Danger
in sentence
2182 examples of Danger in a sentence
I know that there are women out there who are in prison and are considered "a
danger
to society" but I also think that there are women who deserve another chance.
Knowing that his friend is in danger, he does the noble thing and heads off to Beverly Hills to find out more about the incident.
With scenes of quick back-and-forth, genre-distilling moments ("I'm the smartest man on your panel who never speaks up unless the world is in terrible danger..."), Ben Affleck is blown up by a piece of asteroid.
The story builds slowly and generates just enough paranoia of impending
danger
to keep the audience interested.
For instance, why does Cassie Yates and her son, who have a car, get a helicopter ride out of
danger?
Humphrey Bogart, for all of the heroic roles during this stage of his career, is cast against type, and Barbara Stanwyck, always the femme fatale, is now a damsel in distress as matters spiral beyond her control as grave
danger
closes in on her.
This is a throwback to the horror and action-adventure movies in which the tension is based on the threatened woman who cannot get out of the way of
danger
because of her passivity, gullibility, or other gender stereotyped disability.
Perhaps he was warning Hollywood about the
danger
in beauty plastic surgery that is getting out of hand.
Also there is often a
danger
in self referential stories, (the industry does the industry) but Out On A Limb manages to make its take on the entertainment industry really work.
The movie is interesting and lively as the level of
danger
grows until everyone is in
danger
including the real U.S. government.
His daughter, who falls in love with the newest applicant Louison (Dominique Pinon) helps keep the butcher from chopping up Louison until he learns of the
danger
he is in, and escapes with the help of a band of vegetarian freedom fighters, and his new-found love.
But when he falls in love with the new queen and the real king is kidnapped by an evil half-brother, the Englishman is swept into a world of intrigue &
danger
he scarcely knew existed.
Cosmo Vitelli, strip club owner, is deep in debt and in
danger
of losing his beloved club.
She looks more annoyed at that than all the carnage surrounding her! Later on, with more survivors on board and in
danger
of starving, she worries about how she looks and applies more lipstick!
Instead the movie undermines itself by lowering the I.Q. of the characters so that the number of
danger
points can lengthen the movie.
And the proliferation of hideous cliches ... the child running back into danger; the ram scoot (which was tired by the 40's); the fight sequence predictably ending in the stretching chair.
He frauds the government and the population with images showing the
danger
of an alien attack to justify the explosion of the equipment.
There is also a huge dose of simple humanity added to this magical recipe, thus separating it from any
danger
of mere pedantry or instruction.
His well respected father dies mysteriously in a train/car accident which leads to haunting nightmares in which his father warns him of oncoming
danger
to his mother(Sally Eilers)caused by a mysterious stranger that wants to cause harm to the family.
The plot's not that complicated (certainly not like "The Lady Vanishes") and there seems not to be enough risk or sense of
danger
(certainly not like "The 39 Steps")to Mason's life, although there is suspense and surprise along the way.
Is she ever in any
danger?
And while Graham Linehan's sentimental sitcom leanings roped in his surrealist writing partner, Arthur Mathews, to make Father Ted a genuine classic, without Mathews, Linehan is free to indulge in the sub-FRIENDS/Seinfeld sitcom he was always in
danger
of making.
But when she awakens in the hospital, Aubrey claims to be somebody else... a woman named Dakota Moss, a rough-living stripper who says that she is being mistaken as Aubrey, and that the real Aubrey Fleming is still in mortal
danger.
There is no sense of imminent
danger.
In fact, you don't even have to like or care for any of the characters (phew) to feel the
danger
as much as they do.
How many times did I myself catch a ride home in this manner while in school...always feeling a tiny bit chilled by the possibility of
danger.
Claudio Santamaria projects
danger
without even trying and the "Libanese" is played by an actor totally new to me, Pierfrancesco Favino, that gives the best performance by an Italian Actor in many, many moons.
We never get to realize why Regan is in danger, the priest's aim during the whole film is rather incomprehensible and all the "synchronizer" scenes with the light bulbs going rapidly in and out are so annoying!
A Man and a Boy, trying to outrun the Apocalypse, wander into danger, hide, whisper, cower, run, escape ... then wander into new
danger
(and repeat steps 2,3,4,5 and 6).
The idea of hidden, secret love...and all the excitement and
danger
that involves.
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