Diner
in sentence
88 examples of Diner in a sentence
Every Sunday, a trio of buds get together at a NYC
diner
to boast about their sexual conquests of the night before.
"The Brain" takes place in a typical quiet-American town setting, where every adolescent works in the same
diner
and where the cool-kid in high school flushes cherry bombs down the toilet.
Bad actors reading cheesy lines while shiny classic showroom cars continuously circle a
diner
that looks more like a Disneyland attraction.
Disappearance is set in the Mojave desert as Jim (Harry Hamlin) & Patty Henley (Susan Dey) plus their two kids Katie (Basia A'Hern) & Matt (Jeremey Lelliott) along with Ethan (Jamie Croft) a friend of the family are travelling along, they stop at a roadside
diner
& ask about an old deserted mining town on the map called Weaver.
In this "possessed" state, she even lures the American ambassador outside to have sex in the garden of a high society
diner
party full of prominent guests.
The whole movie centered around an unattractive man who had a fear of females, four beautiful but empty minded women who worked as waitresses at his uncle's diner, and his enormously fat and extremely miserable cousin who also works at the
diner.
Ashley gets a job in a
diner
where she meets Barry, a married man.
On their way there they meet up with some guys in a local
diner
and decide that they would both meet up with each other in another location later on.
He arrives at a
diner
managed by some friends of Noam's.
The first-rate cast of familiar B-feature faces constitutes as a major asset: Victoria Principal as Ben's sweet hottie girlfriend Linda, the fabulous Bernadette Peters as flaky saloon singer Little Dee, Brad Dexter as the feckless mayor, David Doyle as a slimy bank president, Andrew Stevens as an affable gas station attendant, John Carpenter movie regular Charles Cyphers as one of the 'Nam vets, Anthony Carbone as a smarmy casino manager, John Steadman as a folksy old
diner
owner, Paul Gleason as a mean strong-arm shakedown bully, and Dick Miller as a talentless piano player.
The story unfolds as the four male protagonists meet weekly at the local
diner
to confer about their dating woes.
She plays a
diner
waitress.
Four teenage girlfriends drive to Fort Laurdale for spring break.Unfortunately they get a flat tire in Medley,Georgia and one of the girls witnesses a brutal murder deep in the woods.The local sheriff is behind the crime and the nightmare begins..."Shallow Grave" is a pleasant low-budget surprise.The cast is likable enough,the direction is steady and the violence is particularly nasty and misogynistic.Especially the second murder is pretty grim.The murderous sheriff isn't one-dimensional character-in a couple of scenes it seems that he feels remorse for what he's done.The subplot involving the two boys they meet in the
diner
goes nowhere,but the stalking scenes in the woods are tense and exciting.7 out of 10.
He gets into another shamble with the department, as usual, when he tries to fight crime 'his' way, in particular with a
diner
robbery (inspiration for Pulp Fiction?) and with a high speed pursuit with a senior citizen bus.
Marlon Brando and Frank Sinatra HATED each other while doing this film and in the years following it.Brando asked Sinatra for some singing lessons,but Sinatra (who was already upset over the fact that he was cast as Nathan Detroit,when he wanted the part of Skye Masterson)wanted to be the star singer in the production and didn't want any one to be better than he was.He told Brando to get lost,so to get back at him Marlon kept screwing up the scene in the
diner
where Sinatra was eating cheesecake so that he would have to keep eating,eating and eating.In the later years,Sinatra gave Brando the nickname "Mumbles" or "Mr.Mumbles" because of the way he talks.
While interrogating the travelers, weird things happen in the diner, with the lights switching on and off and the turntable turning on and off.
It seemed indestructible and unlimited in growth potential, and when it trapped poor Steve in a sieve-like diner, he seemed like a sure dinner to be.
In my book, Caro and Jeunet are the most able to provide a movie better than the "let's converse over a
diner"
we see so often.
The only good element in this movie is the timeless
diner
scene which shows just how good an actor Nicholson is.
I truly and honestly don't think it's worth a watch unless you're a huge Jack Nicholson fan and even if you are, you should watch simply to see the hilarious
diner
scene.
Director Adam Marcus, working from a clever script by Dean Lorey and Jay Huguely, relates the compelling story at a constant snappy pace, maintains a mean, brutal tone throughout, delivers plenty of nasty gore (a young lady getting impaled on a tent spike while doing just what you think with her boyfriend rates as the definite splatter highlight), further tarts things up with a welcome sense of self-mocking black humor, offers a generous sprinkling of tasty female nudity, stages the murder set pieces with rip-roaring brio (the delightfully outrageous
diner
massacre sequence in particular seriously smokes), and really goes for broke with a gloriously wild ending which comes complete with one doozy of a sequel set-up punchline.
The solid cast contribute admirably sincere performances: John D. LeMay makes for a refreshingly unlikely hero as the nerdy Steven Freeman, Kari Keegan likewise impresses as the sweet Jessica Kimble, Steven Williams almost steals the whole show with his colorful portrayal of flamboyant bounty hunter Creighton Duke, plus there are neat turns by Erin Gray as the spunky Diana Kimble, Allison Smith as Jessica's cheery gal pal Vicki, Steven Culp as opportunistic TV newscaster Robert Campbell, Billy Green Bush as the hard-nosed Sheriff Ed Landis, and Rusty Schwimmer as feisty, foul-mouthed
diner
owner Joey B. William Dill's slick cinematography gives the picture a properly moody look.
She works in a diner, and when she tries to forget her lousy life in the Depression she turns to the movies.
Examples of the film's shortcomings: all of the characters are extremely stereotypical (the hard-working, proud, honorable, heroic mother; her foiling party-loving, less intelligent friend; her gallant but shy suitor; her determined, precocious son; his tender-hearted rogue guardian; the ball-busting smuggler matriarchal with a heart of gold; the patronizing, unfeeling Caucasian socialite whom they un-creatively nicknamed Cruella Deville; the happy-go-lucky mariachi musicians), many of the scenes were equally stereotypical (the boy and his guardian's airing of grievances through an impromptu karaoke scene in the back of the Native-American run diner; the cathartic sacrifice of the once-gruff guardian at the end, complete with face-in-grass-knee-on-back cuff shot with the cops; the cornering of the boy at his own birthday party by his money-hungry,aggressive relatives; the bated breath scene of anticipation at the border patrol station), and finally, the amateur, over-the-top performances given by nearly all of the actors in the film.
Isabelle Huppert plays a former nun who is trying her hand at writing sexual fiction; Martin Donovan is an amnesiac (groan) she picks up in a
diner.
A man's family is brutally slain in an apparently random shooting in a
diner.
He also develops a strange, suggestively homosexual friendship with a nearby dog-walker and bumps uglies with the saucy waitress of the local diner...
Director Tobe Hooper's masterful talent for crafting a raw, rattling and uncompromisingly fierce intensity that slowly, yet surely builds to a nerve-wracking fever pitch in the harrowing last third (the infamous
diner
table sequence is particularly horrifying) has never been matched or surpassed in either any of the subsequent sequels or in the needless and atrocious overly graphic remake.
Even his attempt at channeling Jack Nicholson in a
diner
ala Five Easy Pieces doesn't work.
Gabby Maple (Bette Davis) is a beautiful
diner
waitress with big dreams of moving to France to be an artist.
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