Classics
in sentence
475 examples of Classics in a sentence
He has a half dozen
classics
to his credit.
The editing appears again to be an attempt to duplicate the previous
classics
but is occasionally disjointed and cause more problems for me technically.
The film is neither interesting, like some of Fulci's more tame Giallo's, or gory like the majority of his cult classics; thus leaving it lacking in both major areas, and ultimately ensuring that the film isn't very good.
Anyone who was really impressed by this film has never bothered to see any of the true movie musical
classics.
I read somewhere that Hollywood should concentrate on remaking bad movies and leave the
classics
alone.
It is a complete joke....and literally a spit in the face of real
classics
of the early generation of horror like Texas Chainsaw Massacre (1974) which they even had the gall to compare itself to on the back of the cover art.
Nowadays it is sort of a trend to look upon all shows from begin 90's as
classics
(people are so easily blinded by nostalgia these days), and while some of those shows were/are undoubtedly good, this one is just pure crap.
Deathstalker, The Throne of Fire, Barbarian Queen, Conquest, the Invincible Barbarian were all done on shoestring budgets and poor special effects yet they still managed to create cult
classics
by adding some scantily clad women warriors and a good sense of humor.
Stick to the real B-movie cult
classics
like "Plan Nine From Outer Space."
The machinations of one half of a pair (of husband/wife, ex-husband/ex-wife) to get the other back at the threat of marriage to another, divorce, or an eventual separation by means of jealousy, humiliation, or other schemes had been done much better in
classics
such as HIS GIRL Friday and THE PHILADELPHIA STORY.
This is a joke, there is nothing wrong with being low budget, but this is a laugh, If you want to look at the classics, Freaks of Tod Browning, the victims of Dracula and Frankenstein, the Undying Monster, Ernest Thesiger, Paul Wegener's The Golem and the passengers of The Ghost Train, you can't compare it, it gives it a bad name, bad acting, bad screenplay etc.
It even came with original theatrical previews of other Italian horror
classics
like "SPASMO" and "BEYOND THE DARKNESS".
I do wish people would stop messing about with
classics
when they clearly have no idea of the real intention or point of the original.
I'm working my way through the Horror
Classics
50 Movie Pack Collection and REVOLT OF THE ZOMBIES is one of the movies in the set.
Jonathan Demme's directorial debut for Roger Corman's legendary exploitation outfit New World Pictures rates highly as one of the finest chicks-in-chains 70's grindhouse
classics
to ever grace celluloid.
This is one of those top 5 movies I can't live without, right up there with the
classics
like Road Warrior.
clearly they couldn't have carried on after Gary Olsen died but i think they should get rid of "catherine Tate" "the office" "little Britain" and bring back the
classics!
Roman Polanski is considered as one of the most important directors of our time, as the mind behind
classics
such as "Rosemary's Baby" and "Chinatown".
It is one of those great
classics
that the whole family can watch.
Today it's slightly less incriminating by standards and such, though the unrated version has some of the most "hot" content of any of De Palma's films, at least in his quasi-auteur period of the 70s and early 80s, where he seemed to repeat themes over and over, ideas taken right off the film-reels of Hitchcock
classics
and given a tawdry uplift.
There were musicals prior to that, and there have been musicals since… but the true
classics
seem invariably to have been made during that period.
What makes this film so good is the touching of the human element.This film is definitely in the tradition of such British line
classics
such as "Mrs.
I now appreciate it more, as I do with a few other Disney
classics
that I have watched recently (including "Sleeping Beauty" and "Pinnochio" or however you spell it).
I checked IMDB and I see the writer also wrote "Sorority House Massacre 2" & "Dinosaur Island" for the director -- both minor
classics
in their own rights, but obviously "silly" Roger Cormon-like Cinema -- this one's more like some of the better Jonathan Demme and Jonathan Kaplan B-pictures of the 70's -- giving you the exploitation element but offering involving drama at the same time -- a real step forward.
Of course, he did have to INVENT EVERYTHING about cinematography, film directing, etc. before he could make
classics
like "The Gardner," so I suppose he may be forgiven this initial excursion into mere sociological documentary.
Since unfortunately you are not Black, you do not have the pleasure of feeling what we feel when we watch these classics, so therefore you need to keep your freaking mouth shut and just stick to your non-dancing race.
Average montage scenes, 30-somethings playing teenagers, and some excellent facial expressions combine to become one of the "new-wave" of modern
classics.
Cult
classics
are nearly impossible to predict.
There have been many ersatz renditions of classic movies in the past, but, the originals are almost always considered superior!! "Purple Rain" is such a movie in this category!! Made in 1984, "Purple Rain" provided a doggerel of eighties, happy-go-lucky quality music, which they incorporated into the making of this excellent film!! Certain artifacts indicative of the eighties are indeed classics!! Screwball comedies, neon accented clothing, and of course, the music!! Eighties music is considered by experts to be the best decade for music in American history!! Set in Minneapolis, "Purple Rain" accommodated the use of naive entertainment with the changing times of the city.
Atlantis, brings back the magic of the Disney
Classics
such as "The Lion King" or "Alladin".
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