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Code in sentence

968 examples of Code in a sentence

The interaction between respectable and morally uncorruptable characters is an ode to chivalry and the honour code amongst thieves and policemen.
Consider the censorship code in the US, during the 30's, that pretty much sums it up.
The late 30s and early 40s were a golden age for adventure movies, what with the rise in budgets during the economic recovery, the changes to screen entertainment since the production code became enforced and the general carefree optimism of the times.
BABY FACE is one of the better of the "forgotten" films before the code.
In this film, made JUST as the production code was being enforced, Jean Harlow is Eadie, and Patsy Kelly is the wisecracking, man-chasing sidekick "Kitty".
I wonder what that line would have been just a couple years earlier before the Hayes code came rolling into town.
I would think that it was Danelia who came up with all the colorful memorable characters that feel so much at home in his native Georgia-Grusiya, the land of long and wonderful traditions, including Art of making and drinking wine, rare music talent that all Georgians seem to possess, very unique humor, and high code of honor.
The interaction between respectable and morally strong characters is an ode to chivalry and the honor code amongst thieves and policemen.
Despite claims that it is fair, the tax code has always laid the lion share of the burden on the middle and working classes rather than the rich and influential.
Often laugh out loud funny play on sex, family, and the classes in Beverly Hills milks more laughs out of the zip code than it's seen since the days of Granny and Jed Clampett.
But no one present, and still alive, at the casino knows the code to open the vault.
The strain produced by his internal struggle and his intense hatred of criminals, leads him to make serious errors of judgement and to fail to recognise the need for any code of conduct to be adhered to in his dealings with people on the wrong side of the law.
We were three years into the film production code... Barbara Stanwyck had starred in the original play, but here, Carole Lombard plays Maggie King.
The heat between them is evident, and there are some scenes that are definitely pre-production code!
It was made in 1931, so they were able to get away with all sorts of lines that would not have been included had the movie been made a few years later, after the code was established.
I guess I'm going to get player with region 2 code and buy the UK version DVDs.
Taken as a period piece when the sexual revolution was completely redefining the country's moral code, the film is a shrewdly observed, sharply comic character study among the Southern California bourgeoisie.
So who, or what, exactly was the "Man from Tallahasee?" Was it a code for "I've got a man in my closet and I want security to allow him to go destroy the submarine?"
With the rampant infidelity theme this story was probably written with pre-code Hollywood in mind but with the code going into effect the year before it's release it was filmed as a little less salacious.
Can somebody who liked the movie please explain: - Okay so the military drops at least 2 smart bombs when they open one of the silo holes.... but at the end of the movie Dolph and Montel crawl out to greet the press and no visible damage??? - The bad guy is seconds from having his goal of blowing up Washington but for some unknown reason he uncuffs himself from the code suitcase and falls to his death.... thus allowing Dolph time to run to the lab and stop the bomb from exploding... gave me a headache trying to make sense of that - Dolph and one of the bad guys are fighting under one of the missiles when it launches and sprays them with superheated fiery compressed flaming exhaust ..... but Dolph picks himself up and fights on - the bad guy demands the poor President (that guy from Jaws)shoot himself on national TV in the graveyard.... but the gun on the headstone is full of blanks... so why not have a secret service guy bump off the President if it would save the country??? - I guess a nuclear bomb exploding in South Dakota was no big deal... just a warning... nothing real important - the rooftop car chase was interesting - at least have Dolph take his shirt off and show us his body
Oh, actually it was, but it was in code that I deciphered too late to save myself.
The first two people to fall under the spell of the Devil Messiah are the blind girl who has just been hanging around for no apparent reason and wheelchair bound superhacker who wrote the basic code for the evil program (and who by an amazing co incidence happens to be the half brother of the leader of the underground.
Unfortunately, Stanwyck is obliged to follow the doctor's rules, as per her profession's code of ethics (hopefully this has changed over the past 75 years!).
Also, at one point in the story a technician saves a genome or record of the entire genetic code of a human being on a single floppy disk!
Way back then I remembered that after presenting a code to solve, the head man stepped down and walked down the aisle asking "When do we go home?" to which everyone responded "When the job is done."
It gives us mature leads and tougher story lines, and admits to the possibility that outside of the 310 area code, not every dream must necessarily come true.
I must say it was helpful to have her watching the movie with us (in our college dorm), however, because she explained a number of things about Japanese tax code and evasion as well as the Japanese mafia that made the plot (and politics) of the story much easier to follow.
The film is clearly "pre-code" meaning the code was down in ink but largely ignored by studios until enforcement in 1934.
There are certainly some typically subversive little Preminger / Hecht touches, I detect, of voyeurism and fetishism, running the film close, I would imagine, to the prevailing moral code of the day, which the former was to take on further in "The Moon Is Blue" and to some kind of apogee in "Anatomy Of A Murder" 10 years later.
The constant "code switching" -- between the gritty documentary style and the Hollywood stars in fabricated studio sets -- really pollutes the vision of what this film is trying to achieve, I think.
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