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Dialog in sentence

1164 examples of Dialog in a sentence

The dialog and acting throughout is superb!
The dialog is wretched,as one of my favorite lines includes "I wonder what Mrs. Murphy's been putting in her chowder", and I thought this was incredibly poorly made and written as well, plus the effects are really laughable.
From the well lit cinematography to the intelligent dialog, Sandkuhler shows that he's no lightweight in Hollywood.
the characters in the movie weren't too endearing and a lot of the dialog (all 6 or so lines of it) sounded pretty forced.
This is more evident if you don't need to rely on the subtitles, as the original dialog comes across as hollow and flat in the native tongue.
The sound is murky and undecipherable, the acting is strictly amateur hour, the characters are paper-thin with no distinction or purpose, the story is non-existent, the dialog is a completely worthless bore, there's nothing remotely scary, and the special effects (including a couple of computer effects that look like they were made on a Commodore 64) are laughable.
Not only the characters, but the entire dynamic of the short and its dialog are derivative of the "Clerks" scene.
I have always found that although his films are impressive visually, the dialog and acting is purely secondary at best.
Various central-casting western types cycle through, brandishing their mustaches and petticoats, and seem to have been left to their own devices on such matters as line readings (Keenan Wynn, in particular, barks his dialog as though dictating it to a sign painter).
I like its idea of a war between cats and dogs who are secretly more technologically advanced than we are, and a lot of cleverness went into the situations, but the dialog is corny.
The dialog was retarded and whoever wrote a script this bad should be shunned from the film industry for the rest of their natural born-lives!!!
Think of the pathetic attempts at dialog in the 12 seconds of every porn film prior to getting down to business--our main actor is as bad if not worse than that.
The dialog is atrocious, too.
Let's hear it for the "Loverboy" look of love... leg warmers, headbands, Toni-Perms and snappy dialog.
A mood-setter is also the fact that there is no dialog in this part of the movie either, almost like an old journal film.
The dialog is very dated, but quite amusing at times (yeah, groovy man!), and as usual, when watching these types of movies, frequently the bad acting takes over the movie and it can be hilarious to watch.
Graceful direction gives Weber's dialog and the cast's big chops a wide berth, to great effect.
Oh, the opening scene and dialog.
Back to the dialog.
The dialog was a hoot: when Judy wails "I want to be with you.
A good premise is wasted with bad dialog, wooden characters, and a hero that can't drive a car!
I enjoyed the story, the dialog and above all I enjoyed the atmosphere and the actors.
Some of the dialog is so painfully bad it beggars explanation of how an actual human wrote it rather than a life-form or intelligence wholly ignorant of our kind.
Can't come up with any original dialog?
The dialog is terrible, I couldn't care less for the characters and the acting is... so bad.
Plus, a lot of the dialog is simplistic, cartoon-like, i.e. not very realistic at all.
Very slow with dialog that goes all over the place.
Like all screen plays, a writer does his/her best to avoid unnecessary dialog.
It is an interesting object to look at the problem in the conflict in Iraq/Kurdistan from another perspective but when this perspective is from a fascistic point of view, (Turks superior compare to Kurds) and seeks no dialog or a message about understanding the problem there, makes the viewer to leave the theater as soon as possible to go home and feel sorry for a director with so many hate within his chest!
The acting is sub-grammar-school level; veteran stuntman Fred Graham as the sheriff is one of only two professional actors in the cast and he can't do much with the stilted, senseless dialog he's forced to recite.
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