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Digital in sentence

2581 examples of Digital in a sentence

In the guise of a digital wide screen big budget remake of 8MM, this is quite a ride.
The fact he shot it on 35mm is amazing as most would only attempt this project using a digital format.
Using digital technology, the director, Rohmer, has literally encrusted his living actors into painted backdrops.
Luckily, at the same time my cable company went digital and I got the BBC.
This adaptation of M.R. James's short story 'A View From A Hill' was first shown on British television in 2005, on the little watched digital channel BBC 4. I saw that it was being repeated again on BBC 4, and decided to give it a go, remembering the BBC's successful 1970's adaptations of other M.R. James stories including 'Whistle And I'll Come To You My Lad' and 'The Signalman'.
The first installment of this notorious horror series is presented as if it were a snuff film discovered by the producers and set up like an amateur camcorder tape, complete with a digital timer at the bottom of the frame.
So I flipped on the digital subscriber channels one night a couple of years ago and thought I'd pass a half hour watching "Girlfight" while waiting for "Hart's War" to start.
This movie is now appearing on digital TV at least once a month, I've watched it a dozen or more times, and it never ceases to delight me.
I'm sorry - in the digital age we can no longer watch movies on flip books, however I'm sure you can still find a few short silent films in book form.
It was an interesting character study and very well shot ( on digital video, unusual for a period piece ).
Director David Lynch refuses to give clear explanations on his movies(with the exceptions of The Elephant Man and The Straight Story)and he prefers the spectator to making the homework of taking out conclusions.I like a lot the films he does but I do not try to find in them a clear explanation.I just enjoy the extraordinary talent Lynch has of creating emotions and producing feelings without a too coherent story.He uses all the instruments to give us something unique which we may not understand it immediately but something which we will never forget.Inland Empire is a very interesting experiment and we can see the same surrealistic style he used on most of his movies.After Eraserhead,his brilliant first film,Lynch continued with more normal films,like The Elephant Man or Dune.But,with Blue Velvet,he backed to show the oneiric feeling he had shown in Eraserhead (although on a lesser degree).With Inland Empire,I had the perfect sensation I was in a dream(or,best said,on a nightmare).But this film is not for everyone:its running time is of 3 hours.Lynch plays with our perception in the time and the reality to create a very interesting experience but which will not satisfy to the people who are looking for a clear story.Lynch makes us taking out conclusions all the time.The film is made with a digital video and that thing helps because it creates more mystery.Laura Dern brings an amazing performance.She always acted well but I never thought she had so much talent.I do not know if I can recommend Inland Empire to everyone:I liked it pretty much and I think it's a very interesting experiment.But I understand some people will not like it.Inland Empire is very interesting and it makes us taking out conclusions.And I always appreciate that.
There are a vast multitude of sub-par crappy shot on digital yawn-fests littering videostore shelfs, and this is definitely One of Them.
For a start the digital video camera is not a steadicam, and even if she was joking ITS NOT FUNNY!! the script consists of stolen Cannibal Holocaust lines and images with the main part being a swamp of incoherent crap that only the most messed up mind could comprehend and think is slightly decent.
The actors are crap, the movie looks like good digital, there's nothing special about the way it's filmed or edited, the make up is probably good for no budget but not for something with a budget so all this movie ends up having going for it is it's weirdness.
It was shot in digital with a very porno film quality and sets, with terrible editing and poor directing, weak actors but beautiful female leads.
I look at the digital effects of today and the imagery seems thin and repulsive.
I've seen plenty of these digital horror flicks over the last 5 years and I have to say that Delivery ranks up there amongst the better ones.
This DVD version of the classic tear-jerker "Penny Serenade" may only be a standard production (considering recent technological advances in digital entertainment), but all of the delightfully sappy "soap" effect of the 1941 original remains 100% in tact.
Some say this isn't a masterpiece, there are no digital effects or Oscar nominated performances.
When they came up with the title, if the filmmakers meant the seemingly endless stock of poor genre films that are being pumped out in the wake of digital film-making, then this is indeed "one of them".
Bad script, bad sports, bad effects (not so much bad digital effects but incomprehensible ones- what was the deal with the dollar signs in the owner's eyes?
Visitor Q opens with the title card "Have you ever done it with your Dad?" Through a digital camcorder, we watch a hot young prostitute as she seduces her father into having sex with her.
The John Woo directed action scenes stretch over the top at times, there's the mentally unstable talkative nemesis and yes even one of those bombs that graces us with a digital readout.
The conflict between digital cameras and film was just plain stupid (would anyone care enough to get so worked up?) and the cop who took over from Barnaby was a ludicrous 80s cliché.
The film is shot on digital as opposed to film, and Lynch milks every trick lighting effect you could imagine in this film, and if nothing else he's really expands the possibilities of digital movie-making, by using the washed out colors and light sensitivity of his cameras as opposed to trying to recreate the look of film.
For years, I've bemoaned the switch from film to digital video for low-budget horror movies, but I'd rather watch anything shot on video than watching the waste of film that is Dead Life.
Quite possibly the worst film I've ever seen, especially considering it's not even a FILM, but rather a shot on digital video, no budget, poorly acted, poorly directed, and poorly scripted amateur fest from beginning to end.
Hallmarks of the category include female chauvinist perspectives, emasculated or violent male characters (if there are any men to speak of), long stagnant takes shot on digital video, and an aggressive tendency toward unresolved endings.
Technically, it succeeds in some ways, e.g., the steadicam work, but fails in others, e.g., under- and over-exposure, or their digital equivalents.
All of the tension was derived from digital timers.
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