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Described in sentence

1734 examples of Described in a sentence

The Italian concept of "sprezzatura" was the grace and nonchalance in social manners that led to success in love, as described in the 16th century manual "The Courtier."
He may not have the blond hair and blue eyes that are so vividly described in the book, but to be fair, he would not look good with blond hair, and Lestat is most definitely about looking good.
al., but this is definitely the trademark film of what might be described as Seagal's second era of films.
The passivity of Yusuf (Emin Toprak), the country cousin, is well described by his fear of talking to women.
Claude Chabrol could be described as something like a French Alfred Hitchcock, and while this film is only the second one of his that I've seen (the first being Le Boucher), I can already see that this guy is something special just on the strength of these two films.
I really wanted to write a title for this review that didn't come off as corny or gushing but still described my feelings for this show.
A March 1947 New York Times article described Crossfire as one of the first Hollywood films of the 1940s to "face questions of racial and religious prejudice with more forthright courage than audiences have been accustomed to expect."
The way I've described the film makes it sound unrelentingly depressing, but it's really not.
These students are described like the ones you imagine or you see in everyday life: either untidy, either serious or with a sense of humor.
Those of you that have seen it, watch it again with the mindset previously described.
It seems that Hack has been described as un-realistic... but that's what TV is.
When this movie was in production and heard it described as a rugby movie.
Murder he commits changes the course of life for every member of his family and the family of deceased, and as you watch and realize that everyone has its own story and its own dark side you just appreciate this movie even more, it's a total tour de force, cause those actions cannot be described by simple words.
Anne doesn't look like a scullery maid in this version, just a very thin, aging, pretty woman, quite like she's described in the book.
Captain Wentworth doesn't look like he's 50, nor does he look perpetually angry but rather, as he's described in the book, he hasn't aged as much as Anne and is quite handsome.
Atwill's portrayal of Moriarity is more sadistic than the cunning sort described in the Doyle stories (or George Zucco's performance in The Adventures of Sherlock Holmes), but Atwill's skills as an actor makes his Moriarity quite the benevolent fellow.
Captures the amazement of film's first audiences pretty much as it's described to have been worldwide, and uses actual Lumiere films for most of the actualities.
It could maybe be described as a cult movie and it is definitely a recommendation for people who wants a spiced up sci-fi story blended with some minor psychological moments and an intriguing protagonist, namely Riddick.
I can't say how many times that one line has made me laugh or how often I've described that scene to folks not familiar with this film.
In the movie the war is described from the opposite side, and the fact in itself is interesting.
I was intrigued by the way the movie was described, but in the end, it was better.
Though several scenes of Wirey Spindell can be described as "over the top".
I've described this film as surprising... this is true in many respects.
Many more eloquent reviews than this have described the quite spectacular acting, casting and styling of this film.
This stunning and ultra-violent Giallo could well be described as the master's nastiest film, which is quite something considering that Argento's films are not exactly known for the tameness of their violence.
The bond between Franta and Carel shows the loyalty wartime comrades can have for each other and that is often described in books and interviews with veterans.
But the greatest thing about this movie was the atmosphere that has been described in books by Gibson, Sterling, and others.
It's worth noting that audiences of the time were no more naive about the story than we are today; the NY Times review conceded that audiences would "dismiss factual inaccuracies sprinkled throughout the film," described the biographical account of Custer's life as "fanciful," and pointed out that the presentation of Custer's motivations regarding the final events were at odds with various historical accounts.
Then, what can only be described as a coincidence, sees Lawrence Talbot, a.k.a.
The stellar attributes of this film -- the plot, the cast, the characters, and of course, the car chase -- are amply described in many of the reviews here, so I won't go into that except to say that one of my favorite moments occurs during the car chase, when the camera focuses on Richard Lynch riding shotgun to the maniacal Bill Hickman.
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