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Cultural in sentence

2092 examples of Cultural in a sentence

I got to see this film at a special screening at the Alliance France in Manila, the French embassy's cultural center.
The devotion to cultural stereotypes only lends credibility to the story's environment and development.
All things considered, even with the period specific "whites for ethnic minorities" casting mentality, respect for a certain amount of cultural authenticity was in this movie to a greater degree than in previous films of this era, and so I feel that in that respect this movie was ground breaking and helped slowly pave the way for minorities to eventually take center stage in great theatrical releases.
But with my friend there to explain all the cultural and religious references and jokes, it was a truly unique, educational and wholly funny experience.
At first, I thought that this is a comedy about those people coming from outside back to Russia, and experienced an entirely different cultural shock.
Students of cultural history will find this film interesting as an example of why screen musicals became unpopular for a time.
Nathan Lane is at his scenery-chewing best as Sheridan Whiteside (modeled on Alexander Woolcott), a critic, commentator, and friend of the great and near-great who is forced to spend several weeks in the home of a Middle America family for whom "Goodbye Mister Chips" is as high on the cultural scale as they go.
In 1975 films and other cultural activities were ordered to cease, and subsequently many actors, writers, and directors were executed.
But what separates him from true genius is how he wasted his career trying to shock the cultural and religious establishment by being as crude and vulgar as possible.
Whoever is willing to take the risk of setting shop in such emerging economies like India can be assured of profits if he absorbs and shares the cultural diversities.
I also saw a interview of Carlos and Ana which was taken after the Cannes shock treatment.He said he wanted to show real images and thats the reason he prefers débutantes in every movie.Also Marcos is supposedly a driver for his dad at the History of Cultural museum (that obviously explains his inclusion).
The film is wonderfully photographed and has an air of cultural realism that has rarely been equaled.
The minimal cultural differences between Britain and the US begs the question as to why US actors were needed in this film in the first place.
This is an honest forthright portrayal of an important historical and cultural event.
The film combines the cultural heritage of India with the American culture and adds a lot of humor which both indians and americans can appreciate.
The film is packed with things that the American creators obviously thought they were getting totally right, but have got COMPLETELY wrong!! Ridiculous British stereotypes, the types of people whom I have never come across in my 20 years of living; an Irish stereotype; the obvious Asian-American stereotype; American phrases; American cultural references; ridiculous British references that are.. well they're not really anything that anyone in Britain would actually make any form of reference to!!
The filmmakers provide a fascinating contrast between Eastern and Western cultural values, as well as between Christianity and the Japanese Bushido code of behavior.
Ziva, his partner, is most adorable with every cultural nuance she utters as she tries to grasp American idioms.
Also, I found the post apocalyptic society presented in the movie very believable, complete with cultural references to the "before-time".
But I have to admit that even as an inveterate feminist I tend to chalk these moments up to "cultural differences," and keep watching and laughing all the same.
I thought that I would get a look at the history, structure, economy, and cultural legacy of gang-life in LA.
There are hues of cultural family/generational expectations, like the scenes of Michael and his aunt.
I suspect while reading it that this is OK because the cultural norms to be depicted are alien and unfamiliar to a 1932 American movie audience.
Not only does Singer orchestrate an entertaining but intelligent yarn around titans of Good and Evil battling for supremacy with the fate of mankind at stake, but he also tackles important cultural issues integral to the plot that enhance its subtext about intolerance.
For these and many other reasons, rebuilding Afghanistan's economy will require not only economic reconstruction but an effort to reinvent the country's political and cultural institutions.
Cities such as Kabul, Mazar, Herat and others will need to be rebuilt as centers of economic and cultural life.
Many of the country’s leading artists, scholars, and doctors, having studied in the capitals of Europe, acted as cultural mediators.
Here, there is also a technical aspect that must be taken into account: it is much easier to constrain consumption through wage contraction or lower credit expansion than it is to stimulate it, especially if the high propensity to save in some surplus countries reflects cultural and institutional factors.
No other country embraces such an extraordinary profusion of ethnic groups, mutually incomprehensible languages, religions, and cultural practices, as well as variations of topography, climate, and levels of economic development.
Agreed EU-wide immigration rules are needed to reconcile shrinking Europe’s hunger for imported labor with widespread fears of cultural tensions and social unrest.
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