'll find the Algiers version intolerable.
In my opinion this movie moved too fast, and it was way too
dramatic.
I would say there was a
dramatic
moment every five minutes, and the movie moved through her life extremely fast, and this left no room for us to connect with Christina Ricci's character.
if this was the finale, is that the episode had no suspense, no big climax, no
dramatic
confrontations.
The mission to see the movie "The Cave" was a dream of a friend of mine after witnessing the highly
dramatic
trailer, full of flashes of a creature lurking in a cave, some young cave divers, and not much else.
The next time we see them they are going about their business sitting in their seats, talking, eating, reading, knitting.In the New York subways folks sometimes come on the train to do some musical or
dramatic
number --- maybe that's what they thought the "happening" was.
This is just one of the hundred million movies where the directors try to shove too much drama into a movie that's not
dramatic
at all.
As it built toward the end, it created a complex moral dilemma, leading to a shocking yet, within the context of the film, entirely believable decision with extremely powerful
dramatic
consequences.
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