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Colors in sentence

619 examples of Colors in a sentence

This film is a cartoonish piece of snot with bright colors and bad mediocre acting.
Plus there's the character design, which seems to consist of the same three characters with the same bored expressions drawn over and over again, but with different skin colors and maybe a different hairline occasionally.
It is chock full of smart shots of colors and shapes and verbal excursions into Freudian psychology to be appreciated by art students and teachers alike, but in general it is perceived a stupid mockery of good cinema, good storytelling and generally good taste.
One of the things that the director/producers/writers/whatevers changed was that they refused to use any of the colors of the original book (red, black, white) on any character but the Cat.
It begins with a couple of disgusting sex-comedy gags, but soon it reveals its true colors: it wants to be a "Death Wish" clone.
The colors were all washed out, and I can't count how many times I was able to see through objects that were supposed to be solid.
I just realized why the colors and sets in "Sakuran" were so flashy and gaudy, and just painful to look at.
Title: Opera (1987) Director: Dario Argento Cast: Cristina Masillach, Ian Charleson, Urbano Barberini, Daria Nicolodi Review: The only other Argento movie I had seen was Suspiria and that one blew me away with its style, colors and spooky story line.
Rendered in beautiful water colors, Ponyo At The Cliff is definitely a sight to behold, vaguely remembering the trailer, witch i didn't find that impressive, i was surprised at how beautiful and detailed it was.
See Three Colors: Blue and Three Colors: White.
They are both wonderful films and will give an added dimension to the finale Three Colors: Red.
So Dustin Hoffman passes the test with flying colors, in my opinion.
It does it plunging ourselves in a livid Taipei, stained in cold colors, where the rain falls incessantly; a DAMP world.
The colors in this movie are great, and kids can really feel good while they are watching it.
Every shot is filled with vibrant colors that leap off of the screen.
It influenced me as a Jewish teen-ager who had friends of various colors and whose father's family had suffered under the Fascist regimes in Europe during the second quarter of the Twentieth Century.
The lighting, camera moves, scene composition and colors...I have to keep reminding myself that I'm watching a TV Show and not a Motion Picture masterpiece.
Very safe for small children and the colors capture their attention like no other!
This particular Wallace & Gromit can be enjoyed by everyone from toddlers who like the colors and cute bunnies to their grandparents who understand the adult references.
Probably because this is Columbia's first film in color, the colors look different specially in the indoor scenes.
The ending is exceptional.There is a ship wreck.The only survivors are the heros of the "Three colors".The man and the woman finally meet.The scene lasts a few seconds.The woman there looks like the photo she had taken for an ad in the beginning of the film;sad in a red fond."But
The movie follows the lives of people(particulary a couple of people who have a brief relationship and happen to be opposite skin colors) then we watch what happens when the white man realizes what he's done.
What 2 or 3 year old actually gets all that anyways its all about the colors and the singing.
This brilliant film ignites the screen with rich colors, fine music, brilliant editing, superb direction by George C. Wolfe, and a cast so stunning that they make an encore viewing compulsory!
The colors, compared to the earlier black and white, are really used imaginatively here and many of the new gags-like when one of the skeletal band players hits a wrong note constantly or when one loses his head and takes another one's off or when one dances with the other with part of that other gone-are just as funny as the previous short.
Shot in primary colors, almost all red, white, blue and yellow, we get a real sense of the life of a boy who is making something from nothing.
As a modern Marco Polo, from Venice to China, here we come Amelio, again, taking on the task to render us the grey area in the middle of two worlds in solid colors.
The cinematography and vivid colors are also noted.
Ensconced in all the many of William Wyler's equanimity of subtle "multi-plots"...intentionally NOT "surrounding," "mini" or "sub" plots...in all their "colors and shades of intensity"...did more, than anything else I can recall, to provide to me some semblance of "reason" and "rational explanation" of what had been going on all around me...in REAL life.
There are frames in this film that could be Renoir paintings with vivid colors against muted backgrounds.
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