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Cinematography in sentence

1385 examples of Cinematography in a sentence

The plot of an escaped leopard terrifying a community certainly justifies calling this a horror film, but it succeeds as a minor masterpiece in the genre only because of the elegant direction and cinematography, which took advantage of the black and white medium.
I'll give props to the cinematography: there is some fine work with limited light which, in some scenes, disguise the stage-bound nature of the film.
Swimming Pool contained good symbolism, acting, and especially great cinematography.
The cinematography was pretty nice to look at, too, very spoof-y and bright.
Expect lots of beautiful cinematography and little else and you won't be disappointed.
This film basically faithfully retells the original Remero story with the benefit of better make-up, special effects, cameras, lighting and cinematography.
This retelling of Ivanhoe has many exceptional qualities, including first-rate cinematography and chivalric music.
i could go on forever about this movie, from its awful direction and cinematography to its lighting and its score, not to mention the films amazing acting.
I kind of expected to see a cool 'who-did-it' slasher flick; generic story, lots of gore, okay cinematography, etc.
Jodha-Akbar is a motley of exceptional love,Terrific Action,Soulful music and splendid cinematography.It is one of the most uncommon films and a must see one if you want to witness something special.The film got combative stunts and it has everything to please everyone.But on the other side,the film is slow and lengthy.The first half of the film lasts more than 2 hrs yet the twists and turns will glue the audience to the cinema.Hrithik was awesome as Akbar and Aishwarya was majestic as Jodha.Direction was at the best.Ashutosh proved yet another blockbuster which falls in the same line of Lagaan and Swades.May be he need to concentrate on the duration of the film by chopping off few scenes.Jodha Akbar is basically a love story instead of calling it as a War based film.The film lacks pace and slow narration of few scenes and the frequent usage of Urdu language made the audience ambiguous and also boring.But at the other end,even though the film lasts for more than 3.30 min,it is gripping enough and very much bearable.The Director need to edit the film and make it as a 3 hrs film so that the audience will like this film even more.The huge star-cast of Hrithik-Ash playing as Akbar and Jodha might have evoked a lot of curiosity among the audience before the release but i must admit the film almost lived up to the expectations.The love part was dealt exceptionally well and it is the forte for the film.The film depicted the Legacy of Akbar.The film also shown that Akbar did lot good for Hindus.
Both films do share amazing cinematography, no matter how many times and in how many movies I see shots of Morro da Sinuca, I am always amazed by it's vastness and unique beauty.
The film covers the art of cinematography since the conception of cinema at the turn of the 20th century.
Sean Bobbitt's time lapse photography and dogma style 16mm cinematography combined with Michael Nyman's emotive music is a really fantastic combination.
A beautifully filmed song, so someone knew a bit about cinematography, but didn't bother to do any other homework.
Neither the acting, nor the writing, nor the cinematography was involving or suspenseful.
While I appreciated the cinematography, I am afraid that this element alone is not enough to succeed to make a commercially viable film.
This one is worth a look because of the great cinematography and the use of color for a film made in the early years of its invention.
It is my heartfelt belief that no clearly thinking individual who considers him- or herself to be a student of either WWII aviation history or modern cinematography could possibly find this to be a good (or even decent) movie, from ANY standpoint.
Ably directed with real style and fierce economy by William A. Wellman, with a gritty script by Harvey Thew, crisp black and white cinematography by Devereaux Jennings, a vivid and flavorsome evocation of the period, startling outbursts of raw violence (watch out for the infamous grapefruit scene!), a tight 84 minute running time, and an uncompromisingly dark and depressing ending, this extremely hard-edged film still packs one hell of a potent punch even today.
Also, the amazing close-ups both above and below ground, beautiful cinematography of the Kalahari landscape, and astute narration is a big thumbs up.
The cinematography is brilliant, the performances flawless.
The cinematography "felt" a little "indie"- as in not shot by an ASC member, but still felt solid.
Great cinematography and artistic creativity.
Not only could this scene have been shorter, but it could also have been much more exciting had there been adequate use of music and cinematography.
He had done cinematography for several Fellini films as well as for directors Stanlry Kramer, John Huston, Arthur Hiller and Edward Dmytryk.
I found the choppy cinematography to a blessing.
If the cinematography hadn't matched the somewhat choppy story to begin with, it would have sank even farther in my mind.
The cinematography of the Artic is unlikely to be ever met again with the computer-generated film of today.
And the cinematography is just amazing--very beautiful, very cold.
Maybe it is because some of its cool and innovative cinematography?
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