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Constantly in sentence

1404 examples of Constantly in a sentence

I found myself constantly backing it up to see what details I had just missed which could tell me what the (bleep) was going on.
Watching this movie made me think constantly; why are they making such a problem out of some broken brakes?
It's also pretty fantastic to hear the characters in the film constantly call her beautiful or refer to her as a "girl"...obviously
Dr. Houseman is working on a serum that would allow the body to constantly regenerate cells allowing humans to become immortal.
A lonely loser high school student who is constantly picked on by classmates and rejected by girls, ends up walking in on his trailer trash mother having sex with a drunk redneck.
My friend and I constantly informed a friend of ours of the horror of this movie to the point that he needed to see it just to understand how bad it was.
While its admirable how Ittenbach made this movie with no money in his spare time (and the DVD documentary is worthwhile to see this), I found myself constantly battling not to fast-forward to the next gore scene.
Mother F seems to be the "writer's" favorite because it is used constantly.
In addition, Cassavetes and Falk overact constantly.
The actors smoke constantly and we see ads for beer beverages.
Everything about this movie is unoriginal and it constantly oozes "cliche", minute after minute.
Like I said the movie had potential but I was tired of the one-sided point of view being constantly repeated and jammed down the viewers throat by his so-called...well-meaning friends.
Hagar, as a character, was one who constantly challenged the social norm (Gainsay who dare, anyone?), and ended up nearly sacrificing her humanity in the process.
Natasha Henstridge, I'm sorry to say it, comes over bit manly... you're constantly waiting for her to run off with her best friend, who's own sub-storyline is a little weird.
I felt so sorry for the character Louise, and she was constantly compared with Esau who was evil, I just felt the comparison was a bit harsh and un-realistic.
If your jokes consist of corpses getting beat up and people constantly throwing stuff at each other then this movie is for you.
She is constantly getting passes from men, and even dumps them without so much as blinking!
All in all the film is entertaining, but I constantly found myself saying "oh brother, what a load of ....".
The actors were constantly taking obvious care to hit their marks, looking almost robotic in their movements.
Of course the camera work is fluid throughout, constantly on the move and incorporating hand-camera shots a-plenty, but director Lee fails to deliver thrills or suspense, falling down fundamentally by not making anything of the key protagonists in the film.
But that's not enough: They also click constantly "no" whenever there is a negative comment on the movie.
As a cheap, low budget production, most of the action revolves around Rogers and her lead man (some guy, I don't care who he is 'cause he really sucked) talking about their various possibilities of solving the crime, while being constantly cut off by an absurd detective with his head in his butt.
If you do see this, your mind will be constantly racing, thinking up ways that you could have taken the SFX scenes and built a far better movie around them.
Instead, with his film, he judges them constantly, talking about them as 'cretins', again and again, dramatizing the action, setting-up scenes to create the spectacle, all of this very unacceptable for a documentarist which claims to work for an all-mighty objectivity.
Some of the highlights of this film include the absurd music which is constantly playing throughout the movie, the hideous special effects (when someone is shot with a laser gun they turn neon green and promptly disintegrate), and the disgusting acting.
The film largely consists of endless shootouts that quickly become monotonous - especially when most of the time you are seeing the bad guys armed with machine guns constantly missing Larson and him armed only with a revolver (that NEVER runs out of bullets) taking them all out rather easily.
Constantly slow and boring.
I would have stopped that car within one minute whether I was in it or in the police car constantly following it.
The plot changes constantly.
Non-stop barrage of wisecracks, put-downs, bull talk, and unfunny bits of business such as Janie's little sister bribing family members, Hattie McDaniel (as the maid) constantly scuttling after sassy kid sis, Janie's mother involved with the Red Cross, and Janie's father trying to write an editorial on the problems with today's teenagers (as the parents, stuffy, sexless Edward Arnold and pert, chatty Ann Harding make an unlikely couple, even for 1944; he looks incapable of helping to conceive a child much less raising two of them).
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