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Claustrophobic in sentence

94 examples of Claustrophobic in a sentence

Both Curtis Clark's agile cinematography and J.A.C. Redford's shivery, skin-crawling score greatly enhance the considerable claustrophobic tension.
There has also been a greater than average amount of rain lately, and the atmosphere of most of the film is somewhat claustrophobic & oppressive.
The "nothing" in this movie is apparently infinite space, but Natali somehow manages to make it somewhat claustrophobic, if only because there's literally nothing else, and nowhere else to go.
First of all, the overall feel was intense, internalized, claustrophobic, and small.
It's also one of the first stealth games, one of the only(and definitely the first) truly claustrophobic games, and just a pretty well-rounded gaming experience in general.
Thrillers about people being held in a house against their will always make me a little uneasy--I end up feeling like a prisoner too--but this rather classy B-film is neither lurid nor claustrophobic.
It's also rather dark and claustrophobic, being that one doesn't see much beyond a small circle of light that candles and such generate, plus there's a feel of dread and impending doom pretty much at all times.
The result is a claustrophobic set of scenes.
The tone is strange and claustrophobic as we get inside the mind of a guy named Keith that is so messed up he can hardly form a proper sentence.
Kazan as always gets fine performances from his actors but also shows a visual flair for claustrophobic suspense with a combination of tight compositions and stunning single shot chase scenes.
It has many genuine shock-moments, a whole lot of repulsive gore-sequences and a rare claustrophobic tension.
In Uwe Boll's stunning "Tunnel Rats," the increasingly interesting (but still no less maligned) German director has made what essentially amounts to a chronicle of the madness of war told in a confined, claustrophobic, and frighteningly intimate way.
This gives the film a very claustrophobic atmosphere which benefits the paranoid atmosphere greatly.
I was shocked to find that the producers had actually made a really taut, interesting, claustrophobic thriller...much more interesting than most of what you see in the theatres.
The atmosphere is positively claustrophobic and palpably creeeeeeeeepy, and the terror -- which starts early and brutally -- is unrelenting.
And it's a pity because the first hour is genuinely eerie, with a fittingly claustrophobic mortuary as the ideal setting.
I was hoping for this film to recreate the kind of claustrophobic terror that was the only reason to watch the first film, but instead, the entire film is an excuse for Jennifer Love Hewitt to show off her body.
This is a claustrophobic little film, independently made with a small budget, yet it delivers the goods.
"Big Night" is a claustrophobic character-driven ensemble flick about two Italian immigrant brothers (Tucci & Shalhoub) trying to succeed in the restaurant business.
The film is not predictable...the effects are gruesome and amazing and it has this claustrophobic eeriness that has only recently been recaptured by The Descent...A must see for any Horror Fan...it's a shame the film is Public Domain and will never get a decent release...
Susan Justin's obscenely heavy-breathing score, the cramped, claustrophobic set design, Holzman's rapid-fire editing and Tim Suhrstedt's appropriately lurid cinematography are all likewise up to par as well.
Tight dark and claustrophobic this is a film that really knows how to ratchet up the suspense.
The story is lame, but will probably give you the creeps if you are at all claustrophobic.
The minimal sets give the film a cramped, claustrophobic feel.
Here is where the film provides suspense as we feel the victims' claustrophobic tension.
While the film still shows its stage origins, it works for the claustrophobic atmosphere to keep locations to a minimum.
But the story is pretty bad and while the dark space station sets a claustrophobic mood at first, it starts to get annoying at some point.
It is claustrophobic and frightening at times, and at other times it is sublimely beautiful and haunting.
This sequel is very claustrophobic and also very violent, but it deserved a better conclusion.
We'd get airports, airplanes, ships, buses, trains and many more, all in inferior films, but in Die Hard the action is set in a skyscraper, and director John McTiernan handles the claustrophobic tension with breathtaking skill.
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