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Dialog in sentence

1164 examples of Dialog in a sentence

The dialog was real, the cinematography dark and brilliant, and whether you believe this is a "chick flick," the characters and interplay involved touch on the very heart of the matter - from many aspects that many men will never understand - when it comes to the power of support that comes from friends - especially women - throughout various stages of their lives.
The dialog is beyond cheesy, the special effects might have been cutting edge in the eighties.
This is one of the better silent films because it had many dialog cards.
Matthau is funny but Lemmon is really at sea with this...he stutters over his dialog, is way too old for Sarandon (who has NOTHING to do) and actually does not have all that much screen time with Matthau.
It feels like the same type of humor very witty and sharp dialog.
The dialog between John and Paul are at times serious when it surrounds the bands musical structure.
Watching Shakespeare without dialog isn't as challenging as you might think.
The dialog was horrible.
The story and stock characters have been worn clichés for at least 40 years, the dialog is laughable ("We need bug repellent, not guns!"), the acting is bad to fair and the special effects are highly uneven (there's a pretty good animatronic-model spider by KNB and some lame, but scantly-used, computer fx at the end).
Mitchum manages to be good insofar as the worst dialog of his career allows him, and McGraw is loaded down with even worse talk.
But it's the amateurishness of the direction, the high-school-play sort of staging and dialog that make "One Minute to Zero" (a title without meaning or explanation in the film) an anomaly: how could these people, whose talent is undeniable, have made such a silly and childish little home movie.
It had a really promising beginning, an interesting premise, and some fairly intelligent dialog in the pre-launch portion of the movie.
But then, it's as though the makers of the movie just totally ran out of script, money, and inspiration, and the flick completely dies; just marking time with inane dialog and absolutely no developments for what seems like an eternity.
While well mounted and with dialog that's not altogether horrendous, the movie never gets going.
The dialog is uninspiring, and unlike other films of this era this film is not much fun to watch.
The film was a study in pedestrian pacing, stereotypical southern mannerisms and dialog, and a sense that the film lost its way midway through.
Not speaking enough French to judge it, I can only comment on the understanding of the dialog that I got from the English subtitles; a lot of it is quite clever.
The dialog was fresh and edgy, and it was the first film that I have seen in a while that felt like it was written and directed by real people, and not vetted by a series of industry drones.
I thought the script was clunky, the acting was awful as far as good guys were concerned, it contained wildly inappropriate dialog for the setting, and the tone made light of what could have been dramatic events.
With surprise twists and smart dialog, it kept me interested and curious.
In this day of $100 million plus movies with special effects that drown out the dialog and stars with out-sized egos and paychecks to match, a film like Jonathan Demme's minor masterwork, "Melvin and Howard," would be lucky to get a video distributor.
The single goal of this movie was to point out events that happened in the plot line of the original High Noon through stale and unbelievable situations, as much as possible, as to conceal its completely lack of meaningful dialog or purpose in general.
As a sequel, it completely rejected the motivations of the characters in the original movie, reducing the cinematic experience to, "suffer through the terrible dialog for 5 minutes until a gunfight occurs".
The poor cast is made to deliver the English dialog with bad Russian accents.
Gooding seemed more often than not to mouth his dialog.
There was a little entertaining T&A but not worthy of the lousy dialog, lack of plot and cheesy special effects.
I have probably watched this movie over three hundred times, and every time I am delighted by a small detail: the camera angle, the dialog, the consistency, the absolutely beautiful setting.
But LAMERICA's lessons are taught without moralizing or melodrama or preachy dialog.
The same can be said about bits of dialog and brief encounters throughout the film: Much as in real life, their importance, the lesson they impart, is only understood when stepping back to look at the big picture.
The dialog sounded as if it came direct from Sesame Street or something like that.
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